REVIEWS FROM MY VINYL COLLECTION

Tag: steeler

STEELER – Strike Back

This is not the Steeler with Ron Keel and Yngwie, but rather a German band of the same name (they actually named the band after the Judas Priest song of the same name). This was the start out point for guitar whizz, Axel Rudi Pell.

This was actually the third album the band put out, and there would be one more before they all went their separate ways. I do love these mid eighties metal albums as they are so much fun and they still cared about a hook and a melody.

Chain Gang is a kickass opener with a monster riff and Rudi Pell ripping it up. Money Doesn’t Count is a very similar tune with the riff driving the track. Danger Comeback is pure thrash with the double kicks pounding all the way. Vocalist Pete Burt does have a touch of the UDO’s about him, giving the album a slight Accept feel. Ice Cold has a big Judas Priest vibe going down, especially in the hook and chorus, and that riff is pure Priest. Messing Around With Fire closes out Side 1 and it is Priest-isms all the way.

Rockin’ The City rips into Side 2 with good old gallop, the lyrics are super cheesy but the riff is so good you just have to like it. Strike Back is next with an Overkill drum groove. I have to say I love the hook and chorus here, and that riff sounds huge. Night After Night is up next and it’s favourite tune time. A really simple fat riff, a four four groove, and I’m a happy camper. The album closes out with Waiting For A Star, and the pace slows for power ballad time.

This is a fun 80’s metal record with big choruses and lots of melody before the Cookie Monster came along.

8/10 from The Grooveman.

STEELER – s/t

So before Malmsteen was…err…Malmsteen, and before Keel was…well…Keel – there was Steeler. Mike Varney was responsible for bringing Yngwie over to America with a work permit, and getting him to record and write this – the one and only – Steeler record with Ron Keel.

So what does it sound like I hear you ask? Well it sounds like Keel the band with Yngwie on guitar. The songs are typical American cock rock stompers with an over the top guitar player. I’m not surprised this project only lasted the one album, as this was always going to be a clash of the egos. What was left behind was the blueprint for Keel to record his next 3 records, and Yngwie would go on to be the donut eating guitar virtuoso we all know – after his short lived stint in Alcatrazz.

Cold Day In Heel is a kick ass opening tune and rocks accordingly with a typical Yngwie over the top solo. In fact, this is very much the order of proceedings all the way through the album – apart from Hot On Your Heels, which sees Yngwie widdly diddling right from the get go. Although very impressive, it’s all just fast runs and scales at this point. The intro to Abduction, the Side 2 opener, is very much in the direction in which Yngwie would go when he would go solo – very neo classical in style. My favourite track is the last song, Serenade, which, believe it or not, reminds me of Rush – especially the opening section. The song is a slow build tune with the appropriate big rock ending.

I admit to having a soft spot for this record, and I do like it. I know they would go on to bigger things, but it’s fun to see where it all started.

7.5/10 from The Grooveman.