REVIEWS FROM MY VINYL COLLECTION

Tag: review (Page 140 of 493)

REVMATIC – The Kiss Of Death

I’m a big believer in supporting new music and new bands. So, not many of you will have heard of Revmatic as they are quite local to me, hailing from Kingston in SE Ontario. Based around the talents of Nathan Yetter who sings, plays lead guitar, and wrote all the tunes himself (I think).

Lord Of The Dark gets this four track EP rolling with a nice groove and swing, but next track Wake Up Screaming is a monster. It has a killer fat D-tuned riff that just grooves along, it’s my favourite tune. Hysterical has a NWOBHM a feel to the main riff and the main verse feels a bit like Metallica. Life Of Insanity closes out the EP, and the tune feels a bit punk rock after the main riff, I love the twin melody guitars.

Another pressing that is soooo quiet and feels as though it hasn’t been mastered. Good effort for their first time out.

7/10 from The Grooveman.

GEORGE LYNCH – Guitars At The End Of The World

It feels as though this is George’s 200th release…this year! He’s involved in so many projects as well as all his own stuff that it’s hard to keep track.

If you follow and read my warblings here, then you will know that I’m a big fan of The George and was super stoked to find out that this new solo record was coming out. The only thing that is wrong with my pressing is it’s a bit on the quiet side.

Superb opener with The Knowing, a very atmospheric tune with George laying down some very tasteful playing. Psycho Beta ups the tempo somewhat and this is a trademark George tune. It has a groove and feel that he comes back to a lot. I love the main melody line and there is some killer playing in this one. Tony Franklin guests on the album and his trademark slides are at the intro before the double kicks start pounding and a beast of an uptempo groove takes over, George is really ripping on this one.

A super fun tune follows with Borracho Boogie Deluxe. It does what it says on the tin basically, with George showing some of his slide skills. Shadow Of The Needle is a cool tune as George is exploring with different tones and sounds without forsaking the groove. A very cool blues groove is up next with The Wolf. Lots of weird swell effects mixed in with some killer playing, and I’m saying this is my favourite tune on the record. The blues is carried over to Serpentarium but the groove and tone is way dirtier but it’s all about the guy with the six strings. The Ritual is up next and the initial riff and groove are heavy funk. Love the vibe to this one, he seems to be using First Nation grooves and vibes. The album closes out with Contraflow, a very cool laid back fusion groove with some superb playing and tones.

So there we go, another highly enjoyable solo romp from The George.

9/10 from The Grooveman.

LED ZEPPELIN – Presence

This is a Wally World (Walmart) exclusive release of the Led Zeppelin’s ’76 album, complete with a repo tour laminate of the period. I’m assuming they are using the most up to date remaster as it sounds super clear and also empty at the same time as the sound is very sparse.

I’m not the biggest Zeppelin fan as they never seemed to flick my switch, but I remember buying this on release day and feeling quite underwhelmed after playing it. From what you read online, this seems to be most people’s least favourite Zeppelin album.

Achilles Last Stand is regarded by many as the album’s stand out tune, and it feels a bit like Zeppelin go Prog to me. However, in my opinion Nobody’s Fault But Mine is the best tune on the record, as it feels like them being themselves. A cool riff and a bit of eastern promise added to the intro, plus that Bonzo and JPJ groove is timeless. It’s cool that they go back to the blues on the close out tune Tea For One, as that’s where it all started.

I’m not sure when this will get played again, but it was cool to listen to it after all this time.

7.5/10 from The Grooveman.

CATS IN BOOTS – Kicked & Klawed

There’s one thing about these glam/sleeze bands, you could just about tell what they were going to sound like by the name alone. It’s as though they were all trying to beat each other with how many cat references you could get in your name. Obviously, with the success of Poison they all came out of the wood work, and yes this is another in the category of one and they’re done.

Quite an intriguing band though, half of the members were originally from Japan and relocated to the US to put a band together. They seemed to slip under the radar somewhat as their peers got all the attention. Which is a shame as this album does rock in all the right places.

The single Her Monkey is a bonafide glam classic. A great uptempo reoffend and groove that really swings along. The dual focus of the band is frontman Joel Ellis with that that oh so sleazy gravelly tone and guitarist Takashi O’Hashi who has all the riffs. A lot of the tunes on the album seemed to be a mix of old school rock n’ roll and grooves that you’re sure you’ve heard before. The case in point is the main riff to Coast To Coast which I swear was lifted from a Devo tune. My favourite track is the close out tune Heaven On A Heartbeat. It’s a fun filled, riff heavy, uptempo rocker that just about sums the band up.

Still a fun listen.

8/10 from The Grooveman.

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