Tag: van halen (Page 1 of 3)

Well, I thought I would do this review straight after Women And Children First because it arrived the same day. Maybe I should just cut and paste the first VH MoFi review for all of them as I’m just in awe of these releases. I have loved them all from the first day of each of their relative release dates, and I think I know them pretty well, but the listening experience of these releases is stunning and I have the full goosebumps treatment.

This is a lot of people’s favourite VH album (mine too) and it’s also seen as the darkest lyrically and vibe wise. Mean Street reinforces the fact even more that’s it’s my favourite VH tune because the full menacing undertones assault my ears. Hear About It Later just sounds freaking amazing and the clarity is astounding. Again, I could pick anything as a favourite tune but today I’m going for the quirky outro duo of Sunday Afternoon In The Park and One Foot Out The Door, purely for the fact that Ed’s playing is just amazing and how we miss him so much.

You know the drill by now, everyone needs this in their life.

1,000/10 from The Grooveman.

When Mo-Fi announced that they were issuing the first six Van Halen albums on their super hi-def ultrasonic format I was intrigued to hear what they would sound like, but at $125 US each album I thought I would give them a miss. The first one appeared and my curiosity got the better of me and I splashed out and got one. Yep, it sounded incredible and that was my curiosity placated. Or so I thought!

When VH2 appeared a few weeks ago, like a moth to a flame I caved in and bought this one too. This was the one album of the original six that I listened to and I thought the pressing I had wasn’t up to scratch. The one I had was a tad muffled in places so I have always wanted to hear it with more clarity. There was a hi-def mix that came out a few years ago that sounded great, but it’s nowhere near this version. I can’t see this record ever sounding better in an analogue format.

I already adore this album and you can read my previous review. Just a stunning mix and pressing, it’s as though you are in the room with them. The stereo separation is so good and the clarity is incredible. I know it’s a lot of money, but if you love early VH as much as I do then this has to be a must have.

Here’s to trying to ignore the Mo- Fi Women And Children First when it comes out.

1,000/10 from The Grooveman.

I originally reviewed this album nearly three years ago, and it is one of the best albums ever recorded. So, why revisit it I hear you cry? Well, Mobile Fidelity have decided to give the first six Van Halen albums the one step treatment and this beauty is the first to be released. Hands on heart, I didn’t think the Bernie Grundman remaster could be beat, but this is in another league all together.

The separation and clarity is outstanding, you could be in the room with them. Ted Templeman and Don Landee did such a good job capturing the original recordings. Word of warning, these are expensive babies to buy and unless you are playing your records on a half decent set up then I would save your money. I guess the only way to release this again would be in surround sound, and I hope they do that at some point but until then… man this is soooo good. My favourite tack… all of them baby.

10,000/10 from The Grooveman.

I’ll get this out of the way, I’m not the biggest Sam The Sham fan for numerous reasons that I won’t get into here. The first six VH albums are classics. They had that edge that made them unique, and every rock band that came out after ’78 wanted to be them. So, when I heard Dave had left the band to be… well, Dave, I was soooo disappointed. When Hagar was announced as the new singer it felt like someone had stolen my favourite thing and got away with it.

As soon as the needle drops and you hear that stupid “Hellooooo Baby”, you know it’s all over. Musically I like Good Enough, as it feels old VH and the band sound tight, especially Alex’s drums that sound so good. Get Up is really good and Ed’s playing is epic (as it usually is). I like the main riff to 5150 and the breakdown in Summer Nights is really cool, but that’s it for me. Nearly all the other tracks just sound like some other corporate rock act of the day and that edge they had is gone. The Inside is ruined by dipstick’s attempts at being Dave, and failing miserably. It got even worse after this album, as what I loved so much had gone.

7/10 from the Grooveman.