REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 246 of 493)

WATCHTOWER – Control And Resistance

Watchtower are probably one of the most influential metal bands you have never heard of. They have influenced many Prog metal bands and modern djent/math metal outfits, with the use of odd time signatures, many tempo changes, and unreal sweep solos. The band were initially formed in ’82, but it wasn’t until ’85 that they released their first album, Energetic Dissasmbly. This their second album and has a couple of line up changes with the introduction of Ron Jarzombeck on guitar, and the departure of Jason McMaster to Dangerous Toys.

The playing for the mid-eighties is insane, and I guess metal fans weren’t ready at this point. There are so many highlights for me on this album, Mayday In Kiev is like listening to four songs at once – every few bars it’s a different song. Jarzombeck’s playing is incredible. The one thing that I do find annoying at times is the vocals of Alan Tecchio as they just don’t fit. Putting that to one side, my favourite track is Hidden Instincts.

I get this isn’t for everyone, but the playing and time and groove changes are just nuts – it’s as if anything goes. Jarzombeck has gone on to form Spastic Inc and Blotted Science – both tech metal masterpieces and I urge anyone who likes instrumental tech metal/fusion to check them out.

8.5/10 from The Grooveman.

STEVE STEVENS – Memory Crash

I’m a big fan of Steve who I first came into contact with due to Billy Idol. The Atomic Playboys was great, and I really liked Flamenco A Go Go which was a sideways step for him. Other than the Bozzio Levin and Stevens project, this is the only solo album where Steve rocks out.

The album opens up with a very scene setting into piece, before Hellcats Take The Highway bursts in and grooves at a great pace. It has some very cool guitar and an old school style rock n roll riff. The title track is up next which has a very cool riff, and in Satriani style, the guitar plays what would be the vocal harmony. Water On Ares is a really cool acoustic piece with just a hint of latin. The phased solo is killer! A cover of Day of The Eagle follows with Doug Pinnick on vocals. It’s quite hard to cover a masterpiece and improve on it. Whereas Steve does a good job on the guitar, Pinnick’s vocals fall short. Small Arms Fire has all Steve’s weapons on display. The amazing acoustic intro, incredible riffing, and epic soloing.

My favourite track is up next with, Cherry Vanilla. I love the Hendrix vibe and the tone and sound of the guitar is awesome. A short effects piece is next with Joshua Light Show. Then we have a very Jeff Beck inspired piece with Prime Mover, and I’m really loving that bass line and Steve’s slide playing. The album closes out with a very cool acoustic piece, Josephine. I think this is his best solo piece yet, and I hope there is another one to follow.

9/10 from The Grooveman.

LOVE/HATE – Wasted In America

Riding on a high from the first album (mainly due to the success of the single, Why Do You Think They Call It Dope), they were asked to do a follow up, so Wasted In America was released in ’92. As we all know, that was prime grunge unpleasantness, and for band’s of this ilk that usually meant certain death. For some reason, the record company rejected all the initial songs that the band presented for this record, and after this record they were dropped.

It’s not that bad, and lead off track, Wasted In America, is a great tune that could have been on their first album. Spit – on the other hand – has a killer funky rock vibe mixed some Beatles style psychedelic harmonies. Miss America has a very rootsy deep rock groove, reminiscent of Zeppelin at times. Cream does have a slight Seattle vibe, which is understandable. Yucca Man has more of a sleazy LA groove with a monster riff. I really love this track and it’s definitely my favourite. Don’t Fuck With Me I think is aimed at the label and their obviously different ideas. Overall this album lacks a big tune like Dope. It does have its moments that I do really like.

8.5/10 from The Grooveman.

LIVING COLOUR – Vivid

There was a huge burst around this band and album – mainly due to them supporting the Rolling Stones and Mick Jagger getting behind them. For me, it was the lead off track, Cult Of Personality, that dragged me in. Everything about this track I loved. The riff, the groove, Corey’s vocals, and Vernon’s crazy solo just dragged me in. 

I caught them a couple of times on this tour, and they were killer. The bringing together of all these musical styles was a sure fire winner, with only Fishbone doing anything similar. I Wanna Know is basically an RnB vocal with a rock groove and vibe on top. Middle Man, which today is my favourite track, has a killer riff a ripping funky groove and man this just smokes. Desperate People brings together a punky main riff with a funky under groove. Open Letter To A Landlord is Corey’s finest hour, a superb vocal with a topic close to his heart – and that main riff!

Funny Vibe kicks off Side 2 with a very metal riff before the most funky of grooves takes over. Memories Can Wait follows, and man what a tune. It begins again with a heavy funk groove with Vernon seriously wailing, then a very delicate and beautiful middle eight that drops into a fast punky riff. Broken Hearts has a very hip hop main beat with a country guitar over the top – it shouldn’t work, but it does – plus there is a beautiful solo from Vernon. Glamour Boys, which was produced by Mick Jagger, is funk mixed with calypso until the main hook. The band’s theme song follows with What’s Your Favourite Colour? – a seriously groovy funky vibe with the title just repeating. The album closes out with Which Way To America, another social commentary piece. A killer heavy funk groove and vibe with a very metal main riff. A great band  and superb album.

10/10 from The Grooveman.

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