REVIEWS FROM MY VINYL COLLECTION

Tag: music (Page 349 of 454)

FROST – Distant Satellites

When Jem Godfrey is not doing his day job of writing pop hits for the likes of Atomic Kitten, Shayne Ward, and Holly Vallance (to name a few), he is a closet Prog fan. This is the band’s third album, and Jem is joined by all round awesome bloke (and sometimes It Bites front man) John Mitchell, ex Steven Wilson drummer Craig Blundell, and on bass from Level 42, Mark King. So what does Prog sound like when it’s mixed with pop writing? Well, the answer is pretty freaking awesome!

Jem is definitely letting his inner Rick Wakeman loose here as keyboards and electronics drive the whole album. Towerblock is just fantastic! What an amazing song with a superb arrangement, lots of electronic wizardry at play, as well great playing from everyone involved. Now that’s a lesson in how to play and write modern Prog. I didn’t realize until listening to Signs, but John Mitchell’s voice reminds me of Peter Gabriel. One of the best Prog songs that I have heard is The Raging Against The Dying Of The Light Blues In 7/8. Everything about this song is epic. The melody and vocal, the groove and rhythm, and the playing of all concerned is a joy to hear. I still adore this song to bits after playing it on repeat for three years.

You should all have this album in your collection as it is amazing. Check out their other albums as they are all incredible to. It blows my mind that bands like this get virtually no airplay and support, as there is so much more to modern music than we get force fed by the mainstream.

10/10 from The Grooveman.

D’MOLLS – s/t

Originally called The Chicago Molls, they changed their name to just D’Molls when they relocated to LA. They also changed their style and image as they were a more hard edged band in Chicago. I think it’s safe to say that with the success of Poison, they saw that as an opportunity.

The track 777 was released as a single and received moderate success on MTV, but they didn’t sell a whole bunch of records. It was amazing that they were allowed to record their second album, Warped. I’m not sure they even toured that record, as singer Dezi Rex quit the band shortly after finishing the recording.

I guess this album sums up all that was bad about the LA scene at the tail end of the eighties. All image and no substance would be a fair representation of this band. Dudes looking like chicks, and the music is just second hand rock n roll riffs with sleazy lyrics. The one saving grace to this record is the guitar player, SS Priest, who is really good when he is allowed to rip.

I acquired this album for free by the way, so no money changed hands. Bullet dodged! It gets 6/10 for the guitar player, and 4/10 for the tunes from The Grooveman.

GODSTICKS – Inescapable

This is the Welsh Prog metaller’s 5th full length release, and sees the band expanding their sound as well as the line up – with the addition of drummer Tom Price, and guitarist Gavin Bushell. Darren Charles has an amazing and unique vocal style, that I would say sounds like a cross between Layne Stanley and Tom Yorke.

This is a superb record from start to finish. There are some very heavy and djenty moments that appear throughout the record, but it’s the quieter more angelic, ambient moments that really give the album that something special. I don’t know if any of you have heard of a Norwegian band called Jack In the Box, but listen to Relief and it’s an absolute ringer for that band. I love this track, as the off time groove and vocal are brilliant. An almost post rock vibe drives Surrender Maidstone, an amazing vocal from Darren and there is also a short but killer solo towards the end. Tracks like Breathe and Resist are really special, but Numb is the one that gets me every time. An amazing groove and the weird drop note in the main riff is pure genius.

Superb band, that I highly recommend.

9.5/10 from The Grooveman.

TED NUGENT – Double Live Gonzo!

This is another Live record that doesn’t often get a mention when people talk about best Live albums. Recorded over various nights across the US in ’76 and ’77, it was pieced together as a whole live concert. Ted Nugent was a big drawer back in the mid-to-late seventies, and sold tons of records right across the States.

Playing the most un-metal guitar with his Gibson Byrdland, boy did he make that thing squeal. I used to love old school Nuge – he always put on a great show. I lost interest when he went bat shit crazy, but there is no denying that this album is a barn burner. His mantra was always “if it’s too loud. you’re too old”, and believe me, his gigs were deafening. It’s bitten old Teddy in the ass, as he is totally deaf in one ear and has partial hearing in the other.

What you see here is what you get, good old loud and proud shit kicking rock and roll. All tracks are originals, apart from a very over the top Baby Please Don’t Go, there is no let up right from the get go. It’s all killer and no filler, and my favourite tracks are Great White Buffalo, and Wang Dang Sweet Poontang, where it’s all about the guitar and Ted gives his all.

9.5/10 from The Grooveman.

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