REVIEWS FROM MY VINYL COLLECTION

Tag: record collector (Page 99 of 493)

ART OF ANARCHY – Let There Be Anarchy

The name Art of Anarchy is very similar in name to Sons Of Apollo. I guess Mr. Soto and Mr. Bumblefoot wanted to carry on with that Prog metal groove with this new project, seeing as MP is back in DT.

We have a very heavy and pounding opening with Die Hard. Double kicks speeding away with some very tasty drop tuned riffage, courtesy of Bumblefoot and one John Votta, whose brother, Vince is providing the pound, and of course Jeff is singing his ass off. It is very reminiscent of SOP. That heavy pounding groove continues with the intro to Echo Your Madness. It has a very catchy riff, melody line, and hook from Jeff. Vilified is a power ballad and we all know how powerful Jeff is at singing these type of songs.

Bridge Of Tomorrow is all about the vocal. Starting with a cool acoustic groove and adding in the power as the song proceeds, letting the vocal sit over the top. Cool song! The Side 1 close out tune Writing In The Wall is a heavy slow brooder with Jeff adding the cherry on the top again with a superb hook and melody.

Rivals opens up Side 2 with a very eerie opening, leading into a very cool riff. If I am being honest here, this feels like a JSS solo album as every song is centred around the vocal. Sure, the band is hot and killer and the riffs fly, but it does feel like that. Blind Mans Victory is basically a very cool AOR song with huge riffs and beats at peak moments. The middle and ending is a supremely heavy addition to make it feel like a different song.

I think Dying Days is my favourite, with a very heavy low down riff and that huge hook and chorus. The Good The Bad And The Insane starts just like the western movie with a similar name, before the heavy kicks in. The album ends with Disarray and a vibe very similar to Train Of Thought era DT.

My only gripe with the album is not a fault of the music but the pressing itself is soooo quiet, I’m having to crank the amp. I hope they carry on, I like this album a lot.

9/10 from The Grooveman.

INTERVALS – In Time

This is one of the early EP releases from Intervals in 2012. It’s just 5 tracks of djenty Prog metal grooves from the brain of Aaron Marshall. The band’s sound has moved on massively since this release and a lot of that really low end grunt has gone. So, if you are a lover of supreme low end grooves then this release should be high on your list.

Of the five songs here I really do like them all but my favourite of the bunch is the final track Epiphany. It’s more laid back than the others (at the start anyway) but the grooves are so cool and the lead playing is just beautiful.

I love most things that Aaron Marshall puts out and this another gem.

9/10 from The Grooveman.

PRINCESS PANG – S/T

You don’t even have to see the cover to know what this band are all about, the name alone tells you everything you need. Yet, another one and they’re done band. They just released this one album back in ’89 and then folded. It was surprisingly released on Metal Blade, which was a slight departure for them.

Fronted but female vocalist Jenni Foster (it was very unusual to see a glam sleaze band with a female vocalist), this album is a lot better than some of the other cheesy sleaze bands of the period. There are maybe three of tracks that stand out above the rest. These are Sympathy, which closes out Side 1. It is a kick ass tune and has that dirty rock n’ roll groove that I really love, complete with a tasty solo. Also the side 2 opener Scream And Shout, with it’s cool NWOBHM vibe mixed in with the glam. And lastly, my favourite tune on the record, China Doll. This is a sure fire crowd pleaser with a four to floor groove that you will be singing along to.

A fun listen that other glam bands cannot reach.

8/10 from The Grooveman.

JARED JAMES NICHOLS – S/T

There are tons of clips of Jared ripping up a storm with that guitar all over the internet. His problem however is how do you translate that on a record as there are a billion other blues rockin’ wannabe’s laying down the same schtick!?

It’s not just the guitar that’s his secret weapon, he has that rich, bourbon, dipped in honey type of voice that not many people possess. When that all comes together like on the track Easy Come Easy Go you feel as though he has cracked the formula and could give Bonamassa a run for his money. His playing is blistering on this song.

He has that commercial touch to his writing as well with the song Down The Drain, where the vocal and guitar create an earworm that you will be humming for days. It’s the guitar that pulled me into Jared’s records though and there are a whole bunch of wild riffs and leads all over this album. Hard Wired, the spacey Shadow Dancer (which is my favourite), and the Hendrix-inspired Hallelujah will keep the most ardent guitar aficionados drooling.

I’m not sure if he’s trying to go for a lo-fi production or if that’s just the way it turned out. Sometimes it sounds as though the drums were recorded in the next building.

I like Jared a lot and he’s on my list of people I would love to catch live. I would like him to work with a great producer to push him to where he belongs.

8.5/10 from The Grooveman.

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