REVIEWS FROM MY VINYL COLLECTION

Tag: record collector (Page 14 of 469)

TREAT – S/T

Here we have a record label cash-in album that was a compilation of the bests bits from ’86 and ’87 which was put out by the UK label. Treat were quite big in Scandi and had some success in Germany. but other than that they just scratched the surface in the US. I can’t remember them doing a whole bunch in the UK, so it was a bit bizarre that they put this out at all.

I actually love this band because they sure could write a catchy good time rock song and with most things Swedish, they did it a whole lot better. If you are remotely into melodic rock/AOR from the classic period, then you should definitely give this compilation a listen to.

Somebody at the record company did their homework on the band because you won’t get a better song to start the album with than The Winner. This is Treat at their most rockin’ with a killer riff and groove, and I guarantee you will be singing this one when you least expect it. Sole Survivor is slightly more AOR, but what a killer tune. Massive hook and chorus that would put Leppard to shame.

So many killer tunes here: Strike Without A Warning, Rev It Up… all great songs from an awesome band.

9/10 from The Grooveman.

POISON – Native Tongue

Album number four for the sleazy glam ones, only this time, they were not so glam or sleazy. With the hiring of Richie Kotzen they went for a bit more credibility with the songs. Even though this was released in ’93, which was grunge central, the album still went gold in the US. Richie Kotzen looms large all over this album, not only did he gain a new wife (oops) but he brought a sense of his trademark R’n’B blues sound to the music.

Hardcore poison fans hate this album and I can see why, but I really like it. Stay Alive, Body Talk, Bring It Home, Aint That The Truth, Strike Up The Band, and my favourite Bastard Son Of A Thousand Blues are all really great songs. If any of you want to know what a Richie Kotzen solo album sounds like with Brett Michaels on vocals, you should give this album a spin.

Cool record.

8/10 from The Grooveman.

KIK TRACEE – No Rules

A perfect example of a one and they’re done glam metal band that appeared too late and were swept away by the great grunge unpleasantness. Slaughter’s Dana Strum had a big hand in the creation of this album. Not only did he produce the album, but he also arranged it and had a hand in writing five of the songs.

This album was released in ’91 and spawned two singles Don’t Need Rules and the rock ballad You’re So Strange. Pretty predictable major label formula. Don’t Need Rules is not a bad song if I’m being honest, with a nice groove and riff. I also really like the sleazy version of Mrs. Robinson by Simon And Garfunkel. In fact, there are quite a few highlights to give your ears a good rockin’.

Trash City has a killer sleazy riff and groove as does Hard Time. Generation Express has that roots Americana vibe added to the sleaze. My favourite however, is Tangerine Man because I love the intro, and that hook and chorus is perfect. You can hear why they were compared to GnR and LA Guns as they have that similar vibe and sound, with a hint of old school Aerosmith thrown in as well.

They started recording a follow up to this, but everything fell away.

8/10 from The Grooveman.

RATT – Detonator

This was album five for Ratt and was also the last of the prime time releases, as it came out in 90 and it would be another nine years before their next one.

They also drafted in Desmond Child to help on production and songwriting to give them a push for that elusive hit single. It sort of worked as Lovin’ You’s A Dirty Job and Giving Yourself Away broke into the charts. However, I think Shame Shame Shame and All Or Nothing are much better songs because they are what Ratt do best with their cool rock/pop groove.

Not their best effort as nothing comes close to Out Of The Cellar, but anything with Warren DeMartini on is worth listening to.

7/10 from The Grooveman.

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