REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl of the day (Page 2 of 462)

REVERTIGO – S/T

Revertigo are basically a duo of Mats Leven and his ex Treat bandmate, Anders Vikstrom. This album was released through Frontiers in 2018. Melodic hard rock is on the menu here, but not in a tried and trusted retro way, as this is music for the now. Lots of modern influences, especially with the production and of course, as you would expect with the pedigree of these two, there are big hooks, great choruses, and melodies by the mile. I’m not sure how much Frontiers got behind this release but I’d guess not enough. They should have been jumping all over this because this is a freakin’ awesome record.

Hoodwinked kicks things into gear and straight away the ground work is laid for the whole album. A great groove with a massive radio friendly hook and chorus. Sailing Stones is even better, more of the same but with added spice. You wonder how Mats keeps coming up with these vocal melodies because he has been in a squillion projects, and you’d think that the ideas may be wearing thin, but that is not the case as this one’s a doozy.

Just when you think the pinnacle has been reached, Symphony Of Fallen Angels makes contact with your ears. The groove and riff are super cool but that hook and chorus are just superb. The word anthem doesn’t do it justice. The Cause has more of a modern edge but has melody stamped all over it, and the guitar solo is well tasty. The main riff and groove to Luciferian Break Up is quite unusual with an almost funk vibe, and even hints of Prog, especially in the vocal. Great song!

Over to Side 2 we go and the track False Flag with a heavy U2 vibe to the intro, then that main heavy riff kicks in, and when that hook and chorus hit you it’s just sublime. Unobtainium is a ballad with a cool eastern vibe to the intro and shows the control, range, and power of Mats’ vocals. Gate Of The Gods gets the tempo moving with a cool synth driven tune and once again the hook and chorus are very cool. Joan of Arc is maybe the one song that doesn’t fit here because the vibe is a bit more metal. Good song with a strong hook and chorus, but it just has a different feel to the rest of the record.

Break Away is the most modern sounding track here, with a slight alternative vibe and groove. The guitars sound heavier and not your average rock n’ roll beat. The album closes out with In Revertigo, the heaviest sounding song here. The main riff is down in the low end and satisfyingly crunchy, I also love the middle eight.

I do hope there is another record because the quality of the material demands it. If you find one, grab it, and thank me later.

9/10 from The Grooveman.

NUTHIN PRETTY – S/T

I don’t know of too many metal bands that came out of Winnipeg, Manitoba but that’s where these guys sprung from in ’86. As far as I’m aware this is the only thing they ever put out. I know what you are thinking, only one five track EP then oblivion, they can’t be that great.

Heavily influenced by NWOBHM, these five tracks are pure gold, mainly due to the killer guitar work from Rodney James Machovec. He has that Randy Rhoads thing going on and his tone and sound are freakin’ killer. This guy can seriously play and I have no idea why they just disappeared – this is superb.You can pick any song as my favourite track because I just love the energy and the just go for it attitude. Somebody please find Mr. Machovec and sign him up.

This may be hard to find on vinyl, but Heaven And Hell records have just reissued this on CD. So what are you waiting for?

10/10  from The Grooveman.

KING KOBRA – III

King Kobra are the epitome of what a “nearly” band is. They seemed to have all the pieces in place, but they never quite reached that point. It’s as though it was a stop gap band for members to drop in to  when other projects were dormant. In fact, the band folded so Carmine Appice, the band’s founder, could join John Sykes in Blue Murder.

This album never had much of a chance. The only deal they could get was on a tiny label called Rocker Records, so the distribution couldn’t have been great. The songs aren’t that bad. If we are being honest, there are some serious kick ass tunes. Walls Of Silence should have been released as a single, I’m sure American radio would have played the hell out of it.

Redline, Take It Off, and Mean Street Machine are all rockin’ tracks and this album should have done more than it did, but I would say it’s the weakest of their three early records.

7.5/10 from The Grooveman.

KEEL – The Streets Of Rock N Roll

As it stands at the minute, this is the last album Keel made and released back in 2010. Although, this is a Night Of The Vinyl Dead reissue from 2021.

Apart from bassist Geno Arce, it’s all OG Keel members here including Marc Ferrari and Bryan Jay with that twin guitar attack. Playing this now, it’s over 40 years since the debut Keel album and boy do I feel old.

So, is this just another rendition of Frontiers digging up bands from the rock n’ roll graveyard release or is it a bonafide full on Keel record? Well, I’m glad to say it’s the latter as this baby is chock full of Keel signature rock n’ roll anthems. It’s as though the clock stopped in ’85 and the past 40 years never happened.

Streets of Rock ‘N Roll, Hit The Ground Running, Push & Pull, No More Lonely Nights, The Devil May Care, Looking For A Good Time, Bothers In Blood, and my personal fave Come Hell Or High Water are all seriously great tracks.

Well done Keel for delivering the goods.

8.5/10 from The Grooveman.

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