REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 370 of 493)

BE BOP DELUXE – Sunburst Finish

This band are about as local as it gets for me as. Bill Nelson was from Wakefield, about 8 miles from where I spent my childhood. The word genius is bandied around far too often (especially in the music business), but Bill Nelson is a bonafide genius and visionary. He was never one to stand around and repeat himself. Even if what went before was successful, Bill felt the need to move on to something new. If you listen to all the Be Bop albums, they are all different, and it’s only Bill that holds them all together. He’s often talked about as a great songwriter and innovator, but he is also a fantastic guitarist.

This album would be the last of the early glam style albums before they would reflect more of what was happening around them. Often compared to Bowie (and I know Bill did admire Bowie), I think this is more to do with the tonal quality of Bill’s voice and the way he paints pictures with his lyrics. Ships In The Night was the band’s highest charting single in the UK, and the one Bill hates the most as the record company were putting him under pressure at the time. For me, it is possibly the weakest song on the album, as the two songs that precede it on the album, Fair Exchange and Heavenly Homes, are amazing tracks with a very Prog feel to them. Crying To The Sky has one of my favourite Bill solos that just soars beautifully above the music. Superb tone and feel! Other stand out tracks are the incredible Blazing Apostles, which has a very new wave vibe to it – but again a great guitar sound, and my favourite track on this album, Life In the Air Age.

Bill is still cranking out tunes in his seventies, and I urge everyone to go and check him out – he has made some incredible music.

9/10 from The Grooveman.

JUDAS PRIEST – Killing Machine

Back in the mists of time, well ’78 to be exact, there wasn’t a whole lot of heavy metal bands around. Remember, this was before the NWOBHM had hit, Motorhead had just put out Overkill, and other than UFO and the Scorps, that was about it. So when Priest put out a new album it was an event. This was before cheesy Priest made an appearance, with Living After Midnight, United and Breaking The Law. For our American friends, this album was released as Hell Bent For Leather because of a controversy with a school shooting at the time. This version is the limited Mobile Fidelity audiophile release, and it sounds superb.

One thing you will notice if you follow Priest’s career, is how the guitar sound has changed to go with the times. This album, for instance, has that very seventies sound. Move on a few albums to Screaming For Vengeance and the difference is very striking, with what would be the ultimate Priest sound.

Within these grooves is what would eventually be Priest classics in their later Live sets. Their version of Fleetwood Mac’s, Green Manaleshi, is a great cover and a standard Live offering in most gigs they play today. The title track is classic Priest, short, sharp, and to the point – a great tune. Delivering The Goods is the opening track and possibly my favourite. Halford’s voice never got better than on this album. The screams were oh so high, and Rob’s knack at writing great melodies and hooks is so evident throughout the album. Killing Machine is the track that sees the band trying something a little different with the groove of the song. They would expand this more when it came to the Turbo album.

A classic Priest album that I still listen to quite often.

9/10 from The Grooveman.

PARLIAMENT – The Clones Of Dr. Funkenstein

One nation under a groove! It’s a great sentiment that has got lost along the way.

This is the fifth album from the funk kings. Parliament were the more commercial of the collective, as Funkadelic were way more experimental. I love seventies funk, and I have quite a bit in my collection. Parliament are great when they play, but they lose me a bit when they do the jams with ramblings from the Funkospherespoken over the top. ‘Gamin On Ya is fantastic, whereas Dr. Funkenstein just rambles on. Gettin To Know You is a soul funk gem. Everything Is On The One should be a funk mantra, as that’s what it is. Funkin’ For Fun is a great funky classic.

Not the best Parliament album, but still a very groovy record.

7/10 from The Grooveman.

MONTROSE – Paper Money

This the second Montrose album, and the last to feature Sam The Sham before his falling out with Ronnie and his departure to be a solo artist. This version has a bonus live album that was recorded at KSAN radio in ’74. It’s hard to believe it, but this album was the band’s highest charting album at #65. I always thought the first album was the best, but I guess not sales wise.

After the wam-bam of the first album, the first two tracks are a bit of a let down as they are very laid back and are both covers. It’s not until we get to The Dreamer where the volume gets turned up and Hagar does his best Paul Rodgers impression. Starliner is quite an interesting track as there is no vocal, but you can see that Ronnie was trying to change the band’s sound. I Got The Fire is the first track which could have been on the first record and it’s a great up tempo tune. The one thing you notice on this album is the guitar sound is a lot cleaner and the distortion has been dialled back.

My favourite track on the album is the dirty blues groove of Spaceage Scarifice. We’re Going Home sounds as though it should have been in Laurel Canyon in the late sixties – it feels as though its on the wrong album. The final track is Paper Money and this also has a very hippy vibe to it. If you didn’t know which album was recorded first, this or the self titled first album, you would probably say this one as it sounds older than it’s predecessor. I’m not sure if the fighting between Ronnie and Sham was the reason this album sounds very disjointed, but I guess it was having an effect.

7/10 from The Grooveman.

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