REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 270 of 491)

KEEL – The Right To Rock

This is the band’s second album, released in ’85. It was affectionately called “The Right To Cheese”, as a lot of rockers thought it is a tad on the cheesy side and aimed at younger fans. Nevertheless, they found their niche and they milked it for everything under the guidance of Gene Simmons who produced this album.

Every song is a big, anthem, hands-in-the-air style rocker – very reminiscent of tracks that Gene came up with for Kiss. The only track that steps out of that format is Speed Demon and You’re The Victim I’m The Crime, which is my favourite on the album, and both groove along at a fair pace. Mark Ferrari is a decent player and he rips it where he can.

7/10 from The Grooveman.

NEAL SCHON – Late Nite

This is the first solo album from Journey’s founder and guitarist, Neal Schon. He recorded this at the same time Steve Perry was recording his first solo album. He doesn’t step too far away from his day job, as the album is a mix of instrumental and vocal tracks. He does all the vocals as well as all guitars.

It starts with a short little intro piece called Le Dome before we get into the album properly with the title track. It feels just like a Journey track; a slow brooding ballad but with Neal providing the melody with guitar instead of voice. Superb playing and Neal is for sure one of the greats as his phrasing and tone is top drawer. Softly is more of the same, but this time Neal provides vocal to accompany the guitar.

Next up are two instrumentals to close out Side 1. The Theme is very cinematic, and as the title suggests, it feels like a theme to a movie. The last piece is I’ll Be Waiting, and the vibe is very similar.

On Side 2, the vibe and groove are a lot more uptempo with I’ll Cover You. Rains Coming Down starts with very Santana style runs, and the track just builds and builds till the main chorus which has a very funky groove. Smoke Of The Revolution is my least favourite track, even though the guitar playing is cool. Inner Circles is my favourite on this album; a killer instrumental with a superb main riff and groove, and Neal really gives it everything on this piece. Steps is another cinematic theme piece before we get to album closer, Blackened Bacon. It starts with Neal just ripping up the frets until we settle down into an acoustic blues romp. A really enjoyable record.

8.5/10 from The Grooveman.

G-Force – s/t

Now, Gary Moore has covered just about every style of music as a guitar player, starting and ending his career with the blues he loved the most. This album was recorded in 1980, and was Gary’s attempt at the flash hot shot guitar hard rock albums that America was starting to pump out after the huge success of Van Halen. In fact, the band supported Van Halen on some shows.

The songs are sort of secondary on this album as it’s all about Gary and the incredible guitar that he plays. White Knuckles is Gary’s answer to VH’s Eruption; a short intense blast of guitar savagery which rolls into Rockin N’ Rollin. One of Gary’s best tracks (and my favourite) is Because Of Your Love; a superb melodic rock monster with a great hook and harmonies, and Gary gives it everything. A song that bubbles under the radar on this album is She’s Got You, where Gary’s playing is just insane. Of course this project didn’t last long and Gary went to being a solo artist with the release of Corridors Of Power, but this is a great album that passes most people by.

9/10 from The Grooveman.

SIMO – Let Love Show The Way

As far as I’m aware SIMO, the band, no longer exists and it’s now just JD SIMO going out as a solo act. This is the band’s second full album release from 2016, and it is one hot deep blues/funk groove monster.

Opening with a cover of Elmore James’ Strangers Blues is an inspired choice as it adds some serious swing to an old blues standard. Two Twin Woman sees SIMO really letting the slide drive the tune over a somewhat dirty funk blues. Cant Say Her Name is some real deep down south heavy blues with killer guitar from JD. I Lied has a killer riff and this track really grooves. Please is pure old school R’n’B, done southern style. Great song! Side 1 closes out with Long May You Sail and is a heavy psych blues, which the second album heavily draws on.

Side 2 starts up in Allman’s style with some solo slide at the intro to I’ll Always Be Around, after all this album was recorded at Allman’s HQ: The Big House in Macon Georgia. Becky’s Last Occupation is my favourite track on the album as it mixes Zeppelin style heavy riffs with that deep southern groove. I’d Rather Die In Vain is the heaviest track on the album with vocal and guitar mimicking each other. JD just rips it up on this piece. The album closes out with Today I’m Here, and we slow things right down with a nice acoustic country blues instrumental. If you like your blues southern fried and heavy this is for you.

9/10 from The Grooveman.

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