THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 303 of 491)

MANOWAR – Kings Of Metal

April 27, 2022 /

Early on in their career, I could never quite decide whether they were real or just one big gimmick. Other than the demo album (that was not widely available), this is Manowar’s sixth studio album. Proudly displaying “Full Digital Recording” on the cover, it sounds pretty good on this original analog record. By this time, it was becoming more like a Joey DeMaio solo album, as all but two of the tracks were written by him alone – the others were joint efforts with Ross The Boss (who would leave the band after this album).

The album has a mix of grandiose over the top statements like Hearts Of Steel, The Crown And The King, and The Warriors Prayer, and straight melodic rockers like Kings Of Metal, and Hail And Kill. The band are telling us they are going to kick our asses, as Manowar kills and other bands just play. Of course this is all rabble rousing stuff and it’s what made them fun. I loved all the imagery as they looked like they sounded – pure warriors of metal. It’s still fun to listen to this some 34 years later, and I am transported back to a night in a phone box. Happy days!

9/10 from The Grooveman.

FRANK MARINO – Juggernaut

April 27, 2022 /

I have been a fan of Frank Marino since I heard a track on the radio in the UK, from his Live album released in ’78. My jaw instantly hit the floor and I went out and bought a copy ASAP. He is an amazing guitar player of (what I would say) the old school.

The album before this, The Power Of Rock n Roll, is one of my favourites, but I could never understand how all the critics never raved about – he was amazing. It’s a bit like saying today that on their records, Vai and Satriani play too much guitar. HELLO…he’s a guitar player! So, imagine my surprise when reading the early reviews of this album that the critics loved it. What could be so different I thought? They were raving about two tracks in particular, namely Strange Dreams and Story Of A Hero. Both tracks are a lot more commercial sounding and would appeal to a wider audience they said. Well, Frank has always written tracks like this, it’s just now they seemed to be paying attention.

You would be forgiven for thinking that the guitar would not be featuring as much maybe…nope! This is still a killer guitar record. It’s slightly more restrained in places like on Story Of A Hero, but it packs one hell of a punch. Maybe It’s Time, Ditch Queen, and Juggernaut are all seriously impressive as Frank rips the fretboard within an inch if it’s life. Definitely one of rocks most underrated players, and it’s a big shame that due to his health he can no longer play.

10/10 from The Grooveman.

KILLING JOKE – Pylon

April 26, 2022 /

This the band’s 15th studio album released back in 2015 and was recorded with their original line up. They have always flirted with heavy metal, and fused their post-punk vibe with metal quite successfully, creating their own position in music’s sonic landscape. They have that knack of interjecting a groove and pulse in their music that makes you want to bounce. I’m not sure these are the right words to use, but the album feels quite polished as the production is huge.

I’m a big fan of the band and I think this album sits high in the band’s catalogue. Jazz is his normal angry and controversial self, Geordie is the usual riff and groove driver of the band, and Youth and Big Paul lay down that pulse we all love. Autonomous Zone, Dawn Of The Hive (with a monster riff), and New Cold War occupy the first side and they are all killer tracks – right up there with the band’s best for me. New Jerusalem has a very simple evil guitar sound that any metal band would have been proud of. Carrying on that sound with Delete, this time with a very simple riff and driving groove this is Killing Joke of old.

Glad to see them still churning out the angst with all the groove. Long may they do so!

9/10 from The Grooveman.

SHINEDOWN – The Sound Of Madness

April 26, 2022 /

This is the band’s third album, and for me it’s their best. They seem to get the same hate coming their way as do Nickelback, and I think this is mostly from older rock fans who think the music is created for the purpose of making money and not for the art. Anyway, I love this record. The songs are short and to the point, and the music seriously rocks. The songs are huge with great hooks and melodies, and the production is freaking awesome.

Band leader, Brent Smith, has a great voice with so much power in the delivery, and even though it feels as though the band is just a vehicle for his songs (no members of the band get any writing credits), this is a superb recording. The opening two tracks of Devour and the title track are a killer one-two opening. If it’s possible, we are shifting  gears in the melody and feels department with the stunning Second Chance.

This album is chock full of moments like these, and modern rock it most definitely is, but there is something for everyone here and I would definitely recommend this to anyone.

9/10 from The Grooveman.

« Older posts Newer posts »

Archives

© 2026 THE GROOVEMAN'S COLLECTION

Theme by Anders Noren — Up ↑