Tag: van halen (Page 2 of 3)

The album of the first six that everyone hates on. The only thing that bugs me is it is the shortest album ever, at just a tad over 29 minutes. One of the biggest criticism is there are too many covers. Well, the record company forced them into the studio to record an album when they thought they were going to get some downtime so, covers was a good way of coming up with a quick album. The covers that they chose weren’t obvious and you have to admit they are great renditions.

The band’s first single was a Kinks cover so, a return to them with Where Have All The Good Times Gone was an inspired choice and they made it their own. Hang ‘Em High is a monster uptempo track with an awesome riff and groove. Cathedrals is Eddie playing around with swells, a chorus peddle, and his volume control for a neat solo piece. Secrets is one of my favourite tracks on the album with a really cool groove, and Eddie gives it the beans with a superb solo. Intruder was added to Pretty Women as the song itself was too short for the video they shot, and it’s Ed just torturing a guitar – you have to admit this version of Pretty Woman is killer. Dancing In The Street was a Dave choice for a cover, and it shows the band could play anything and make it their own. Little Guitars is a superb original, and again the band are  really stretching out here taking their sound off piste. Big Bad Bill is a traditional swing standard, and Eddie and All get to play with their dad who plays the clarinet. The Full Bug is Van Halen doing what they do best: a full on boogie with plenty of swagger and a ripping solo from Ed. We close out with Happy Trails, which the band used to do acapella live.

I love this album just as much as the other Dave era albums and it gets 10/10 from the Grooveman.

As with all of the rest of the first six Van Halen albums, Women And Children First is a classic. Again, utilizing tracks that they had written and were playing in their back yard party and club days. Eddie Van Halen was a genius guitar player and composer for sure, and join that to a badass rhythm section comprising of his brother on drums and Michael Anthony on bass, then add to that mix the ultimate front man in Dave Lee Roth – ladies and haemorrhoids, we have a winner!

This album has a looser feel to the previous two albums, and with the two opening tracks of And The Cradle Will Rock and Everybody Wants Some, you won’t hear a better opening – believe me, no other band in existence could sound like that. The guitar intro and riff, plus the groove to Fools is so infectious it makes COVID look like a mild sniffle. The end to this song where the riff and chord pattern drop down is just the best. Romeo’s Delight is one of the forgotten VH tracks that doesn’t get mentioned a lot in peoples favourites, but this a killer tune full of attitude and great playing with a superb solo. There ends Side 1!

Tora Tora and Loss Of Control start up Side 2, and this as fast as the band go – all pedals are to the metal! The acoustic intro to Take Your Whiskey Home with just Eddie and Dave is pure joy, till the main sleazy riff kicks in – what a killer solo. The surprise on this album is the acoustic blues barroom groove of Could This Be Magic with awesome vocal harmonies. The album closes out with In A Simple Rhyme, another one of the “forgotten” VH tunes that I really love – especially the vocal harmonies. Just when you think it’s all over there is that weird intro that eludes to the next album.

Just 34 minutes of all killer no filler – and yes – every home should have one.

10/10 from The Grooveman.

Before we get started, I’ll just put this out there: if it ain’t Roth, it ain’t Van Halen!

The first six albums are untouchable, and are all classics in my book. Yes, even Diver Down! I’m not the biggest Sam The Sham fan for reasons that I wont mention here. This is the only VH album with him singing that I really like, and that’s because Ed’s guitar sound is incredible.

5150 must have been shaking when this album was recorded, as the guitar tone and sound is just mean and angry. Seventh Seal opens the album and the groove and feel is epic, and the guitar…jeez! The riff and tone to Don’t Tell Me What Love Can Do is off the scale. What a killer sound and the solos…damn! The groove, feel, and tone to Amsterdam is killer, and Reverend Al’s drum sound is huge. Aftershock is on the money musically, and the riff and groove are killer, but I’m pretty sure the vocal line is from some old rock n roll tune. Great to see a full instrumental track on a VH album, and I’m pretty sure there are a lot of those in the VH vaults.

I wrote this on Ed’s birthday, and its still hard to believe that he is no longer with us, but he sure left is a great body of work. It’s the best Hagar era album.

9/10 from The Grooveman.

So here it is campers, review number 400 is on us and doesn’t time fly when you’re having fun?! I guess you know where this is going before we start, as I have mentioned previously that the first 6 VH albums are all “knock it out of the park 10/10” records – and this one could be the king of them all.

Starting off with the very un-Van Halen keyboard intro of 1984, the album then kicks into the band’s biggest and most well known song, Jump. Just over four minutes of pop perfection. Then BOOM…straight in the brilliance of Panama. A riff to kill for superb chorus and hook, and who says Dave can’t sing?! To show that VH always take chances, Top Jimmy is next up and there is a hint of Jazz in the mix, as well as a short sharp burst of a killer solo. Side 1 closes out with one of VH’s best deep cuts with Drop Dead Legs. A superb riff and a dirty sleazy vocal from Dave – plus great melodies and bv’s from Eddie and Mike, and we get a great ending which I think is superb.

Over to what could be the best Side 2 of any VH record, and Hot For Teacher assaults your aural openings with Alex pounding the hell out of his kit, leading into a fast shuffle with one hell of guitar intro. The riff alone is to die for and the video was hilarious. Dear Van Hagar fans, name me one song that comes close? I thought not! As close as VH get to ballad city is next with I’ll Wait. A mainly synth driven song, and is followed by a killer one two ending of Girl Gone Bad, and House Of Pain. These two tracks are old (or parts of them are old), and they go way back to the backyard party days. The intro to Girls Gone Bad is epic, and the build up to the main song is awesome – the solo should melt your face off. Who would have thought that House Of Pain would have been Dave’s last contribution to the band for some time – well at least he went out with a bang. What a killer way to end a record. Everything about this song is amazing – and I mean everything!

So that’s it – the last great VH album. No Hagar-era album comes close, and we won’t mention VH3 as it’s a bit weird. There are moments on a Different Kind Of Truth that are great, but essentially 1984 was the peak.

I’m sure it’s no surprise that it’s another 10,000/10 from The Grooveman.