REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 169 of 491)

SKID ROW – Slave To The Grind

For a band that were at the top of the hard rockin’ tree, they haven’t released that many albums. There are six in total if you’re counting, of which this was album number two. Now, I understand how Mr. Bach can be a somewhat controversial character and he seemingly knows how to push all the buttons of band members in Skid Row, but they are a killer band with him at the front. Taking nothing away from Eric Gronwall as he his a superb talent, but somethings are just meant to be.

This is a close second for me in the favourite album stakes, as I really love Subhuman Race and that harder edge. Although, the opening 1-2 punch of Monkey Business and Slave To The Grind is as good as it gets, both killer tracks that just shake your tree with max riffage and groove. Slave is definitely my favourite track. The Threat keeps the heavy riffing going and Bach’s vocals are superb. It’s heavy ballad time next with Quicksand Jesus, and Seb’s vocals are off the chart, plus that solo is monster. A heavy riff and groove to Psycho Love and the heaviness between this and the first album is here for all to see. Side 1 closes out with Get The F… Out. A punked up, rocked out, sleaze fest.

Side 2 rips in with Livin’ On A Chain Gang. A cool, choppy riff with a nice swing to the groove and a cool gang style hook and chorus. Creepshow follows and I love the opening riff and groove with that hint of funk. The middle eight is super cool and grooves to the max. It’s ballad number two next with In A Darkened Room, and you have to be blown away with the range and power of Bach’s vocals. That punky, sleazy vibe is back for Riot Act and sometimes music should do no more than put a smile on your face. Mudkicker follows with a nice fat riff and a slow heavy groove. The album closes out with Wasted Time. Going out on a power ballad is never my favourite thing as I’m always in favour of going out with a BANG.

The album does tail off slightly as Side 1 is loaded with the monster tunes but it still gets…

9/10 from The Grooveman.

ROSSINGTON COLLINS BAND – This Is The Way

Two years after the tragedy of the plane crash that killed members of Lynyrd Skynyrd, Gary Rossington and Allen Collins, who miraculously survived the crash, put together this band in their names and released two albums, of which this was the second.  

Two more Skynyrd members, Billy Powell and Leon Wilkeson also joined and the band was completed by female vocalist Dale Krantz. The vibe on this record is a watered down version of Skynyrd, a Skynyrd lite if you will as the songs aren’t that strong. The band do rock out on tracks like my favourite track Fancy Ideas, those dual guitars sound so sweet but those moments are too few to mention I’m afraid.

It was a gimme that Skynyrd would reform at some point as it was the name that made the money.

6.5/10 from The Grooveman.

TANGERINE DREAM – Stratosfear

I don’t go too far into electronic music (especially the pop variety), but in the seventies there were some great progressive music being made with keys and synths at the forefront, and Tangerine Dream were an originator.

This was actually their seventh album, released in ’76 in their classic Virgin label period. They have also been very prolific, having released over 80 albums throughout their career. For a short while I was all over albums like this as it was new and interesting, until the call of the guitar called me home. My favourite track on this album is the short, slow, brooding The Big Sleep In Search Of Hades, as the Pink Floyd vibes come flowing through.

Amid the pulses and drones of the synths I find this a very relaxing record to put on.

8/10 from The Grooveman.

PRINCE – Lovesexy

This was album number ten for the Princely one and would see the experimental side of Prince coming to the fore, it was one of the least successful album (sales wise) he recorded up until this point. Even so, it’s chock full of groovy goodness and contains one my favourite ever Prince tunes: Alphabet Street.

Compared to a lot of his tunes the sound is quite sparse on this track, but the groove is so cool. In fact, the whole album feels as though it’s an experiment in groove. Dance On is all about that wild fusion drum pattern at the intro. The outro track Positivity has elements of Asian music to add to the feel and vibe of a very percussive focused album.

Not his best work for sure, but I like it and I thought it was cool that he took so many risks.

8/10 from The Grooveman.

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