REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 262 of 479)

THE JOE PERRY PROJECT – Once A Rocker Always A Rocker

After the poor sales of the second JPP album he was dropped by CBS and was picked up by MCA. Of the three Project albums, this is the worst. I’m not sure who needed the Aerosmith reunion more, Tyler or Perry.

It’s not a bad album, it’s just not a good one either, it sits somewhere in between. There are some half decent attempts, namely the title track, which does a half good attempt at rocking. Then, Women In Chains has a strange weird country vibe, that makes it endearing. As well, Crossfire has a great riff with some nice slide playing and is ok. And, the last track Never Wanna Stop with an acoustic groove. There is a really bad cover of TRex’s Bang A Gong, and that’s about it. The first album is the best of the three by a mile ,and I would avoid getting this unless your are an Aerosmith completist

5.5/10 from The Grooveman.

MR. BIG – s/t

Superb album!!! Not a bad note played, and for a debut album it’s up there with the best. On paper, great musicians make great records, and that is definitely the case here. Paul Gilbert was known for being a shredder both for his solo work and with Racer X, Billy Sheehan was fresh out of the David Lee Roth band and he plays bass like a guitar, Eric Martin is blessed with a set of pipes that you could only wish for, and Pat Torpey who sat on the drum stool for way too many people to mention here.

First up is Addicted To That Rush, and Billy is resurrecting that Shyboy fast bass groove thing with Gilbert really giving it the beans. Wind Me Up is such a killer track with a superb riff, massive hook and chorus, and everyone plays their ass off. Merciless is next, it starts with a very busy, almost funky groove, and settles down to a funk/rock hybrid, and Paul Gilbert just rips it up. Had Enough is a Billy Sheehan composition that starts with a bass solo and settles into a slow brooding melodic groover. Side 1 closes out with Blame It On My Youth, and what a killer sounding riff. Great vocal from Eric!

Side 2 opens up with Take A Walk, and it’s the best track on the album with a ripping riff and groove; Paul just rips it up and Eric is singing his ass off. Superb song!!! Big Love is an Eric written tune, and I love the swing and vocal to this track. How Can You Do What You Do follows, and was co-written with Eric and Jonathan Cain. Nope, t’s not a ballad – it’s a great uptempo pop/rock tune with short snappy Paul solo. Anything For You is the only ballad on the album but it’s a good one. The album closes out with Rock & Roll Over with a heavy blues rock groove. Great band, great album!!!

10/10 from the Grooveman.

QUEENS OF THE STONE AGE – Era Vulgaris

Born out of the ashes of Kyuss (I love Welcome To Sky Valley), this is the band’s fifth release produced by Masters Of Reality’s Chris Goss; it does sound like a hybrid of Kyuss and Masters.

Turnin’ On The Screw opens up the album, and it’s an ok track but nothing special. Now Sick Sick Sick is a different beast altogether, a very simple repeating riff and groove that just gets in your brain. I’m Designer is a quirky offbeat oddity and Josh Homme’s vocals make the track. Into The Hollow has an old school blues vibe with an indie melody over the top. Misfit Love is fuzzed up weirdness and it seems to be going nowhere until the vocals kick in. Running Joke closes out Side 1 and it reminds me Chris Cornell in his darker moments. Battery Acid kicks off Side 2 with an almost punk riff and beat; it is an ok track. Make It Wit Chu follows, this could have been on any Masters album, and is a very groovy blues piece. 3’s & 7’s is all Nirvana strumming and again, if it wasn’t for the vocal it would be quite forgettable. Not a patch on Songs For The Deaf, it’s just an ok record.

6.5/10 from The Grooveman.

GIUFFRIA – Silk & Steel

This the band’s second album, released in ’86. By the time they got around to recording this album, original guitarist Craig Goldy had jumped ship to join Dio, and he was replaced by Lanny Cordola. Of course by now Journey’s Escape was mega huge everywhere, and all the record companies were after their own version, and in David Glen Eisley they sure had a power house vocalist who could sing the ass off anything; especially the ballads.

Check out Love You Forever, this could have been on any Journey album. For some reason the format of putting all your best tracks on the first side is reversed for this album, as all the best tracks are on Side 2; which is quite apt as it is called Side Steel. Side 1 is overloaded with ballads and slower AOR style tunes, except for opener No Escape which rocks hard with a killer solo. Side 2 kicks in with Radio, and a fat riff opens things up instead of the usual keyboard intro. Lethal Lover is the standout track on the album, with some great guitar histrionics in the intro, as well as a huge hook and chorus. The very Def Leppard sounding Dirty Secrets closes out the album with a bang. There were demos made for a third album but they were dropped by MCA, and a lot of these demos would end up on the first House Of Lords album.

8/10 from The Grooveman.

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