REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl collection (Page 12 of 449)

MR. BIG – Ten

So this is it, the final album… or as Anthrax would say…Over Finished Done Gone OUT! Well, I hope that’s the case, as we all know farewells don’t seem to last too long in the world of rock n’ roll.

The songwriting seems to be an even split between Eric Martin and Paul Gilbert this time around. Some songs they co-write, and some are single efforts. I tend to favour the ones that Paul has a hand in as there is a lot more going on musically. Eric’s songs are a lot more simple and to the point. They could be Eric Martin solo efforts, as the band identity fades. Whereas, on Good Luck Trying (my favourite tune) which opens up the album, has a very busy blues arrangement that they do so well and is a trademark Mr/ Big groover.

Other high points for me are What Were You Thinking (another blues based old time rock n’ roll groover), Up On You (which is a fun mid tempo rocker), and the close out track 8 Days On The Road (which PG sings and is a cover of the Fogahat tune also done by Aretha Franklin).

If this was your last album you’d want to go out on a bang, right? Instead, it sort of goes out on a squelch. It’s a solid record but not a great one.

7.5/10 from The Grooveman.

OVERKILL – Horroscope

Now, Overkill don’t make bad records, they just make slightly lees great ones. Overkill have released 20 studio albums, of which this is album number five. Of all the original thrash bands, I would say that Overkill are the ones that have stayed true to the formula and not deviated from the thrash path as much as their counterparts.

This is a 2021 reissue of this 1991 classic and the first thing you notice is how quiet it is. I love the leading you into a false sense of security intro with the quiet, eerie, and creepy piece before maximum thrash riffage and  groove ensues with the opener Coma. Other than Overkill, Anthrax are the ones you can hear a punk influence in their music, and on this album Thanx For Nuthin’ is that crossover tune. I love it!

A weird choice of a cover in Edgar Winter’s Frankenstein, but it weirdly works. My favourite track is probably the slowest track on the record, the title song Horroscope. Very fat and heavy chugga’s lead the charge in an old school Sabbath homage.

As I said, they don’t make bad records and this is another enjoyable thrash romp.

8.5/10 from The Grooveman.

ALDO NOVA – Subject

After the success of Aldo’s first album and especially the single “Fantasy,” I was really looking forward to this follow up. It didn’t do quite as well as its predecessor, but still reached gold status and the single “Monkey On Your Back” managed a #12.

They are all self penned tunes, apart from a cover of “Hey Operator” by fellow Canadians, Coney Hatch. This album feels like a concept album, musically anyway. The intro to the record is basically two instrumental pieces together before you get to Monkey On Your Back, and the close out track is Prelude To Paradise followed by Paradise, sort of bookending the whole album. Also, the intro to Hold Back The Night has a killer funky instrumental groove piece before the main song kicks in, and it returns towards the end of the song. It’s a great track and my favourite on the album.

It’s a strange album but for that very thing, I love it and it’s Aldo’s best effort. Great songs and killer playing by Aldo, I still get a buzz when I play this today. You can pick this up very cheap and if you see it, buy it.

8.5/10 from The Grooveman.

TANE CAIN – S/T

One could argue that the only reason that this album saw the light of day was because she was married to one Jonathan Cain of Journey fame, but only a grumpy old hector would even hint at something like that (😳).

She come across as a more lightweight version of Pat Benatar. Two singles were released from the album, namely Danger Zone (which bombed) and Holdin’ On, which managed to chart at 37. The album hardly sold and she was dropped and wouldn’t record again. J

onathan Cain co-wrote every song except one. Neal Schon guests on three tracks and Tim Pierce plays guitar on all the record. Sometimes, no matter how much you push an album it just doesn’t sell, and this is one of those. It’s not a bad record at all, it’s just not that commercial and is what I call an album record. My favourite track is My Time To Fly, which has a great hook and chorus and a tasty solo from Mr. Schon.

If you are an aor fan and see it cheap then dive in, you will get a lot from it.

7/10 from The Grooveman.

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