REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 259 of 479)

NAZARETH – Malice In Wonderland

This is the only Nazareth album I own and that is purely down to the fact that ex-SAHB guitarist joined the band for the album before this. I was sure the reason he was asked to join the band was just to add balls, and beef up the band’s sound. Couldn’t have been more wrong of course, as he has a co-write on all but one of the songs, and three of them are sole Zal compositions.

Big Boy would first appear on the SAHBWA album, and was one of my favourite tracks on that album. Showdown At The Border has USA written all over it and has a big ear worm chorus. Hearts Grown Cold is a big power ballad, and I think it was released as a single. I always associate Nazareth with being a rough around the edges rock n’ roll band, but this is a very slick and well produced album with an eye on America. My favourite track is Talkin’ To One Of The Boys, as it has a very un-Nazareth vibe to it. A very quirky riff and groove with an almost new wave feel ,and some great guitar.

7.5/10 from The Grooveman.

DOWN – Nola

This is the band’s first album released in ’95. Style wise it’s very much a stoner rock album, hailing and promoting the use of the leaf. The band consists of members of Pantera – Anslemo, Corrosion of Conformity – Pepper Keenan, and Crowbar – Kirk Windstein and Todd Strange. The inspiration is obviously early Sabbath with the big riffs and grooves, and the emphasis is very much on those two things. Anselmo’s vocals are his usual angry and brutal self, but at this point he could still hit the screams, unlike now where is voice is pretty much destroyed.

There are some killer tunes on this beast of a record and Pillars Of Eternity is one of the best; massive riff and groove, and the fade out is epic. Hail The Leaf with the riff that is more Sabbath than Sabbath. Eyes Of The South will have you bouncing round your space with the catchiest of riffs and simple grooves. Losing All which is the best thing the band have done. It has a monster riff and vibe, with a huge slice of the South thrown in. I like and appreciate this album a lot more now than when it first came out. It definitely grows on you more as time goes on.

9/10 from The Grooveman.

WHITE LION – Pride

Of the four albums that the band issued in the 80’s, of which this is the 2nd released, this is my favourite. Great songs and some unbelievable guitar playing from Vito Bratta.

Two singles from the album Wait and When The Children Cry were huge (especially on MTV), and they were riding high until the change in the musical landscape did for them as it did for most of the hair bands. This is such a great record I will just mention my favourite tracks (which is nearly all of them 😂).

Hungry is a monster opening tune with a great hook and ripping guitar. Lonely Nights again with a great hook and melody, and incendiary guitar. Lady Of The Valley, which I think is the best track they ever did, has a brilliant intro and some insane guitar. All You Need Is Rock N’ Roll with its monster riff and groove. The vibe is very early Van Halen throughout but with their own twist, which is fine by me. If you only own one White Lion album then it has to be this.

10/10 from The Grooveman.

ROXY MUSIC – s/t

As a very impressionable young 12-year-old seeing these glammed up space aliens playing Virginia Plain on Top Of The Pops, it was a ground zero moment for me. Everyone else seemed to be playing to a formula, but Roxy Music were just doing what they wanted and if you liked it or not then boo ya!!

Virginia Plain and the follow up the amazing Pyjamarama (which weirdly never appeared on an album) just ticked every box imaginable for me, and Bryan Ferry, Eno, and Phil Manzanera were just so damn cool. Every art/rock band that came after were inspired by them, right through to the frilly shirts and haircut brigade of the eighties. For a short period of time they were the centre of the universe and this album is pure nostalgia for me.

8/10 from The Grooveman.

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