REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 471 of 493)

RUSH – Permanent Waves

I’ll admit to not being the world’s biggest Rush fan, but I do recognize they had a period where the quality of their tunes was top notch and this album is prime period Rush. Along with Hemispheres and Moving Pictures, for me, was Rush at their peak. All three are great musicians but the master of them all, Neal Peart. was at the peak of his profession and he wrote seriously interesting lyrics.

What a way to start an album off with Spirit of Radio, which ended up being your most well known song around the world. At the time this was about as close as Rush would come to commercial success. Freewill follows, and this is more of what I expect from them, a more progressive tune with lots of instrumental sections and some serious over playing. The one thing about Rush is that you can always recognize the sound. Whether it be Lifeson’s guitar, Peart’s drumming, or more obviously Geddy’s vocal, they are instantly recognizable. Side closer the epic Jacobs Ladder, has all of the trade mark Rush ingredients, cool time and key changes, and a big instrumental section. Over on the flip side, and Entre Nous, which by Rush’s standards is a normal song. Different Strings is the slow track on the album before we get to album closer Natural Science with its 9 minute progressive workout.

There are sections in this that Dream Theater have lifted to use on their own songs. The albums they record are definitely of their time, as the effects and instruments they used date them, especially on this and Grace Under Pressure being the other one that springs to mind. Anyhoo you may be thinking I don’t like this all that much, but I do, and I appreciate them as artists.

8/10 from The Grooveman.

AC/DC – Powerage

Controversial comment coming up…There are three AC/DC albums that vie for their best album, and they followed each other chronologically (and none of them are Back In Black). Let There Be Rock , Powerage, and Highway To Hell are the three, and are all perfect in their own way. I first became aware of the Aussie terrors around the Dirty Deeds period, and saw a few times in club and uni shows before they stepped up to halls with the release of this album and the singles that came from it. They appeared on Top Of The Pops and a couple of other shows at the time. When people saw their energy and raw power, they were hooked.

We blast straight in with single number one, Rock N Roll Damnation. A great choice for a single as does exactly what it says on the tin. Down Payment Blues is next and I defy anyone not to bounce around the house while doing the hoovering to this beauty. Killer tune, simple but oh so effective! Gimme A Bullet rolls on in next with the pounding bass, kick drum, and twin guitar riff – just beautiful. Another killer tune! Riff Raff is next and is a contender for best AC/DC song ever. This song just smokes!!! What a riff!!! Everything about this song is just perfect. If anyone asked me to describe what I love most about this band I would just bang this song and kaboom!!! Angus just rips the hell out of the guitar and Bon’s vocal is killer!!!

Over to Side 2 we go with single number two, Sin City. Imagine this being released as a single today. Real music played by real people – it wouldn’t have a chance! I’m glad I was born when I was to experience bands like this up close and personal. Another banging tune! What’s Next To The Moon follows, with the toms a thumping and a Paperback Writer type riff that adds a bit of variety to the album. The almost laid back Gone Shootin’ is next, pedal off the power slightly with a very Stones vibe. Last two tracks compete to melt your face off the quickest in which album closer Kicked In The Teeth Again narrowly wins over Up To My Neck In You.

Production is absolutely monster courtesy of long time collaborators Vanda and Young, ironically this would be the last album they would produce before Mutt Lange came on board and mega-stardom beckoned. If you haven’t guessed it, this is my favourite DC album and every human on the planet should own it.

10/10 from The Grooveman.

BAD COMPANY – Straight Shooter

Bad Company are a band that were formed from the remnants of Free and Mott The Hoople. This is the second album from ’75. They take the blues rock of Free and give it a good dose of rock and melody.

Good Lovin’ Gone Bad is a perfect example of what this band are all about – a good rockin tune with a big chorus. Second song in and it’s classic time with Feel Like Makin Love, a slow burner of a tune until that big chorus and chunky riff kick in. What a monster tune. The bar room blues shuffle of Weep No More is next, with a great vocal from Rodgers and some tasty licks from Ralphs. Shooting Star closes out the side with its laid back west coast feel.

Side 2 jumps on with Deal With The Preacher, very reminiscent of Rodgers previous outfit Free. The funky tones of Wild Fire Woman follow, and shows how well Rodgers’ voice and Ralphs’ guitar compliment each other. Penultimate track, Anna, is a primo power ballad before album closer, Call On Me, which has a slow build up with the big rock ending to what is a good album. So that’s it!

Have a good band, some good tunes, a great vocalist, and away you go. Easy isn’t it?

8/10 from The Grooveman.

UNEVEN STRUCTURE – Februus

The word epic, often used by myself whilst doing these reviews, does not even come close in describing this record of gargantuan awesomeness. I came across these guys by fluke whilst surfing around the tinterweb. I came across British label Basick Records website and all matter of djenty goodness was to be found. The jewel in the crown was this. Uneven Structure are from France, and are purveyors of the finest tech metal/math metal/djent or whatever you want to call it – I don’t care what it is if it’s this good.

Awaken instantly removes your brain and gives it a good kicking with its supreme heaviness, before settling into some melodic goodness, and then the middle section with major off time grooves. BOOM!!! Track two, Frost, kicks major posterior, but with lots of melody, atmos, and yes, even more djenty goodness. Vocalist Matthieu Romarin is just incredible the way he switches from the deepest growls to the most melodic of vocals. The pace does not let up with Hail – again some serious off time grooves and epic vocals. The whole band are just amazing, superb musicians all round. Emmersion announces its arrival as if I have been transported into 2001: A Space Odyssey. Normality resumes with track five, Buds, which is an atmospheric slow builder with a killer vocal and maximum djentyness. Next up is Awe, which just wants to melt your face off with its heaviness. The drumming is just off the charts with some serious beats being laid down by Christian Schreil. Awe flows into Quittance with more polyrhythmic goodness. Limbo is a spacey loop that connects into Plenitude, which is just drum rhythms played until the guitars join with the same groove for 4 minutes until the vocals arrive. Epic in it’s simplicity! Which leads us to the final track, Finale, which has a huge cinematic sound – a fitting end to the album.

This is, without a doubt, one of the best albums of its genre and a must have for anyone who like this type of metal. It comes with a Grooveman guarantee.

10/10 from The Grooveman.

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