REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl community (Page 211 of 493)

CACOPHONY – Go Off

The band only released two albums, of which this is the second. Widdly diddly diddly dum, shred shred, and more shred. Actually, there is some killer playing but first and foremost, this is a band with a vocalist (Peter Marrino) and song structures.

The band also has two amazing guitar players who have had differing fortunes, to say the least. Marty Friedman has gone on to be one of the genre’s best players with his solo work, as well as being a member of Megadeth. Jason Becker’s story is quite sad as while recording Dave Lee Roth’s A Little Ain’t Enough, he contracted ALS and has been unable to perform since, he is confined to wheelchair and bedridden.

I prefer this style of guitar album to the out and out shred fest albums, as the solos are short, sharp, and to the point. There is some unbelievable playing here and it’s jaw dropping in places from both of them. In terms of songs, my favourite is ESP. A great metal tune with a killer riff and wicked groove, and the playing is insane. Of course there are moments of pure widdlefestarama, like the title track which wears you out by just listening to it.

All hail Shrapnel records for putting albums like these out, and giving guitarists a voice.

9/10 from The Grooveman.

DEF LEPPARD – Diamond Star Halos

This is the twelfth album from Sheffield’s finest purveyors of all things rock, and I would say it’s the closest sounding (influence-wise) to the bands that they have cited as inspiration for them to start a band in the first place. There is a very strong 70’s vibe to the majority of the album, and could this be the closest the band have come to being themselves? Even the album title is a reference to T.Rex. They made millions and sold squillions in their golden Pyromania and Hysteria period, but they were criticized constantly for being a producers plaything.  

All the trademark Leppard sounds are here, the big harmonies, the catchy hooks, and big sing-a-long choruses, but this time it’s just a band being themselves. My favourite track is opener Take What You Want, a kick-ass tune that just gets stuck in your head, as all the best songs do. A close second is U Rok Mi, with the Indian-inspired opening rhythmic groove, to the big arena rock chorus.

This album is an example of a band getting more comfortable with who they really are.

9/10 from The Grooveman.

THE BOOM BAND – s/t

Now, I’m sure not many of you are familiar with The Boom Band. They are a selection of some of Britain’s finest blues musicians (including an ex-England cricketer). These include Jon Amor, Marcus Bonfanti, Matt Taylor, Paddy Milner, and Mark Butcher.

This self financed album came out in 2014 and contains ten tunes that the band have worked together playing live. My personal favourites are Diamonds In The Rough a great little tune with a killer swing and groove, Under The Skin a Mark Butcher tune with an R’n’B vibe straight out of the Deep South, and the best track on the album The Claptonesque Favour Bank Shuffle.

It’s a shame that bands like this don’t get picked up by labels, but then again they maybe get more money doing it this way.

7.5/10 from The Grooveman.

THE POLICE – Ghost In The Machine

The Police are another band that made consistently good records, and they actually only recorded over a five year period from ’78 to ’83. It’s amazing to think that they achieved so much in such a short space of time. Of course there are the huge hits that you expect of The Police namely, Spirits In The Material World, Every Little Thing She Does Is Magic, and Invisible Sun. But, it’s the less famous songs that are the ones that I play the most.

Other than Demolition Man, which is on Side 1, it’s side 2 that holds the golden nuggets for me. The funk/reggae crossover of Too Much Information is incredible with a killer groove, and Copeland’s drumming is excellent. My favourite track however is One World, which Sting rearranged when he played it live as a solo artist. The fast reggae groove is so infectious.

They were an incredible band that sounded like no one else. I can listen to them over and over, and still get blown away. The production is top drawer and the whole album is sonically awesome.

10/10 from The Grooveman.

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