REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 477 of 493)

RICHARD BARBIERI – Planets + Persona

This is the third solo album from the ex Japan and Porcupine Tree keyboard player (and he did the PT sound sculptures). Richard is not your normal key-widdler as he puts a lot into creating soundscapes and manipulating sounds with programming. Nearly everything you hear here is all electronic sounds apart from reconstructed vocals and some bass guitar and brass.

Solar Sea is a great opening track with an odd groove and pulsating rhythm that turns into an eerie vibe with twisted vocal. New Found Land starts with a pulse beat with a beautiful soundscape that leads into a really cool brass section. Next up is the center piece of the album, Night of the Hunter, which is split into three sections. Part 1, Summer, has an almost Japanese feel to it and that leads into a very sinister, Shake Hands With Danger, which builds with a military style beat into Innocence Lost – the final piece. Interstellar Medium has a really awesome created drum sound and the clarity is outstanding.

Richard has produced this himself and what a great production it is. I hope he gets to do a soundtrack for some weird and wonderful sci-fi movie, because I think this music lends itself perfectly – check out closing track Solar Storm to hear what I mean.

Previous releases have been more groove orientated with emphasis on the beats, but this time there is definitely more focus on the songs, the textures, and the sounds created. Although not as an immediate listen, as others in his back catalogue, but you will find yourself coming back to this time and again hearing things you missed as the pieces drag you deep. I don’t have a favourite, as I like it as a whole. I recommend this to anyone with a love of electronic music and I don’t mean the BPM style either.

9/10 from The Grooveman.

BRIAN MAY & FRIENDS – Star Fleet Project

This is just a 3 track EP that you would normally just pass by if it wasn’t for the inclusion of one, Edward Van Halen. The Van Halen’s never did much outside of the group, so this was a big deal at the time. Star Fleet, what is that I hear you ask? It was a sci-fi space tv show that aired in the UK, and it wasn’t that great to be honest. Brian watched this show with his kid and decided to make rock version of the theme tune.

The theme song is a cover of the original, with vocals from Brian, and guitars courtesy of them both, and it’s quite easy to tell them apart with such differing tones and styles. Next song, Let Me Out, was an old song Brian had lying around which they fleshed out for this project. A nice and loose feel so they can again trade off solos. The second side is one long blues jam called Blues Breaker, which sees our two main protagonists dueling solos throughout until the inevitable string breakage towards the end. So are the songs any good? Not really, but I guess that’s not the point when you can just listen to two friends who just happen to be two of the best guitar slingers around just having fun.

6/10 from The Grooveman.

ELTON JOHN – Captain Fantastic and the Brown Dirt Cowboy

This was released in 1975 and was Elton’s ninth studio album. It is also a autobiographical piece about Elton and Bernie’s early years struggling around London, which is the last place that comes to mind when you listen to it – the vibe is straight from mid-west America. The only single from this release is Someone Saved My Life Tonight, which was about Long John Baldry after Elton tried to commit suicide in ’69.

Although not as up tempo as earlier and prior releases, this is just a wonderful record. Bernie’s lyrics are so deep and meaningful – with Elton’s delivery, it’s just perfection. They spent longer on this record than any other before it, and it shows. It’s just a masterpiece and a worthy member of Elton’s golden period. The pictures in the two accompanying booklets are awesome as you see Elton as just an ordinary guy. No individual song reviews here because as a whole it’s just wonderful, and an album I hold dearly.

9/10 from The Grooveman.

JUDAS PRIEST – Nostradamus

Believe it or not, this is The Priest’s 16th studio album. It was also the last to feature guitarist KK Downing, as he then threw his toys out of the playpen and decided to leave the band. He seems to have been trying to get back in ever since. This was also Priest’s first attempt at a concept album, being based on the scribblings of the 16th century noodler Nostradamus. This is the limited edition box set spread over 3 LPs – what a nice looking package it is. Looking through the credits, no mention is made of a keyboard player – just the use of synthesized guitars…..mmmmmm!!!!

On to the first track proper, Prophecy, and it just happens to be the best track. Decent chorus and a standard Priest riff – just what you’d expect. Revelations is next, and basically sets the tone for the rest of the album as a Rob Halford solo piece – or at least that’s what it feels like. War is next, with an almost operatic intro from Halford – not very Priestly at all. I know Halford had been working on this for a few years before he reconnected with the band. In my opinion he should have made this as part of his solo project, because it just does not fit with the band’s style. Pestilence And Plague and Death fly by, and with titles like that you expect a lot more.

Every song starts the same, with this atmospheric beginning with Halford wishing he was an opera star, and the rest of the band take a back seat throughout. Persecution isn’t too bad and a move in the right direction, and then BOOM, back we go with Exile. Where are Priests trademark guitars??? It’s not until we get to Nostradamus that we get something that is worthy of the name Judas Priest. If you’re expecting a big ending then you will be disappointed, as Future Of Mankind is just a standard plodder.

So what do we make of that, I hear you ask? The worst Priest album by a mile, the songs are just not good enough. Great subject matter just not executed very well.

4.5/10 from The Grooveman.

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