REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 138 of 491)

JASON BIELER & The Baron Avon Bielski Orchestra – Postcards From The Asylum

This is the fourth solo album, but only the second using the Baron Von Bielski Orchestra title. I loved the first album and if anything, this is even better. It has massive sounding songs with multi layered vocals, weird interludes, heavy guitars, and superb vocal melodies. If anyone has heard the Saigon Kick albums that he sang on and wrote, you will know what to expect, even though he takes that a lot further here.

Bombay opens up the album and man, what a killer opening tune. Super heavy riffing with a hook and melody to die for. Numb takes that heavy guitar mixed with a native beat and groove into something that sounds familiar but feels brand new, and the vocals are something else. Superb tune and my favourite! The riff to Heathens is so good and that hook and chorus is just superb. Mexico feels like a McCartney tune, especially with the piano and vocal. Birds Of Prey follows and the vocals will floor you. The layers and harmonies are stunning. Flying Monkeys has Marco Minneman on the pots and pans, this is a s close you will get to a Zappa song. The guitar, bass, and vocal are playing the same part until you get to the main hook and chorus. I would love to see this played live.

Sic Riff is indeed just that, a down deep and low riff with matching groove. A great sounding acoustic opens up The Depths. The Baron shows what a great and unique sounding voice he possesses. Beautiful song! Awesome multi layered vocals to open up Beneath The Waves over what is basically a simple chord pattern, but it works so well. Sweet Eliza follows and I guess you would describe this as a ballad. This one is all about the vocals. Great song! A psychedelic intro to 9981 Darkness that seems to carry that vibe all the way through the tune. T

he heavy guitar returns with Feels Just Like Love. This song feels like an old rock n’ roll tune in the verse, but when we get to the hook and chorus it’s more like being in a church choir. I know that sounds odd, but this song is a delight. Bear Sedatives is next, and what a name for a tune. This has a twisted lullaby feel to it. Deep Blue follows and Yes circa 90125 springs to mind, I’m in awe of how Mr. Bieler has the ability to weave the most amazing vocal melodies into all his music. We close out the album with Human Head. Another super clear acoustic piece with matching vocal.

There are so many different vibes and grooves on this record, it is a total joy to play. If there was any justice in the world Jason Bieler would be playing sell out tours and his music would be selling in its millions. A wonderful album that everyone should own.

9.5/10 from The Grooveman.

ARGENT – Hold Your Head Up

Now, I’m not usually tempted by “best of’s” because I much prefer to buy the full album to see how the songs sit within the album per the vision of the artist. However, even though Argent were perceived as a Prog band, they released killer singles that were very commercial and had chart success.

The radio edit of Take Hold Your Head Up was devoid of the huge Rod Argent Hammond solo, making it a great radio tune and I vividly remember being shocked hearing this version some years later with the added solo. Every one is familiar with God Gave Rock N’ Roll To You as made famous by Kiss, but I have always loved this version and it made a huge impression on me as a kid. Thunder And Lightning is almost an R’n’B tune, especially with the main groove, and I love the melody on the main chorus. My favourite Argent tune is Its Only Money. Superb opening, it’s very dramatic and builds into a killer song. It also has a great groove with a driving bass that changes gears into a something that early Deep Purple would be proud of.

I highly recommend this collection and if you’re any way curious about the band as it’s a good place to start.

8/10 from The Grooveman.

HEAVENS EDGE- Get It Right

Another album brought to you by the folks at Frontiers’ back from the dead records. Other than their classic self-titled release from 1990 and an out of the blue release on MTM records in ’98, this new release is their only recorded works to date. Of course, putting out a melodic rock record at the beginning 90’s was like throwing your wallet into a bottomless pit, as it would never be seen again.  

So, what does this latest comeback album offer in terms of classic tunes? Well, opening track Had Enough is smokin’. The bass line is killer, and the riff and groove are right on the money – a nice uptempo rocker to wet the appetite. If rock radio was still interested in melody and memorable tunes then What Could’ve Been would be lighting up the charts. It’s an AOR classic with a huge melody and chorus.

Raise Em Up is another uptempo groover with a nice riff reminiscent of Schenker in his UFO days. 9 Lives (My Immortal Life) is the heaviest track on the record and romps along at a fair pace. My favourite tune however is the close out piece, I’m Not The One. A brooding monster of a track with a different vibe to it than the rest of the album, but still with a huge hook and melody.

Well, I’m glad they returned with a strong record. My only peeve is that the pressing I have is a bit on the quiet side.

8.5/10 from The Grooveman.

PORCUPINE TREE – Closure/ Continuation

Imagine my delight when one of my favourite bands, that for all intents and purposes had split up and may never have recorded again, came back from the dead with the announcement of a new record. Yep, I was pretty stoked to say the least. Then, rumours started to appear about how they were now down to a three piece as Colin Edwin, whose glorious bass grooves would not be taking part. Seemingly, there was animosity in the camp.

This album does have its high points, but it’s by no means the band’s best effort. Harridan opens up the album and this is a classic PT style tune well, since the arrival of Gavin Harrison anyway. A nice, heavy, almost industrial groove and a song that meanders its way through its take. A very strong start. Of The New Day follows and this song feels like an SW solo tune. A very delicate song full of SW’s trademark melancholic vibes, until the burst of energy mid way. Rats Return is one of my favourite tracks on the album. A nice, heavy, metallic groove with lots of Richard Barbieri’s soundscapes, I think this is the most PT track on the album.

Dignity feels like a throwback to Sygnify with an acoustic vibe driving the song along. The third of the outstanding tracks on the album is next with Herd Culling. This one takes it for favourite overall tune. I love the dark weird intro before the song explodes into life, something that SW says he no longer gets inspiration and drive from anymore. Well, I guess if you didn’t put huge crunching metal grooves into PT music at this point, only the sheep that seem to buy everything that SW touches would be down with it.

Walk The Plank has Richard Barbieri written all over it. Lots of keyboard and electronic weirdness that are a treat. His solo albums are so cool. This bring us to the last track, well on this version at least. There are bonus tracks on the deluxe version, which dilute the album. Chimeras Wreck has Side 4 all to itself, a slow builder with lots of killer touches that you have to listen carefully to. The layered harmonies sound huge and the production is top drawer.

It took me a while to like this record and I still think it sounds somewhat mechanical and lacks groove. Maybe that’s because a guitar player is playing bass? It’s just how it feels to me. They are still a million times ahead of the pack.

8.5/10 from The Grooveman.

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