REVIEWS FROM MY VINYL COLLECTION

Tag: music (Page 357 of 454)

CONCEPTION – State Of Deception

Conception are responsible for releasing two of my favourite albums from the progressive metal genre: In Your Multitude, and Flow. After the release of Flow, Roy Khan left to join US band Kamelot. This, in my opinion was a huge step backward as they were nowhere near the quality of Conception, but (what do I know?), he stayed with them for nearly twenty years. Tore Ostby went on to form Ark, with the amazing Jorn Lande. Then after twenty years, Khan left Kamelot and Conception was back up and running with the release of the EP, My Dark Symphony, and then recording this beauty, State Of Deception.

So after all these years, can the band still cut it? Well, the answer is a resounding: YES! Roy Khan’s vocals still sound as epic as ever, and Ostby’s guitar sound and riffs are better than ever. Waywardly Broken is what I’ve been missing for all these years. Huge fat guitar sound and that voice! No Rewind is as epic as I remember. Super epic riffs and complicated grooves is what I like, and this track delivers huge. If you are a lover of the grandiose operatic style of tune, then The Mansion will be right up your street. Lovers of old Conception won’t be disappointed with She Dragoon, as it feels like a track from In Your Multitude, with that deliciously twisted riff that only Ostby can do.

Is this record on par with my two favourite releases? Honestly, I would say no, but those two albums are exceptional releases and this is a really good album – it just doesn’t quite reach the heights of those two. Hopefully they will carry on, as my musical world is much better for having them in it.

9/10 from The Grooveman.

PIPEDREAM – s/t

A typical one-album-and-goodbye band. Formed in ’79, released in ’79 and disbanded in ’79. That’s what you call a short career. The truth is a little more simple. They were put together by Tim Bogert (from Beck, Bogert & Appice, and Cactus) as a vehicle to release more melodic songs. The only other member I know anything of is drummer Jan Ulvena, who was in early Alcatrazz lineups.

The label went to town on the band as there are huge numbers with orchestral backing, so someone saw potential in the band. Unfortunately, there are no songs with any commercial crossover appeal. That doesn’t mean this album is bad, because it’s not, it’s a very good album but it’s just difficult to pigeonhole. The style ranges from rock to funk and all points in-between. I just think if they had concentrated on a more dialed in approach, and narrowed down the scope somewhat, they may have been around for another record. Tracks like Heather and Feel Free are really great songs, and fans of Tim’s other projects will find something to enjoy here.

7/10 from The Grooveman.

PRIMAL FEAR – 16.6 (Before The Devil Knows You’re Dead)

Now for me, the whole Euro Metal scene has become very stagnant. Every band sounds the same, and it’s hard to tell the bands apart, but these guys are a step above. Early on in Primal Fear’s career, they were labelled as the German Judas Priest, which is quite ironic, as Ralf Scheepers auditioned for the singer in Judas Priest when Halford split with the band. Scheepers was in Gamma Ray, and he teamed up with Matt Sinner (from the band Sinner), to form Primal Fear.

This is the band’s eighth studio album, and produced by the band and Matt Sinner. In fact, the production on this album is the best I have heard them sound. Six Times Dead sounds absolutely huge. The guitar sound is vast and deep, and the vocal is epic. There are so many good moments on this album, so I will just highlight a few. 5.0/Torn has a killer riff and groove, and Scheepers’ vocals just flow over the track. The very heavy sounding, Soar, is killer with the electronic start. Night After Night is more JP than JP themselves, and I still find it incredible that Priest never hired Ralph. The Exorcist is pure pounding metal and has a huge guitar sound. Even the bonus track, Scream, is a killer tune.

Primal Fear don’t make bad records and this is no exception.

9/10 from The Grooveman.

RADIOHEAD – Ok Computer OKNOTOK 1997-2017

As of now, this album is coming up to its 25th anniversary. This version is the all singing, all dancing version from 2017. This was the band’s third full length album, and is now considered one of the best albums in popular music. Even though the guitar is obvious throughout this record, this was a departure from the previous album (The Bends), which was totally guitar centric. The main theme that flows through the record is dealing with alienation brought on by consumerism.

There were four singles released from the album: the brilliant Paranoid Android, Karma Police, Lucky and No Surprises. I have this on CD also and I find it a hard listen, but the record is a lot better – I find 20 minute chunks a lot easier to absorb. This album has more in common with Prog than Pop, as the arrangements lean more in that direction, and old Pink Floyd comes to mind on a lot of the tracks. Tom Yorke’s vocals and delivery are the driving force of the band, and again, the music is quite basic – it’s how it’s layered together that makes it unique. The production and mix on this version is incredible, and if I were to recommend any version – it would be this. As I have already mentioned, it’s a tough album to get through in one sitting, but if you manage it it’s very rewarding.

9/10 from The Grooveman.

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