REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 122 of 491)

DON DOKKEN – Up From The Ashes

Technically this is Don Dokken’s second solo release as there is a version of Breakin’ The Chains that was released just under his name. Released in ’90, old Donny boy managed to assemble a great band behind him. John Norum on guitar, Mickey Dee on drums, Pete Baltes on bass, and Billy White on rhythm guitar. Musically, Don’s gone for a more melodic slick sound instead of the harder edge of Dokken, which works really well. Frankly, I would have bought this just for the involvement of John Norum.

The album just broke into the top 50. It didn’t do as well as Don hoped, but the musical landscape was changing dramatically and that was a win in my book. There is not a bad song on the record and Don seems to be relishing writing with his new band. Highlights for me are opener Crash N’ Burn with John Norum ripping up a storm over a pacy rockin’ beat, Side 2 opener Give It Up which is a good old anthemic rocker with a great riff and guitar sound, and my personal favourite Down In Flames. It’s got killer guitar all the way through, and they still manage to pull out a great hook and chorus with superb harmonies. A close second favourite track is The Hunger, with Mickey Dee giving it the beans for a great uptempo rocker; the heaviest tune on the record.

Don eventually bit the bullet and teamed back up with George for the Dysfunctional album, but maybe he should have kept this unit together as I really like the difference in styles.

8.5/10 from The Grooveman.

KILLING JOKE – The Singles Collection 1979-2012

I am writing this post the day after the passing of Killing Joke guitarist, Geordie Walker. He was such an integral part of the group’s sound, I just can’t see how the band will be able to continue. It’s devastating! They are so out there on their own that they straddle multiple genres and yet, there is a point where they all come together. Genius band.

This compilation was originally put out in 2013 and contains singles, flexi disc tracks, and radio edits. The amount of labels the band have released things on, must have made this a nightmare to put together. Killing Joke are the one post punk band that actually have done it all their own way with a big FU to anyone who has tried to change and manipulate them. They even became chart friendly for a little while with the release of the Night Time album and the singles Love Like Blood and Eighties. They were the most menacing of bands to see live, with both Jazz and Geordie looking as though they would  take no crap.

I’m going for Eighties as my favourite tune as it’s all about that Geordie riff and sound. Killer track and killer band. Sail on Geordie.

9/10 from The Grooveman.

ROUGH DIAMOND – S/T

I was a big Dave Byron fan, and was gutted when he was removed from Uriah Heep. I think it’s well documented that Dave’s addiction problems were what ultimately killed him, but what a tragic loss.

Dave recorded three solo albums and in between he managed to do this little project in ’77 with Clem Clempson. This is the only thing they did. It didn’t sell too well, so they just parted ways. The songs are okay but there is nothing that grabs you by the throat. Hobo is my favourite, mainly due to the Clempson riff, the uptempo groove, and the cool breakdown. End Of The Line is also a cool, brooding, monster tune, it also has some tasty guitar.

Ultimately, the album is a bit soft and lacking in tunes that you remember. Rest easy Dave Byron.

7/10 from The Grooveman.

DIO – Live In Fresno ’83

This is quite a nice live rendition of Ronnie’s best bits. It was recorded in ’83 in Fresno, and this edition was released as part of RSD. This is a warts and all recording that sounds as though there were minimal overdubs, especially on the vocals. You have to give the little man credit where it’s due because it’s not easy to sing these songs live.

Vivian Campbell is on fire and you have to wonder why he joined Def Leppard as he is totally restrained in that band. (Did somebody mention money?) Plus, he must have balls of steel, not only is he being himself but he also has to be Tony Iommi and Ritchie Blackmore, so no pressure then. It’s very tough to pick a favourite track from all the epics on display here, but just on the performance alone I have to go for Stand Up And Shout. This is a rip roaring version that seems to be faster than the original but it’s a savage rendition.

Shane the little man is no longer with us, but you have to admit he left behind a fine body of work.

8/10 from The Grooveman.

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