REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 428 of 493)

ELECTRIC SUN – Firewind

On the outside, it seemed like a strange decision to leave the Scorpions just as they had signed a new contract with Phonogram – they were on the up. But Uli had been unhappy with his position in the band for a long time, and decided the time was right. Uli is a huge Hendrix fan and you can hear it in his playing – he was even seeing Jimi’s old girlfriend for a while, Monica Danneman. I for one, find that a bit strange, but what do I know.

There is no denying Uli’s brilliance as a guitar player, but his vocal style is not for everyone as it feels as though he is straining all the time. Cast Away Your Chains is a nice opening track with some killer playing. Indian Dawn, musically, is freaking awesome especially in the breakdown section and has a very 70’s vibe. I’ll Be Loving You Always is a ballad with some great playing, but this is the one track where you realize that a better voice would have been heaps better. The title track follows and is great Euro metal sounding piece where Uli really stretches out on the guitar. A short instrumental piece, Prelude In Space Minor, closes out Side 1 and is very Hendrix in its execution.

Side 2 opens up with Just Another Rainbow and is very Band Of Gypsies – especially with the intro. Children Of The Sea is up next and is pleasant and laid back tune, but the vocals do detract somewhat. Chaplin An I is another very similar track before we get to the album closer and the big showpiece Enola Gay (Hiroshima Today). This is where Uli shows us what a killer guitar player he is and unloads every weapon in his arsenal. This is why every guitar player cites him as an influence. All the effects and toys are on display in the the full on Hendrix tribute in part three, the Attack Of Enola is outstanding.

So you may wonder why I bought this album, with me not being to keen on the vocals? Well its all about the guitar. I’m a huge guitar fan, and there is enough guitar awesomeness on display here to keep me more than happy.

8/10 from The Grooveman.

OZZY OSBOURNE – Diary Of A Madman

After Ozzy was ejected from Sabbath (or quit – depends on who you believe), he was at a huge turning point in his career. He was addicted to just about every known chemical that he could shove in his body, and his voice and attitude in Sabbath towards the end was pretty bad. So his next step had to be a huge one and a decisive one. When he found Randy Rhoads and released the first Blizzard Of Oz album, it was a huge boost for Ozzy, but with the release of this, the 2nd album, his legendary status had been assured thanks to Mr. Rhoads.

Make no mistake about it, these songs are all about Randy. His playing on this record is outstanding – rivalling the impact EVH would have a few years earlier coming from the same breeding ground in and around the Pasadena area. Every song on offer here is the best the Ozzman recorded throughout his solo career. From the opening crunch of Over The Mountain, you know you are hearing something special. I know Sabbath die hardship would say Ozzy’s best days were there, but in reality everyone knew this band was on a different level. It would only be broken by tragedy with the untimely death of Randy in that well documented stunt/accident that went horribly wrong.

We all know and love familiar songs on the this record, but it’s the sleeper tracks like You Can’t Kill Rock And Roll where Randy destroys on the fade out that I love. I wish that had been extended a lot longer. His rhythm tone alone is incredible throughout. S.A.T.O is another track where Randy just lets loose with the incredible riff and the control of the guitar is incredible when it’s always on the edge of feedback. I think most rockers and metal heads own this, and rightly so, as it’s in the metal fans owners manual.

10/10 from The Grooveman.

LIQUID TENSION EXPERIMENT – 3

Well, I guess after 22 years it would be about time to record the follow up to the second album. The groundwork for this album was made when Portnoy joined Petrucci on the recording of his last solo album, Terminal Velocity. That would be the first recording the ex-Dream Theater band mates would make together after Portnoy leaving the band to pursue challenges new – with his 17,000 projects he has been a part of since leaving. Also appearing here is the other member of DT, Jordan Rudess, keyboardist extraordinaire, and stick bass legend, Tony Levin.

If Portnoy was proving a point in regards to whether he still had the chops to play complex and strength sapping pieces anymore, I think with the first track Hyoersonic, those fears are simply put to rest as his playing here is other worldly. A jazz/Prog/metal masterpiece describes it perfectly. Second track, Beating The Odds, is more of a straight ahead track – well for these guys it is – and it does feel like a DT track. Keyboards are featured more on this piece and its full on widdly overload.

Side 2 starts with Liquid Evolution, and I’m guessing it’s describing musically how they have evolved over the last 22 years. A very fusion vibe for this relatively short piece. Back to the heaviness with the opening exchanges for The Passage Of Time, and this feels like an older Liquid Tension piece – my favourite so far. Petrucci, as well as being a shredder par excellence, can also play the most beautiful emotive runs. The weirdly named Chris & Kevin’s Amazing Odyssey is next, and starts with a very strange opening bass section and evolves as it continues for the whole track. Then it’s cover time for an over the top rendition of Rhapsody in Blue. Awesome! The very ballad-esque guitar piece Shades Of Hope is next, and then it’s onto the showstopper, Key To The Imagination, which is an incredible piece of music.

So the 22 years hasn’t changed them one bit, and they are still pushing boundaries.

9/10 from The Grooveman.

ADAM BOMB – Fatal Attraction

Originally a member of the Seattle heavy rock outfit, TKO, Adam Bomb appeared on the classic In Your Face album then abruptly departed the band. He went to Hollywood where he would eventually record this, his debut solo album. He is joined on this album by ex-Aerosmith guitarist, Jimmy Crespo, and on drums is ex- Riot man, Sandy Slavin. He even had great management with Dave Kerbs and Steve Lebar – so everything was in place to give him the best shot possible. Unfortunately, with so many members of far too many bands who thought that they could go it alone, most don’t quite have the material to make it. And this album falls definitely into this category.

The music is a glam/sleaze mash up of sorts, and there are some great moments like opener SST, which is a great glam rock opener. I Want My Heavy Metal, which has AC/DC’s Cliff Williams on bass – it’s more of a straight ahead rocker and works really well. The title track is a great bubblegum sleaze track, and is the best track here. Russian Roulette could have been a TKO track as the overdriven guitar sound was a trademark of theirs. The rest of the tracks just don’t live up to much if I’m being honest, and I guess that’s what the record company thought. It would be another 5 years before the follow up on a different label.

6.5/10 from The Grooveman.

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