REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 120 of 491)

URGENT – Thinking Out Loud

Yet another short lived melodic rock band from the mid eighties. This is Urgent’s second album that was released in ’87 with a killer production by Tom Allom. It should have done way more than it did. This has American radio stamped all over it. The vibe is more pop rock, with the emphasis on a huge sing along chorus.

The band were more famous for what certain members went on to do. Vazquez would depart to join Diving For Pearls and would end up being a recurring character in Seinfeld as The Intimidating Gay Guy. Funny old business. Onto the songs…

As I have mentioned already, radio friendly pop rock is our meal for today and the single Can’t Take It No More should have been huge. It has everything that should have made it a hit at the time. Huge hook and chorus with a great melody and uptempo groove should have been a cert but… crickets!

My favourite tune Pain ( Love Is A Victim) also should have been a smash, but I guess they never got the back up. There are so many good songs like Always Be There, Extra Extra (which is a close to being my favourite), and the anthemic Give Em Enough rope. All of the above should have been enough to break the band, but history says otherwise.

Another forgotten gem that’s worthy of your attention.

8.5/10 from The Grooveman.

MARILLION – Fugazi

When Marillion first appeared on the scene I found them annoying and an irritation on all the awesome heaviness that was all around at the time. Also, I felt that those obvious Genesis rip off accusations that were in all the rock papers were justified. Of course, that was me being shallow and there was a lot more to the band than the Peter Gabriel copyist on vocals. Sorry!

This was the band’s second album that came out in ’84. The most accessible track on the album is the first thing that you hear. Assassing is a very clever tune (lyrically), and how Fish fits the complicated words into the groove is really cool. Punch And Judy is a nod to 70’s Prog, albeit with some indie sounds of the day slotted in there, but the rest of the album does really belong in 70’s Prog.

The band now sound nothing like this at all, they are a totally different beast. When I look back, maybe the reason they took off so big was because the Genesis of the early 80’s actually sounded nothing like Genesis of old, they were becoming a Phil Collins backing band. So, there was an audience who wanted the visual element ready and waiting. But, that’s just the ramblings of a cynic.

6.5/10 from The Grooveman.

STEELY DAN – Aja

There was a time in the late 70s and early 80s where there was a seeming hatred for Steely Dan and their music in the press. It’s not easy to see why, but I guess it was their single minded determination to do what they wanted and not conform to any trend. Now, the music biz is all about trends and the next big thing that they can jump to in the blink of an eye, and Steely Dan are definitely not that.

Nobody makes great sounding albums like this anymore. That knowledge is being lost as everyone thinks they can record straight to a laptop and it’s gonna sound great. Whether you like them or not, the band’s albums are sonically superb and Aja is a pure joy to listen to.

My favourite tracks? Well, I’m going for the title track first as it’s a super smooth groove and you get to hear Steve Gadd laying down some wicked drums. Also, I Got The News is where the band lay into a killer funky groove, which is something they do so well.

Everyone should own a copy of this just as an example of how good albums used to sound.

9/10 from The Grooveman.

REVOLUTION SAINTS – Eagle Flight

This is album number four for another one of the Frontiers’ projects that gives a moment in the spotlight to their in house producer, songwriter, and keyboard player Alessandro Del Vecchio. The only song he doesn’t contribute to (writing wise) is Crime Of The Century. If you know anything of these Frontiers projects, they all seem to have that same footprint where they all sound a bit like Journey. Well, thats how it comes across to me. I mean Dean Castronovo alone makes it all sound like Journey just with his phrasing, so they don’t have to try to hard here.

You may think I’m going to do a big dump all over this record, but I’m not. The album is a very slick sounding melodic rock behemoth and you’d be forgiven for thinking it’s 1984. Anything that Dean sings is gold, he could sing a Chinese take out menu and it would be immense, and Joel Hoekstra on guitar just kills it. You could pick any track as your favourite and you’d be happy, but I’m going for Need Each Other. Nope, it’s not a rocker as such, just a well written song where Dean’s vocals are awesome.

This pressing is surprisingly really good. Hopefully Frontiers have got to grips with all their pressing problems.

9/10 from The Grooveman.

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