REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl community (Page 9 of 456)

HEADS UP – Soul Brother Crisis Intervention

Now I don’t step out of my rock and metal comfort zone too often, but when I do it’s usually for something funky and groovy. So, when the whole funk metal crossover thing happened in the early nineties I was in heaven because bringing together two of my favourite styles was nirvana for me.

The music press didn’t care however, because they tried to kill it before it kicked off. I bought this on CD at the time because I was soaking up all these bands that had grooves. The whole vibe is almost punk rock with a very raw stripped down sound that mixes in rap with the funk and raw rock. It is something I would not cross the road for today.

However, after having not played this in a while, the groovy part of my brain is totally down with the groove with attitude vibe. Big Mama has the heavy riffing guitar mixed with a great funky groove, but it’s the Chilli Peppers influenced Happy Cats that shakes my tree the most. The smooth grooves of #3 are a close second however, as that funky groove is so cool.

Produced by Blue Oyster Cult’s Albert Bouchard, I find this record still hits the spot for me. If you’re looking for a hard, raw grooving record then give it a try.

8/10 from The Grooveman.

IZOD – Overdrive

I don’t know a whole bunch about IZOD, other than that they were from Toronto. I think this five track EP was their only release. Now, I have heard bands a million times worse, who went way further down the line than Izod did.

Vocalist Steve Lewis is quite a revelation and possesses one hell of a set of pipes and along with guitarist Mark Fodero they really drive this forgotten hard rockin’ monster along. It’s prime time hair metal, no more no less but I really like this a lot. The five tracks all killer no filler, the best of which is Bitch Is Hot (I know) and Overdrive. They are both feel good anthems.

If you come across a copy then snap it up because it’s such a fun record.

8/10 from The Grooveman.

JEFF SCOTT SOTO – Wide Awake In My Dreamland

I first became aware of Jeff when he sang on Yngwie’s first two albums, but I really took notice when he was a part of the awesome band, Talisman with fellow Yngwie bandmate Marcel Jacob. A lot of you were probably aware of Jeff when was asked to join Journey for a brief stint, and if you have seen the Christmas shows of Trans Siberian Orchestra on the west coast then you will have undoubtedly heard Jeff’s golden tones. Of course, since then he has been in a squillion projects as well as many of his own solo albums, which this is number 10 (I think).

He is teamed up here with fellow song writing partner Alessandro Del Vecchio, who seems to be the Frontiers’ in house go to guy. It’s one thing to go out as part of a band, but it’s a whole different ball game when it’s your name on the flag. This record sees Jeff visiting all branches of his repertoire, from the laid back aor vibes to out and out Talisman style groovers.

Those Talisman grooves are front and centre for killer openers Someone To Love and Mystified. Love is Blind dips a toe into Queen territory, especially with that awesome guitar intro. Love Will Find Away is probably my favourite track. The hook and melody are superb and this is what Jeff is really good at. I love his tone and the groove and swing to this song are killer.

If you want to hear how an AOR song should be delivered then Between The  Lines is about as perfect as it gets. Now, I’m a guitar guy and the first thing that grabs me to a song is the riff and groove, the vocals come after that but very occasionally there are vocalists who jump that queue and Jeff most certainly does that for me.

A great melodic rock album.

9/10 from The Grooveman.

MARK LETTIERI – Can I Tell You Something

I do step outside of my rock and metal comfort zone from time to time, especially for great instrumental music. I’m sure everyone has heard of Snarky Puppy, right? Well, this is how Mark Lettieri came into my radar. I witnessed them live and I was just blown away. As you do when you find something great, you dig a little deeper to see what else in that stratosphere may tweak your ears to some more amazing sounds, and Mark was the first I latched onto.

It’s very easy to attach the word “Fusion” to albums like this as it’s a bit of a catch all, and for sure some of the tracks fall into that. Lead off tune Dragonfly is just wonderful and if you’re looking for a reference then Satriani instantly pops into your brain but with way more swing and groove. Canyon Run is just awesome! Yup, fusion is the go to word with masses of swing, groove, and killer playing. Not just a squillion notes but notes with meaning and purpose.

Black Iris is next up and the groove and beat are very slow with a jazz feel to the piano intro. The guitar tone and sound reminds a lot of King Crimson Discipline period. This is a song that evolves into a differing beast as it progresses. The keys and violin are as much the centrepiece as much as the guitar.

Blankworld kicks off Side 2 and again, it’s another track that morphs into something completely different from it’s beginning, with some superb playing from Mark. A cover of Cindy Lauper’s Time After Time is up next. It’s quite hard to get away from a that iconic melody and make it your own, but I love the way this has been done. It has a much more delicate feel. This side closes out with a track called Shimmy Tiger and this is the one I heard before the album was released. A very upbeat and happy melody with a great funky undertone with killer playing.

Saturday Stuff groove’s on in, quite literally. Major amounts of funky grooves as the baritone guitar comes out to play alongside Wes Stephenson’s monster bass playing. Man, I could listen to grooves like that all day! Keeping the groove going, albeit with a slower vibe, is Medallion. This is such a cool tune with differing tempos and killer licks, it is a pure joy to listen to. Greenspace starts out very sparse but builds with a freakin’ awesome funky riff.

Keeping the listener on their toes, Palisade kicks off with a pop beat almost from the eighties. Do you remember a song called Blue Hotel? Well, the main guitar reminds me of that until we get very busy when all sorts of tones come flying at you. Very cool song! The funk returns with Neural Net, a wicked groove and I love the simple keys main melody line. The album close out with Gemstone where we end just as we started, with some killer funky fusion.

Mark keeps it interesting with every release and if you like instrumental music with a groove then I suggest this should be high on your list.

9/10 from The Grooveman.

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