REVIEWS FROM MY VINYL COLLECTION

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AEROSMITH – Rocks

There is a whole generation of rockers who think Aerosmith were nothing before Permanent Vacation, and the introduction of outside writers to make them chart heroes. To me, the new Aerosmith is a completely different band to the one that recorded this masterpiece. 1976 this was unleashed on the world, and it was their fourth full length album. Of course, the chemical intake was nearly at its peak and would cause the toxic twins to go separate ways a couple of albums later. Despite that, they still managed to record what many people think is their best record.

Side 1 starts with Back In The Saddle, an all time classic Aero tune and that’s followed by Last Child, which is probably Brad Whitford’s best contribution song-wise. Then we get the souped up groove of Rats In The Cellar, the band at their rockin’ best. Combination closes out Side 1.

Side 2 is just as good with Sick As A Dog, Nobody’s Fault, the ripping Get The Lead Out Nobody’s Fault, and Lick And A Promise. All killer Aerosmith classics that have kept them in drugs and booze for many years. They took what the Stones and the Beatles did and blended the sound together with added attitude, and ran with it. Great band and album.

10/10 from The Grooveman.

JOAN JETT and the Blackhearts – Glorious Results Of A Misspent Youth

This is the third album with The Blackhearts, it was released back in ’84 and this version was from RSD in 2014. Since leaving the Runaways Joan has done exactly what she wanted to do: recording fun, down and dirty rock n’ roll records with that attitude-edge.

A mixture of originals and covers, this album didn’t sell that well originally. I guess there is no obvious choice for a single to push the album with. I think they released the Gary Glitter cover I Love You Love as a single, which scraped the lower end of the charts.

Her punk rock attitude is still there with tracks like Long Time, which includes the 1,2,3,4 Ramones-style count in. I’m a sucker for a souped up rock n’ roll cover, and New Orleans is my favourite here. If it’s good enough for Joan and Ian Gillan, it’s bound enough for me. This record is not gonna change the world, it’s just a fun rock n’ roll record.

7.5/10 from The Grooveman.

ANNIHILATOR – Set The World On Fire

This is the band’s third album, released back in ’93, and more line-up changes were incoming. The most notable of which is future Dream Theater drummer, Mike Mangini occupying the drum stool.

The opening tune and title track is awesome. The fade in guitars with that killer riff is a total winner. Mangini is earning his money with the second track No Zone, as the pounding commences right from the off. Jeff Waters is the technical riff king!!! Bats In The Belfry has a killer eerie intro, and the riff and groove in the hook is superb. Knight Jumps Queen is my favourite track as the riff is just superb, in fact the whole song has a great vibe. Don’t Bother Me is so Hot For Teacher by Van Halen, but sped up. Brain Dance is a speed metal masterpiece, and math metal before it was a thing. It has so many differing tempos and grooves.

Annihilator are one of those bands that should have been bigger than they were. Just can’t put your finger on why not!

9/10 from The Grooveman.

FEAR FACTORY – Genexus

This is the band’s ninth studio album, released in 2015 and it was also Burton C Bell’s last one with the band. Fear Factory seem to have so much internal turmoil with their band members I am amazed they actually record anything. Demanufacture is one of my favourite albums of the whole industrial metal scene. The riffs are simple and seriously heavy, and that appeals to my simple metal brain. Tons of palm muting riffage mixed with the pounding relentless double kicks and I’m sold. Dino Cazares’ style of guitar is all about the riffs and chunk with zero leads played.

I’ll go straight to the songs that really float my tree. Anodized is the first, it has the aforementioned guitar riffage and you get the clean side of Burton’s vocals mixed with the anger. Dielectric is near enough a carbon copy in execution. Soul Hacker has to be the heaviest sounding piece they have done, and that is saying something. The very low-tuned groove with the anger is so effective. My favourite track is Regenerate. The groove is very heavy and yet the vibe is cool, plus the hook and chorus are so not Fear Factory. The whole album follows a similar pattern as does most FF records. The production is super clear and precise as well.

9/10 from The Grooveman.

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