REVIEWS FROM MY VINYL COLLECTION

Tag: santana

SANTANA – Shango

This is album number thirteen for Santana. It was released back in ’82 and that’s nearly an album a year since the release of their self-titled debut in ’69. By now they are a totally different beast to the one that played at Woodstock. A lot of the Latin influenced jams have now gone and what you get is a smooth rock/funk sound machine. Sure, the percussion is still there but it’s just an embellishment.

Ironically, the only Latin flavoured instrumental track, Nuevo York is my favourite. Hold On and Night Hunting Time are decent enough tracks, but it just feels like a treading water or contractual obligations album. The record lacks a real banger of a tune.

This album is a mile away from Inner Secrets, which is my favourite Santana record.

6.5/10 from The Grooveman.

SANTANA – Abraxas

This is Santana’s second album released in 1970. After an amazing performance at Woodstock, the band were on a roll as that latin groove hit the spot perfectly. This early incarnation of the band were all about the jam and extending tunes to the max, and I didn’t realize that he didn’t write a whole lot himself. The only thing he writes on here is Samba Pa Ti, which along with Black Magic Woman, were the two songs on this album that everyone was familiar with.

Other than Carlos himself, the other band member that catches your attention is keys and vocalist, Greg Rollie, whose Fender Rhodes and Hammond playing are a distinct feature of the band. Carlos’ ability to arrange Classical Latin tunes into a Rock environment is genius. Oyo Como Va and Samba Pa Ti being cases in point. These early albums are very of their time, but still a fun listen.

8/10 from The Grooveman.

SANTANA – Inner Secrets

Controversial comment approaching! In my humble opinion, this is the best Santana album. This was the tenth album that the band released, but was the first to angle the sound in a more commercial direction. Sure, lots of Latino rhythms and grooves abound, but this time they are mixed with a more Top 40 approach. Greg Walkers voice and melodies really worked for me, and there is almost a funky/soulful groove that runs through the album.

Opener Dealer/Spanish Rose is a fantastic tune that should have been a single, but was declined by the record company – it has plenty of groove and lots of Carlos. Next track, Move On, is funk gold and this just makes you want to dance. One Chain, which follows, was a single and rightly so. A great groove, perfect vocal, and a wicked chorus and harmonies. A definite nod to Motown, and a perfect song! Stormy closes out Side 1 and is pure soul straight of Philly.

Over to Side 2 we go with Well Alright – a more traditional Santana type of groove but still mixed with the new commercial approach. The one thing you do notice is how many of the songs are written by outside writers – an obvious strategy to make the band more commercially acceptable to a wider audience. Open Invitation is about as un-Santana as is possible – until the rocking ending. A cool song with a great chorus, and vocally it reminds me of Living Colour. Life Is A Lady/Holiday is next – a double instrumental piece quite laid back but really chill. The Facts Of Love follows and is another latin/funk/soul tune with a typically catchy chorus. Wham closes out the album, and is the only track on the album that would make you say “this is Santana”. From the salsa percussion in the beginning, to the latin grooves and instrumentation – this is unmistakably Santana and a killer track to boot.

If you like groove in your soul then this one is for you.

9/10 from The Grooveman.