REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 156 of 491)

LILLIAN AXE – Sad Day On Planet Earth

This is album number seven for the band and it was released back in 2009, twenty one years after their debut. They have kept banging away through a vastly changing musical landscape and indeed released their latest just album last year. I know the metal sound spreads far and wide and it’s very hard to lay down your own individual footprint, but Lillian Axe are one of the bands that have managed to do just that.

This is an album you won’t be able to digest in one sitting, concept albums rarely are, you have to return again and again for it to sink in. Tracks that really do it for me are Jesus Wept, the title track, Down Below The Ocean, and my favourite Blood Raining Down On Her Wings. Not the most metal track in the album but one that emphasizes the band’s great sense of melody.

Cool record.

8.5/10 from The Grooveman.

ZED YAGO – Pilgrimage

A band that didn’t do a whole bunch other than the two albums they recorded, this is album two.

A very confusing opening, I’m not sure if I’m listening to Queen with the overblown intro. When things settle down however, a more medieval vibe takes over mixed with a more classic rock groove. Vocalist Jutta has a great set of pipes and I’m sure she has had some sort of operatic training. The music is more slow and dramatic than your usual metal fare ,with big chords and pounding beats. However, when they do speed it up a notch the band seem to come into their own and my favourite track Pioneer On The Storm is a perfect example. A nice riff and a four four groove does the trick. The only other song that grabs me is Achiles Heel, where again they groove it up a notch and the hook and chorus are quite radio friendly.

I can see why they called it quits after this as they have a somewhat niche sound.

6.5/10 from The Grooveman.

SLEEZE BEEZ – Screwed Blued & Tattooed

Most people don’t seem to realize that these guys are from Holland and not the U.S. When you listen to the music you will know why.

This is album number two for the band, released back in ’89. You can’t deny that opener Rock In The Western World is a slam dunk of a track to open the album with. A superb uptempo groover that rocks your world from the get go. Definitely my favourite track. House Is On Fire is a hybrid AC/DC/Def Leppard riff fest. That simple groove and beat I’m always banging on about is a sure fire winner every time. The title track keeps the groove a rollin’ and this is the first track where you can say the music fits the name. Stranger Than Paradise was released as a single in the U.S. and it’s the most radio friendly song on the record. Side 1 close out track Damned If We Do Damned If We Don’t is a no nonsense Sunset Strip sing a long sleaze rifforama. Great first side!

Heroes Die Young has that big stomp drum sound that again reminds of Def Leppard. The second super radio friendly track is up next with This Time, and you’ll be very surprised with the Journey-style hook and chorus. Back to the four to floor rockin’ with the wonderfully titled When The Brains Go To The Balls, where those DC riffs hit the spot. Don’t Talk About Roses is more of the same with a great main riff. Last track is Girls Girls Nasty Nasty and it’s good to go out on Friday night party special.

An often overlooked album of the time, which is a shame as it’s a kick ass record.

9/10 from The Grooveman.

JAMES LABRIE – Elements Of Persuasion

This is James’ first solo outing, although there were the two Mullmuzzler albums which preceded this. Elements Of Persuasion was originally released in 2005, although this reissue came out as part of RSD Black Friday in 2021. It’s got to be hard to release an album with your own identity when your are the vocalist for Prog metal’s shining stars, Dream Theater, especially when you’re plowing the same furrow with your solo project.

The first track Crucify could have been a DT track around the Train Of Thought period as the vibe and guitar tone is very similar. Alone however is different with a djenty nu metal groove, which sounds really cool. Freaks keeps that vibe going. Heavy down tuned guitar with quirky samples and keyboards. DT vibes return for my favourite track, Invisible. Dirty fat riffs are my favourite thing, and this one is deep, down, and dirty. Total vibe change for Lost, that main groove and keys are almost funky. Nice change! The heaviest and lowest of riffs open up Undecided. I love Matt Guillory’s guitar on this one. Again, a nice change of pace and groove for Smashed that gives LaBrie a chance to show that breathy style he is famous for.

More deep and heavy riifage for Pretender. I’m guessing old James likes the heavier side of life more than he lets on. Slightly Out Of Reach is as close as this album gets to smooth jazz/Prog. A nice laid back interlude. Nu metal vibes for Oblivious, that intro is almost Korn. In To Deep jumps between total all out modern metal, and his more Prog comfort zone. Drained closes out the album and I love that riff and guitar sound mixed with the melody of the keys.

So there you have it, a quite enjoyable Prog metal romp and it’s good to see old Jimbo outside the confines of DT, as let’s face it, he doesn’t contribute much lyrically to that band. Great album!

9/10 from The Grooveman.

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