THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 430 of 493)

ATLANTA RHYTHM SECTION – Champagne Jam

May 21, 2021 /

Formed back in ’71, this is a mid-period release from ’78. Not as famous as other southern rock bands, mainly because they didn’t travel much outside of the US, and they had a softer approach – compared to say the Allman’s and Skynyrd. This album includes the top ten single, Imaginary Lover.

Things start off brightly with the up-tempo Large Time, which shows off the twin guitar attack of Barry Bailey and JR Cobb. I’m Not Gonna Let It Bother Me Tonight is slower in pace and is a decent tune. Then ballad city rolls in with Normal Love, which is super syrupy and meh. Side 1 close out track is the title track – the best track on the album. It has a great southern swagger and groove and is almost a shuffle. A soft rock gem.

Side 2 has the aforementioned single, Imaginary Lover, and it’s very Fleetwood Mac in its execution. Next up is The Ballad Of Lois Malone and is as southern sounding as it gets with that hint of country. The Great Escape and Evileen are what you would call yacht rock and end the album on a bit of a whimper.

Earlier albums had a lot more edge and groove to them. It’s an ok record and not a bad album for sure, but it does sound very dated.

6/10 from The Grooveman.

ALAN HOLDSWORTH – Road Games

May 21, 2021 /

Considered by many as the guitarist’s guitarist, Holdsworth is one of the true innovators of the instrument. Acknowledged for his use of advanced musical theory in stretching the possibilities of melody and harmony by using weird and wonderful chord progressions. Eddie Van Halen is name checked in the credits, and I’m sure it’s because of Ed that Ted Templeman is an executive producer.

This basically is an extended EP, and with only has six tracks, it clocks in under 25 minutes. This is one for the muso’s amongst you as there aren’t many real time songs, although, the title track Road Games has a normal song structure with lyrics and everything, and the track Was There (which has the amazing Jack Bruce on vocals) is the best track on the album. There is no doubt that Holdsworth was an incredible player, and his playing here is exceptional. Ably accompanied by the amazing Jeff Berlin on bass, and Chad Wackerman on drums, this album is for jazz fusion aficionados and for the curious.

7.5/10 from The Grooveman.

BLACK N BLUE – Nasty Nasty

May 20, 2021 /

These guys were hot for about four years – from ’84 to ’88 – and then they were gone. This was also Kiss guitarist, Tommy Thayer’s, original place of work, and Simmons did produce this album. This is the third studio album, and in my opinion, their best. The production is huge and the album sounds massive.

Opening track, Nasty Nasty, is a superb opening track, it rocks hard and everything is in your face. I Want It All (I Want It Now) should have been a single as it’s a super commercial track with a rather catchy sing-a-long chorus. Does She Or Doesn’t She follows and this is full on American party rock with a killer riff and groove. Side 1 closes out with Kiss Of Death with a great opening riff and is as metal as this album gets – a superb track.

Side 2 starts with 12 o’clock High with the huge voice of Jaime St James – it’s another anthem rocker and the guitars sound HUGE! Do What You Wanna Do is next up, and the pedal goes to the metal with this one with its big sing-a-long chorus, and a killer breakdown. These guys should have been huge! I’ll Be There For You is the only track not produced by Simmons as it’s done by Journey’s Jonathan Cain…you know what’s coming right? Ballad city! YAWN! This album is so good it didn’t need a cash in tune like this. Rules is next and thankfully we’re back to the big rock tunes. Last track is Best In The West, and its a huge stomper of a tune and reminds me of AC/DC.

It’s easy to see why Simmons wanted Tommy Thayer in Kiss as he’s tailor made for them. It’s just a shame they don’t write much with him. They lose half a mark for the ballad.

9/10 from The Grooveman.

HELLANBACH – Now Hear This

May 20, 2021 /

The NWOBHM threw up a lot of bands that were not essentially metal, but because they rocked, they were tagged with the genre anyway. One such band were Newcastle’s Hellanbach, who were touted as Britain’s answer to Van Halen. The comparisons are obvious, especially with guitarist Davey Patton, who style-wise, was a ringer for EVH and had obviously studied early Van Halen closely. And with cocalist, Jimmy Brash, who did his best DLR impressions – complete with an American accent to his vocals. The only thing that lets it down is a somewhat flat production.

Dancin’ kicks things off and it’s the raw energy and enthusiasm that hits you, and of course Dave Patton’s guitar playing. The ending to Times Are Getting Harder is pure VH, and you have to give them 10/10 for getting it almost right. Look At Me is pure Dave Lee Roth and is a great tune. All Systems Go is fast as hell and reminds me of Women An Children First era VH – with a total feedback fest at the end. Maybe Tomorrow is up next and is the weakest track so far. Side closer Motivated By Desire is the best track yet. Awesome raw guitar on the edge of feedback all the time, and it riffs hard.

Over the flip we go and Taken By Surprise starts with a standard blues groove and with overdriven guitar riffs over the top – you have to check that this is not a VH demo it’s that close. Let’s Get This Show On The Road follows and takes the speed up a notch or two. Kick It Out is an ok track, but is let down by the drumming as it’s way too basic for the track – killer guitar though and the rip off VH middle section. All The Way is next up, and is the only track that feels NWOBHM with DLR on vocals. The last track is the only cover on the record, and ironically it’s my favourite. It’s the band’s take on Disney’s Aristocats’ Everybody Wants To Be A Cat – and it’s an absolute belter of a take. A quite traditional opening leads to a superb solo and a very metal ending.

So did the world need another Van Halen? Well, these kids from the North East thought so, and for a small window of time they were in with a shout, but due to them taking forever to get the next record out (and it not being as good) and also crap management, they disappeared as quickly as they came.

8.5/10 from The Grooveman.

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