REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 305 of 491)

FIREWIND – Few Against Many

Most people will be familiar with Gus G for his time as Ozzy’s guitarist – but this is his day job. This is the Greek outfits 7th album released back in 2012, and it continues with the band’s brand of melodic power metal with great riffs, killer guitar, and some epic vocals.

Opening track, Wall Of Sound, is a beast of a tune with a killer riff, groove, and a superb hook and chorus. Losing My Mind slows the pace down to start with before a huge epic riff and groove kicks in that reminds me of Metallica – Gus G’s solo is nuts. The title track is next up and rips in with a great drum groove and a huge riff – a big shout out to vocalist, Apollo, who is the owner of a great set of pipes. The Undying Fire follows and its more of the same, although this track doesn’t have so much to latch onto riff wise, but it dips its toe into thrash territory. Side 1 closes out with Another Dimension and it’s the fastest track yet with a super choppy riff and blast beat drums.

Onto Side 2 we go and Glorious slides into a huge chugga riff with a superb hook and melody. Edge Of A Dream is next (with a guest appearance from Apocalyptica) and we are in power ballad hell my friends – the only redemption here is Gus’ guitar. Normal service is resumed with the opening riff to Destiny with chugga’s a plenty and quite a commercial hook and melody. Long Gone Tomorrow is up next and has a really evil riff that I like, and then it’s into lots of chugga’s. The album closes out with No Heroes, No Sinners and they definitely believe in going out on a high – this could be my favourite on the whole album. It has lots of peaks and troughs, and it builds very nicely into quite a nice ending. A really solid album.

9/10 from The Grooveman.

WRABIT – Tracks

I think the band are from Toronto, and this is their second album released in ’81. Their style is firmly in melodic rock/aor territory, and the only member I know anything of is John Albini on guitar. He went on to partner with Lee Aaron as her guitarist and songwriter. In fact, it’s Mr Albini’s contributions that get my attention the most as JP has a killer sound and tone.

The songs are heavy on the melodies, and the harmonies are really good. You would be forgiven for thinking that you were listening to Styx (in their more syrupy moments) on tracks like I’ll Never Run Away. I like the more up-tempo tunes myself, and Soldier of Fortune and Unsung Hero are my favourites on the album. I’m not sure if they were Christian in their beliefs, but See No Evil and Don’t Lose That Feeling have that vibe with the arrangements and tone.

Not a bad album. If you like aor with a large dose of pomp, you will love this album.

7.5/10 from The Grooveman.

GENERATION AXE – Live In China

I’m a huge fan of the G3 tours that Joe Satriani put together, and I got to see a couple of them. The one with Satch, Petrucci, and Paul Gilbert was one of the best gigs I have ever seen. So when this package was put together I was super stoked – this is a widdly fans wet dream. The guitarists are Tosin Abasi, Nuno Bettencourt, Yngwie, Steve Vai, and Zakk Wylde, and this show was recorded in China.

The album kicks off with all of them together playing a version of Foreplay by Boston. Next up is Tosin playing Tempting Time from the first Animals As Leaders album, and it’s killer and shows how much rock instrumental music as advanced. Tosin is joined by Nuno for another Animals track, the stunning Physical Education. It’s great to hear what Nuno brings to the piece as its totally different to what he usually plays. Nuno plays a piece called a Side Of Mash, which starts with the solo piece from Extreme’s first album, and then highlights from lots of other pieces from Extreme albums. I’m a big Nuno fan, l love his style and groove. He is then joined by Zakk for a track called Sideways. It’s the first track with vocals but it’s the solos that will blow your mind. Zakk is by himself next for a rendition of the Allman’s Whipping Post, and it’s as over the top as you would expect.

Fun fact alert! Zakk actually auditioned for the Allman’s and didn’t get the gig. I guess they didn’t get all the behind the head thing.

Steve Vai is up next with his track, Bad Horsie. It starts with a small clip from the Crossroads movie which is cool, and then it’s Vai just ripping it. Superb piece! Yngwie is next and it’s pure widdle with lots of excerpts from various pieces of his in his own classical style. Yngwie is then joined by Steve Vai for the track, Black Star, and it’s widdle overdrive. Next to last track is a killer version of Edgar Winters’, Frankenstein, where everyone (apart from Yngwie) is playing. Last track is Deep Purple’s Highway Star with everyone on stage for the grand finale.

I do love albums like this, and they don’t come around too often.

9.5/10 from The Grooveman.

LYNYRD SKYNYRD – Pronounced

For some reason, this album and Freebird had become a bit of a joke. Not sure why or how that started, but it shows a lack of smarts, as this, ladies and germs, is a bonafide classic.

I’m not sure when I first heard Freebird, but it was probably on the Old Grey Whistle Test (a wonderful late night music show on British TV where I discovered lots of wonderful delights). I love Freebird – I did then, and do I now – and it still brings goosebumps on my arm when I hear it today.  

You would be forgiven in thinking, that due to all the hype, that this is a one song album. That, my friends, could not be further from the truth as this is rammed full of classic tracks. The album opens up with that groovy phased drum beat of I Ain’t The One, and it’s pure Southern rock n roll with that hint of Country, RnB, and the obligatory killer guitar solo. That just sets the tone perfectly for the whole album. Simple Man is one my favourite tracks – it has so much feel and vibe you actually feel as though you are in Alabama hearing them play it on a front porch somewhere – this is up there with Freebird for me.

This is a killer record and it gets 10/10 all day everyday fro The Grooveman.

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