REVIEWS FROM MY VINYL COLLECTION

Tag: supertramp

SUPERTRAMP – Even In The Quietist Moments

You can buy any album from Crime Of The Century onwards and you are getting a 10/10 album. Every one of those albums sounds incredible, and if you want to show off your Hi-Fi to your friends these records are perfect for that. The production and sound separation is just incredible, and this could be the best of them all, sonically.

Supertramp sure could write great songs, and there are three of their best tracks on this album, opening track Give A Little Bit, Babaji, and my favourite track off this album (and probably from all their albums) is Fools Overture. They have this knack of putting the whole musical landscape into one song, and on this track it feels like the listener is at a Broadway show listening to the whole production. From the delicate piano intro, to the killer instrumental sections, and let’s not forget, they always put these incredibly groovy moments in, it’s a monumental piece of work. If you don’t already, you should own this album.

10/10 from The Grooveman.

SUPERTRAMP – Crime Of The Century

This was the band’s third album. They were already an established Prog rock band in the UK, but the release of this album (especially the single, Dreamer and the Wurlitzer piano sound) redefined the band’s future sound.

This is a schoolboy memory for me as everyone was talking about them because of Dreamer. Definitely a perfect record. I love the sound and groove of the whole album – especially the way they added pop elements into the songs and kept the groovy extended instrumental pieces. The production is fantastic and is one of the greatest sounding 70’s records.

There is not one bad moment on the whole album, in fact, School, Bloody Well Right, Dreamer, Rudy, and the title track, are all some of the best pieces the band ever composed. I still get so much joy from listening to it after all these years. A truly stunning record.

10/10 from The Grooveman.

SUPERTRAMP – Crisis? What Crisis?

This was the first Supertramp album I bought way back in the mists of time while I was at school. My interest had been aroused by Dreamer. Supertramp are an unusual band as they write great pop songs that they hide, or strategically placed, in extended musical workouts verging on prog with complex arrangements. This is why I love them. It’s not necessarily the catchy chorus and harmonies, but it’s the instrumentation and the way they add really groovy pieces in each tune.

Opener, Easy Does It, is a really short peace that leads into Sister Moonshine. This emphasizes the point I was making perfectly, super catchy chorus, great melody and great groove. Ain’t Nobody But Me kicks in with the big Hammond and guitar – it feels really heavy, then we change to the doo wop chorus and the very heavy outro. Next up is A Soapbox Opera, the very familiar fender piano and Hodgson’s voice complete with orchestra. Side 1 closes with Another Mans Woman, a great up-tempo tune with a killer melody and a fantastic instrumental section that really grooves – this is what I love most about the band.

Side 2 starts with Lady and that Fender piano from Dreamer feels so familiar, as with a lot of Hodgson’s songs, there is that old rock and roll reference with the ooh-lalala’s. Poor Boy follows and has that simple, almost Motown, feel to it until the middle section that is all ragtime jazz. Just A Normal Day is up next and has a very singer songwriter vibe – it’s very Elton in its execution. One of the band’s most well known tunes follows with The Meaning. It begins with a very middle eastern feel with Hodgson’s wailing vocal style, before the song settles into a more familiar groove with the repetitive singing which feels like a mantra. Two Of Us closes out the record and it feels quite a melancholic musical ending, and the lyrics are quite uplifting. A great album by a band that took Prog to the masses and made a boat load of cash.

9/10 from The Grooveman.

SUPERTRAMP – Breakfast in America

This is the sixth studio album by British band, Supertramp. They started out in 1970 as a full on Prog rock band. It wasn’t until they released their third album, Crime of The Century, and especially the single Dreamer, that they moved into a more commercial direction. Breakfast in America was probably the pinnacle of their careers as it spawned four Top 40 singles in America alone – where they toured endlessly. They first came onto my radar while at school with Dreamer. Even though this is not my favourite album by them, there is not a bad song on here.

Starting things off with Gone Hollywood, this sees them at their best with a trademark huge song that takes the listener everywhere across their musical spectrum – complete with a groovy breakdown. Next up is The Logical Song, which was a huge hit everywhere. It is followed by Goodbye Stranger – another typical song, and then into another huge hit with the title track, Breakfast in America. Last track on Side 1, Oh Darling, is probably the weakest on the album but still a good tune.

Side 2 kicks off with yet another classic Tramp tune, Take The Long Way Home. The two main protagonists Rodger Hodgson and Rick Davies vocally, although very different, compliment each other perfectly. Both of them are the main song writers, they sing their own songs, and they seem to have very different outlooks on life judging by the lyrical content of the songs. This would prove to be the down fall of the band at a later point. Last song of the album, Child Of Vision, starts off with that Wurlitzer organ sound first heard on Dreamer, that feels like an old friend, and builds into this huge closing piece with an almost jazz like piano section with a cool groove.

There is no other band like Supertramp. Nobody writes the way they do, and no matter what song is played, you instantly know who it is. It’s really hard to pin them down when someone asks you “what style of music do they play?”. My reply is “well, it’s Supertramp!”. Obviously this album sold squillions, and was 300 times platinum or something like that…so I guess somebody likes it.

8.5/10 from The Grooveman.