REVIEWS FROM MY VINYL COLLECTION

Tag: music (Page 207 of 454)

MOTT THE HOOPLE – Mott

Another one of my schoolboy loves. This album came out in ’73 in a period where rock bands could still be rock bands and have chart success without being frowned upon. I came to Mott The Hoople via Bowie and the “All The Young Dudes” connection.

I think Ian Hunter is a somewhat forgotten genius. He is very popular with his peers but didn’t have huge success by himself, and he is still putting out music today. This would also be Mick Ralph’s last contribution to the band before he would leave and form Bad Company with Paul Rodgers.

As well as the hit singles All The Way From Memphis and Honaloochie Boogie, my favourite track is Drivin’ Sister. A glam bam thank you man sleaze rock template that would resurface with the LA Sunset Strip brigade many years later.

Mott The Hoople never seem to get mentioned as one of the great glam bands of the seventies, but they were just as influential as Bowie of Bélanger.

8/10 from the Grooveman.

LAMB OF GOD – Ashes Of The Wake

Lamb of God are one of the best heavy groove metal bands around. These guys know that keeping the groove and swing in their tunes is what keeps metal interesting. A lot of modern bands just don’t know how to do that. It helps when you have an outstanding drummer like Chris Adler. Man, this guy is not human! I don’t mind the Cookie Monster vocals when the grooves and riffs are good, and musically, these guys are on the money.

This album actually came out in 2004, and this is the 15th anniversary edition with four extra tracks. Laid To Rest blows your brains to one side with an epic riff and groove to swing your head to, or if you getting old like me, use a cushion. Hourglass has an old school heavy metal feel to it, but it’s the groove and guitar that get you on this one. What an opening riff and groove to Now You’ve Got Something To Die For. Big Pantera vibes! The ending is both old school thrash and huge fat chugga grooverama. Monstrous tune! This gets the votes for favourite track. The Faded Line closes out Side 1. Just listen to the double kicks! Nuts or what!?

Omertà opens up Side 2 and the pace is slow but this sounds so damn heavy. Killer guitar tone! Blood Of The Scribe is breakneck speed thrash with superb riffage. Maximum chuggas at the intro to One Gun. The double kick frenzy gives a false impression of the speed of the song. It is soooo heavy! The onslaught continues with Break You and closes out the first disc.

What I’ve Become blasts into Side 3 with maximum old school thrash riffage. Ashes Of The Wake is up next and is a kick ass instrumental with guest soloists, Alex Skolnick, Chris Poland, Mark Morton, and of course Willy Adler. Lots of shred with epic heavy grooves. The main album closes out with Remorse Is For The Dead. After a really chill intro, the heaviness drops like a bomb with lots of groove changes and monster riffs.

The first of the bonus tracks is Another Nail For Your Coffin which was a B-side to a single. Deep staccato chuggas mirrored with with the drums, it’s intense. The last three tracks are demos of Laid To Rest, Ashes Of The Wake, and Remorse Is For The Dead. A lot better than those pointless etchings.

Great band great album.

9/10 from The Grooveman.

CHEAP TRICK – Next Position Please

I think everyone has a favourite Cheap Trick album, don’t they? Everyone in my circle of friends does anyway. I think the point I’m trying to make is the huge crossover appeal of the band. Mainly due to the fact that they know how to write a good and catchy pop song.

My favourite track on this album wasn’t a single, just an amazing album track: I Don’t Love Her Anymore. It has a superb and infectious guitar hook, a groove and beat with a great swing, and the chorus is earworm central. Simple! Younger Girls has that Stones riff that sits underneath the vocals, it’s just genius songwriting. It’s hard to believe that Invaders Of The Heart wasn’t even considered for a single. In ’83 this type of song was all over MTV.  

A great and very underrated band.

8.5/10 from The Grooveman.

LONE STAR – s/t

This album came out at the end of ’76, just as punk was beginning to explode. You can say there never is a right time to put out an album, but to be in a classic/progressive rock band at that time in the UK wasn’t easy. This band came out of nowhere, the first I’d heard of them was when they appeared on Old Grey Whistle Test, and I bought the album that weekend.

An amazing rendition of The Beatles’ She Said She Said opens up the album and what killer cover it is, it’s my favourite track. You would never know this was a Beatles tune, and the instrumental section is off the charts. Kenny Driscoll’s vocals remind me of Paul Rodgers. Epic stuff! You’d think you were listening to Led Zeppelin with next track Lonely Soldier, at least that’s the vibe I get. A very laid back piece until the Hammond kicks in with a musical representation of a battle, then the groove picks up leading into an uplifting ending. Side 1 ends with Flying In The Reel, a huge sounding intro that falls into a rock n’ roll boogie.

Spaceships kicks off Side 2, it’s quite a simple song until we get to the middle instrumental section and then the song takes off. These guys would have made a great jam band. A New Day is a good old southern rock romp complete with a slide guitar. A Million Stars has a killer intro with guitar and drums blazing. You would swear that’s Robert Plant singing, and Paul Chapman’s solo sounds so good on the track. The album ends with Illusions, a beautiful delicate piece with just a vocal and guitar until the waves crash in at the end.

This band should have been huge but everything went against them.

8/10 from The Grooveman.

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