REVIEWS FROM MY VINYL COLLECTION

Tag: review (Page 142 of 493)

BLIND VENGEANCE – s/t

I’m not sure many people outside of Southern Ontario are familiar with Blind Vengeance. Hailing from Oshawa, this is the band that Harry Hess from Harem Scarem was in. This album first saw the light of day in ’85 and was the band’s second release.

There isn’t a whole lot on here that points the way to the future, and it’s only six years before HS would start recording. The songs are leaning more into metal world, as that was more popular at the time. Metal Over Mind is the standout track for me. A simple four to the floor groove with a simple riff and I’m sold. There is even attempt at some good old thrash with Give Me The Night. Plus, there is a tribute to Butchers shops everywhere with Free Meat.

Everyone has to start somewhere.

6.5/10 from The Grooveman.

GARY MOORE – Blues For Jimi

Other than being mixed for sonics, this is as live and raw as it was on that night in 2007 at the London Hippodrome when it was recorded. I’m not sure anyone else could have pulled this off other than Gary, and it’s nice to see him with the salmon pink Strat he used so often in his hard rockin’ days. If you’re a fan of Jimi, Gary, or you just love listening to guitar music then this is a must have.

Gary dose justice to the original rendition of the songs and adds solos that only he can do while keeping in line with the song. There is also an appearance from Mitch Mitchell and Billy Cox on Red House and Stone Free just to add to the magic of the occasion. All songs included are songs that Jimi recorded and made famous, except for My Angel which is a loud instrumental in Jimi’s style and written by Gary. I can pick any track as my favourite but I’m going with the amazing version of Angel. What an amazing player Mr. Moore was, and this song showing the quieter side of Jimi is just wonderful.

Great record.

9/10 from The Grooveman.

PLASMATICS – Metal Priestess

Although this is classed as an LP, I’m not sure six songs qualifies it as such. I think this originally came out in ’81 on the UK punk label, Stiff records. This album does not have much to do with punk however, as they had moved on and this was an attempt to break into the hard rock/metal market. It’s very basic in its execution and they have managed to capture how raw the band sounded. I think this was a stepping stone to Wendy’s solo career which would take off after this when Gene Simmons would have a huge part in the next chapter.

Sex Junkie is a not too bad a track, with the live audience over the top. Black Leather Monster is fun and reminds me of the Damned. In fact, Side 2 as a whole is much better than Side 1. I really like 12 Noon, which reminds me of early BOC. The close out tune Masterplan, again with the live audience is a high energy romp.

6/10 from The Grooveman.

JAGGED EDGE – Fuel For Your Soul

I remember watching Jagged Edge on a support slot two years before they were signed by Polydor and released this album. It’s another one, and they’re done band. After touring to promote the record, they were dropped. Guitarist Mike Gray would bounce back with the band Skin, and Matti Alfonzetti would head back to Sweden to front Skintrade, among others. Fortunately, they left behind this killer forgotten melodic rock gem to remember them by. Britain had a little melodic rock boom going on at the time. FM and Thunder were the forerunners of the boom, and Jagged Edge with a similar sound should have done a whole lot more. They certainly had the songs and management, as they were signed with Rod Smallwood.

Highlights from the album are opener Liar, a very European sounding hard rocker with a nice riff and the chorus is really good. As well, Hell Ain’t A Long Way which has a very earthy blues rock groove, akin somewhat to Thunder. There’s also Smooth Operator, a track that mixes the heavy blues groove with Def Leppard style vocals. And my favourite track Sweet Lorraine has a really cool blues swing to the main groove, plus a really catchy riff and chorus, a winner all the way. Let’s not forget the close out track All Thru The Night. I always believe in going out with a bang, and that’s what they do here.

Perhaps they were ahead of the curve with that earth bluesy groove and if they had kept going, then who knows. A very enjoyable record.

8/10 from The Grooveman.

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