Tag: opeth (Page 1 of 3)

There has been so much hype surrounding the release of this record, and it all centres around one thing: the return of the growl. Now, depending on which clickbait metal site you read, you may be forgiven for thinking that this was a return to Blackwater Park era Opeth. Well, it is not! But, it is a damn fine album.

I love the whole imagery around this new album, from the sepia toned black & white cover art, the subject matter of the gathering of a family for the reading out a will, and best of all is the music. I can see why Mikael brought back the screams for this one as it fits the narrative perfectly. Yes, it’s heavy at times and it’s equally as progressive, especially with the inclusion of Ian Anderson as a type of narrator.

This is the album that keeps on giving. I’ve played it through about 15 times as of right now and I keep picking up on new things with each listen that just blow me away. It’s tough to pick a favourite track because I love it as a whole piece, and the flow of the album is superb.

My copy has disappeared into the void due to the postal strike, so I had to bite the bullet and Amazon came to the rescue .I couldn’t wait any longer. Has Mikael out progged his buddy SW? I would say yes, especially on the back of the last two SW solo albums.

Great album and very worthy of…

10/10 from The Grooveman.

This is album number three from Sweden’s finest exponents of Prog metal, although at this point melodic death metal would have been more accurate as Michael’s deathly screams far outweigh the cleans at this point in the band’s progression.

This album first appeared in ’98 but this version is a 2021 reissue and I guess Candlelight will keep doing these reissues for as long as they can, like Relapse do with the early Mastodon catalogue. Quite simply, this album is superb. I love every note on this record and you forget how good “old” Opeth were and how melodic and dramatic some death metal music can be.

It’s hard to look past Demon Of The Fall as my favourite track because it’s such a total beast of a song that they thankfully still play today. April Ethereal and Circle Of The Tyrant are equally as epic, and just for shits and giggles April Ethereal gets todays vote.

I know this is not everyone’s slice of pie, but man it’s so good.

10/10 from The Grooveman.

One of my favourite Opeth albums, and the music on this album bares little or no resemblance to what the band release today. That’s not to say I don’t like modern Opeth, I do, it’s just this and Blackwater Park we’re so impactful for me.

The opening and title track is what made Opeth so great for me. It’s like an epic movie, musically laid out for you on one track. The highs and lows, the change from clean to scream vocals, and the change of grooves and riffs, plus the solos within this song alone is wondrous. It doesn’t end there however, as Baying Of The Hounds continues where the last track left off with more of the same, and the middle section is just sublime. Beneath The Mire starts with fat huge chords and a mellotron for added prog credibility. Atonement has a very Beatles feel to the intro, and has the most proggy vibe of the whole album. That huge cinematic feel returns with Reverie/ Harlequin Forest. Hours Of Wealth is a very delicate, almost folk vibe with just vocal, keys, and guitar. The Grand Conjuration is one of my favourite Opeth tracks. Again, a huge epic piece with killer riffs and grooves all the way through, and the ending is epic. The LP version ends with Isolation Years, a prog/folk vibe with a great Mikael vocal. A masterpiece album (and they have done a few of those) and every home should have one.

10/10 from The Grooveman.

This is the fourth studio album by Opeth, and features the line up that a lot of fans wish was still with us. The whole gothic horror vibe for this album is just awesome. The death metal vocals are heavy on this release, but I always had a problem with calling Opeth death metal as there was always heaps of melody in the music.

The opening track, The Moor, which takes up the whole of Side 1 is one of my favourite Opeth tracks, as the dynamics and the gothic vibe are superb. This was also Martin Mendes first outing as bassist for Opeth, and I think at the time he did not speak much Swedish – so big up to Martin for killer playing on the album. The acoustic driven tracks like Benighted, and the classic Face Of Melinda, are just superb as that folky medieval element is so much a part of the band’s sound that you immediately know it’s them. The stunningly awesome White Cluster closes out the whole album, and Martin Lopez’s drumming skills are at the forefront. You can say this was the template for Blackwater Park, which would come next as they are very similar in structure. I love this album, as I do the majority of the band’s catalogue.

9.5/10 from The Grooveman.