REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 316 of 491)

DAN REED NETWORK – The Heat

After having moderate success riding on the wave of the funk rock boom of the late eighties/early nineties (especially in the UK and Europe), Dan called it quits, shaved his head, and disappeared off the map. I was super sad as they wrote great tunes, were a killer live act, and Dan was a superb frontman.

This is the third album and the last studio album for nearly 25 years. I know there was a best of, a live album, and some little side projects – but that’s a long time between albums. To emphasize my point about writing great tunes, the opening song Baby Now I is a superb opener. It has a killer groove, beat, and one of those ear worm choruses that you can’t get out of your head. The heavy funk groove keeps a comin’ with Blame It On The Moon, and if you want to know where Max Martin got it all from – you need to hear this, a superb track. Mix It Up has an urban vibe (before that became a thing) and you definitely need your groove shoes on. The title track is next up and starts with a messed up Beatles style riff mixed up with the trademark funk rock groove – it works so well and a shout out to Brion James for a killer solo. Then the mood and vibe slows right down with the ballad Let It Go, before normal service is resumed With Love Don’t Work That Way with the return to funky town.

Sometimes covering an iconic track just doesn’t work, and that is the case here with their cover of Pink Floyd’s Money. Floyd’s version is so imprinted in my memory that any messing around with it is a no-no for me. Side 1 closes out with the unusual acoustic barroom blues of Chill Out. So if you’re counting, that’s 8 tracks on Side 1 and I think we could have jettisoned a couple of them. Life Is Sex brings back the funk and groove and we are back up and running. Ballad number two is next with The Salt Of Joy and it’s straight from the Bon Jovi book of ballads. Take My Hand would be best described as soft rock and it sort of feels lost. The Lonely Sun feels like a Dan Reed tribute to Led Zeppelin with the main riff of the song. Thy Will Be Done is one of my favourites on the record as the groove is killer, and I like the indie sounding guitars mixed with the usual Network sounds. Wake Up and Long Way To Go close out the album.

I would agree with the general assessment of the album that it’s the weakest of the first three. If they had culled some of the tracks (say by 4) then it would have flowed a lot better…but hindsight is a beautiful thing.

8.5/10 from The Grooveman.

PANTERA – Power Metal

This is the last album of the so-called glam years, and was the first album to feature Phil Anslemo.  Phil is full on Rob Halford on this album with the high screams done to a T – and he has the full on bouffant hairdo as well. I love this record – warts an all – as it’s the missing link. It’s still a big stretch from this to Cowboys From Hell though and it was some transformation.

The thing that makes this whole album amazing is Dime. His solos are just incredible. The song, We’ll Meet Again, is just a straight up late eighties power ballad (ish) but the guitar sound and solo are incredible. The title track and Over And Out are double kick pounders but straight out of the Judas Priest groove book. Dime’s love of all things Kiss and cheese is evident in tracks like Proud To Be Loud, which is straight from the “How To Be Kiss In 2 Easy Steps” book. P*S*T*88 sees Dime singing and doing his best James Hatfield impression (very suspect lyrics) and the guitar is killer.

It’s worth getting all these old Pantera albums if you can just for Dime’s playing. The guy was a one off and is greatly missed.

9/10 from The Grooveman.

PORTNOY*SHEEHAN*MACALPINE*SHERINIAN – Live In Tokyo

I love all these projects that Mike Portnoy has been involved with since his departure from the band he founded – Dream Theater. He certainly keeps himself busy that’s for sure.

What you get here is a selection of tunes from each of the member’s careers and this group’s take on each of them. You also get the obligatory solos from each of the members which takes up a chunk of the record. There is also a DVD of this event and it’s worth buying for the surround sound. I love this type of release and I can listen to this all day. 4 musicians at the top their game? Yes please!

Highlights (and there are many) include a superb version of Lines In The Sand, a superb cover of Billy Cobham’s Stratus which is always a favourite of Jeff Beck, and a perfect ending to the gig – a version of Shyboy by Talas/Dave Lee Roth. If only these type of projects would tour more often as it’s great to hear these songs in a less structured environment.

9/10 from The Grooveman.

GUILD OF AGES – Rise

I was quite surprised when I saw the release of this album on Escape Music. I thought they had called it a day after releasing three albums for MTM records at the end of the nineties. They also released three albums under their previous name, Caught In The Act, or CITA for short. So what do they sound like? Well, it’s melodic hard rock – a bit like Journey but with a slightly harder edge.

The album starts with a nice instrumental intro that leads into Deep In Heaven, which the title suggests, does reflect the faith of some of the band members. The lyrics on some of the songs are of a Christian leaning. This track is one of my favourites as it weighs in at over 8 minutes with the intro, and its more on the heavier side. Around The Sun is slightly more poppy in feel and has a section that reminds me of Kansas. Addicted has a killer riff and groove and it swings along nicely – the guitar gives it that bit of oomph! Every Road Leads Me Home is power ballad number one and the harmonies are really cool – a great guitar sound! All Fall Down closes out Side 1 and we go out with a bang. A big fat heavy riff drives the song along, and has a big hook and nice harmonies.

Side 2 opens up with Awaken with a Prog metal style riff and an off-groove that sets this track apart from the rest of the album. This weighs in as my favourite track on the album. Another killer riff starts Love Rules All, and this track also has a different vibe and feel – not your straight 4/4. I’ll Keep Burnin’ has the double kicks pounding and I really love the harmonies on this one. Rise Another Day is a straight up melodic rock tune and the vocal sounds a bit off on this one. Then we spoil it all by finishing with the ballad, Hearts Collide. Always go out with a bang and leave them wanting more. All in all, not a bad album.

8/10 from The Grooveman.

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