REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 268 of 493)

BONFIRE – Don’t Touch The Light

This is the band’s first album as Bonfire released back in ’86. Recorded at Dieter Dierks’ studio (as were a lot of Scorpions albums) – vocalist, Claus Lessman, does sound like Klaus Meine at times. It has a pretty standard mid-eighties hard rockin’ sound with a decent production, although the snare drum sound is very annoying at times. The band didn’t do a whole bunch in the UK, but in mainland Europe they were huge, and towards the end of the eighties they had some success in the US.

I’m a sucker for big overblown intro’s, and that’s what the band deliver here before kickin’ into Starring Eyes, which is a straightforward rocker. Hot To Rock is the best track on the album – a nice uptempo rocker with a great sing a long chorus. You Make Me Feel is a typical euro ballad – a la Winds Of Change. Side 1 closes out with Longin’ For You – with its riff heavy groove, it’s almost NWOBHM in feel.

The title track opens up Side 2 and it is a mid-tempo plodder with a simple riff, and a very melodic chorus that almost sounds as though it belongs to a different song. SDI follows and is quite slow with a chugga riff – it’s quite basic in its make up. No More is next up and is a straight up fat riff groover with a nice melodic chorus. The album closes out with L.A, and I guess it’s the band’s homage to their favourite city. Sure, it’s quite cheesy, but it’s a a great fun track.

Not the best album by the band, but it’s cool to go back and see how it all came together.

7.5/10 from The Grooveman.

DIZZY MIZZ LIZZY – s/t

Dizzy Mizz Lizzy are one my favourite bands ever. Their Rotator record is in my top 5 of all time, and this album is not far behind.

Power Pop is the name of the game here my friends. Well, at least that’s what they are pigeonholed under. You can call it rich tea biscuits with a slice of toast if you want, it doesn’t really matter if the music’s that good. Everything revolves around guitarist and vocalist, Tim Christensen, as he writes all the tunes as well. So much feeling wrapped around great vocal lines, superb riffs, and grooves is what makes this band a very unique commodity. I don’t know of any other band that is this good at playing this type of music.

Every song is a masterpiece; screaming out for your attention. I’m only going to mention my favorite track as I would be here all day raving about the whole album. Today my pick for favourite is Wishing Well, as this brings pure joy to me with the main riff and groove just ticking every box as I bounce round the room. If you ask me on another day when I’m feeling a bit low, then Silverflame may be my choice as this brings all the feels. Please track this album down as you won’t be disappointed.

10/10 from The Grooveman.

The Grooveman’s going on holiday! No reviews for a couple weeks while I’m away. Be back soon!

TIN MACHINE – s/t

Apparently Bowie put this band together to play the type of music he enjoyed listening to, and he said it revitalized his career. This album and the band were all about Reeves Gabrels, who I was totally unaware of before this and he is the star of the Tin Machine project.

Heavens In Here is a wickedly grooved up blues romp, with Reeves ripping it up, and Bowie just being Bowie; this is by far my favourite track on the album The title track is just a very weird sounding rockabilly romp. Prisoner of Love is more like a tune from Bowie’s Ziggy era. They obviously all like Velvet Underground, as this is very Lou Reed. I Can’t Read is a bit of a mess sonically, and they are just trying to be weird. Under The God is an old school rock n’ roll riff, with a punk rock vibe. Amazing has a very west coast vibe mixed with Bowie’s Low period. Working Class Hero flows, and is that Bowie being autobiographical? Bus Stop sees the return of Bowie’s flirtation with R’n’B beats, with a punk vibe. Pretty Thing I just don’t like, as it doesn’t seem to go anywhere. Video Crimes is all weird noises and attitude. Baby Can Dance closes out the album, and it’s a bit of a mess. Tin Machine 2 is a much better album, and is way ahead of this record.

6/10 from The Grooveman.

JOE BONAMASSA – Redemption

I’m amazed at how Joe keeps it fresh, as he seems to churn out albums every week. Whether it be solo records or collaborations, and even side projects, there is so much with JoBo on it out there.

This album was put out in 2018, and has the full ensemble, with female backing singers, and horn section. All original compositions this time, and no covers. Evil Mama has Joe’s patented blues rock groove, and this is a really great track. King Bee Shakedown is more of a traditional fast blues shuffle, and sounds epic with the full band – almost a big band vibe. This sets the tone for the whole record: a mixture of modern blues rock groovers and more traditional sounding pieces, even a jug band sounding tune with Pick Up The Pieces. Joe has a love of country, and that shows through on the Ghost Of Macon Jones. My favourite track is the opening tune, Evil Mama. It’s one of the best things he’s done. From the Zeppelin drum fill at the beginning, this track has such a killer groove. Great album.

9/10 from The Grooveman.

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