REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 244 of 491)

SPARZANZA – Announcing The End

I admit to not knowing diddly squat about this band, as this was the product of me late night surfing the internet for interesting new tunes. It always seems to be Sweden that has the killer bands, and these guys were formed there in ’96. This album is from 2017 and is a monster record full of huge riffs and killer grooves.

Announcing The End is a freaking epic opener, with a to-die-for riff and groove – with the added bonus of a massive hook. Nickelback keeps coming into my head, but I guess that’s the clean vocal tone in Fredrik’s voice. Then again, they also remind me of equal parts Sabbath, Metallica, and their countrymen, Mustasch. Next track up is Damnation, which has that deep Sabbath rumble mixed with a deep heavy riff. Whatever Come May Be starts quite slow with a deep heavy drum and bass groove and a superb dramatic vocal – a very melodic killer tune. Vindication opens up with a killer riff and vibe that makes you want to bounce, and that Nickelback reference is here again. The Trigger follows and the riff is very up-tempo Sabbath – this is my favourite tune on the album. Breathe In The Fire starts real slow and doomy with a great vocal, and the Iommi style solo is cool. One Last Breath is quite a simple repeating riff – I would say this is the most commercial sounding track on the record. To The One has a great (almost Indian style) drum pattern with a D-tuned simple riff, and a huge hook and chorus. The Dark Appeal starts as heavy as hell with a really low riff and death style vocal. We Are Forever is Children Of The Grave, until the hook and chorus kick in. The album closes out with Truth Is A Lie, and is very close to being the best track on the album.

I love finding bands that are new to me, and I got a real buzz hearing this for the first time.

9.5/10 from The Grooveman.

BRUCE DICKINSON – Tattooed Millionaire

This is Bruce’s first solo album, which he recorded whilst he was still a member of Iron Maiden (he left leave in ’93). I think the idea was to record a rock album in the classic sense, avoiding areas that he was familiar with. I think this is my favourite of his solo releases as he was just being himself. Ironically, future Maiden guitarist Jannick Gers, was recruited on guitar.

It’s all quite one paced groove-wise with Bruce’s humour present throughout the record. Check out the intro to Dive Dive Dive with his mention of Seaman Stains. Tattooed Millionaire was a hit single and I would say it’s the most commercial sounding track on the album. A lot of his vocals have a more gravelly tone to them I guess to separate more from Maiden. There is a decent cover of Mott The Hoople’s All The Young Dudes, but it’s the close out track No Lies which is my favourite on the album. I really like the up-tempo groove and the melody and hook are great.

8.5/10 from The Grooveman.

ZZ TOP – Fandango

I love the concept of half live and half studio albums, and I’m surprised more bands don’t do this. My favourite ZZ period is the mid-to-late seventies, when they were a smoking live act and were experimenting with sounds and grooves which eventually led them to Eliminator.

Side one of this album was recorded one hot sweaty night in New Orleans – I think in ’75.  A mixture of originals and blues/rock n roll covers, it’s as raw and as groovin’ you’d expect ZZ to be. But it’s Side 2 that really draws your attention with all killer originals, that today, the band play a lot of live.

Nasty Dogs And Funky Kings has a killer riff and groove, and a bass line to die for. Blue Jean Blues is a real slow blues with a crystal clear production, and you gotta love Billy G’s tone. Balinese is one of those Tex Mex delights that only ZZ do – a great groove and vibe! Mexican Blackbird is the odd track on the album, mainly because of Billy’s vocal, and there is some cool slide playing. The last two tracks are stone cold classics. Heard It On The X has a killer simple riff and groove and busy beat- superb stuff! The album closes out with Tush – a great heavy boogie that I’m sure you’ve all heard of. A lot of other bands borrowed it as well. Check out Motörhead’s No Class. I love this album, as I do most mid-period ZZ Top.

9/10 from The Grooveman.

IRON MAIDEN – Killers

Think if you will, that if Paul Di’anno hadn’t been asked to leave Iron Maiden and he was still in the band today, what would they sound like? Interesting thought eh? Well, I think they would have probably killed him as he isn’t the easiest of guys to be around apparently, but musically I often wonder if they would be different.

I actually love the first two albums, and I don’t care too much for modern Maiden.  I know probably not many people agree with this, but for me this is the last great Maiden album. I love the energy, attitude, and the raw sound of this album. Not a bad moment on the album, and this is a bonafide classic in every sense.

The Ides Of March intro that bursts into the awesome Wrathchild. I remember buying the single as well. We are lulled into a false sense of security with the delicate intro to Murders In The Rue Morgue, before that superb riff and groove kick in. I love how the guitar and bass follow the vocal in the chorus. A killer busy intro to Another Life, and it’s hard to believe it, but no one else was playing like this at the time. I love the time and groove change in the middle – it’s very punky. The superb instrumental, Genghis Khan, is up next and what metal band was doing that at the time? The side closes out with Innocent Exile which is my favourite Maiden track ever! I love the riff, key changes, Paul’s vocals, and the epic middle section. They have forgotten how to write grooves like this.

The epic title track opens up Side 2, and we are off to the trademark Maiden gallop. Twilight Zone is up next and was another single – it was quite a straight forward riff and groove for Maiden compared to everything else they were writing at the time. Prodigal Son follows, and I’m guessing this was a big influence on Dream Theater, and also Steve Harris’ is a big Prog fan.  The super busy riff of Prodigal Son is classic old school Maiden, and I love the middle section. The awesomeness that is Drifter closes out the album, and with the end of old Maiden.

A sure fire 10/10 from The Grooveman.

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