REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 2 of 409)

VICIOUS RUMORS – Digital Dictator

Having been existed since ’79, it wasn’t until ’85 that Vicious Rumors recorded their first album. This chunk of awesome was album number two for the band and came out in ’88 through good old Shrapnel, who at the time released all the ripping guitar metal music. I actually thought the band would break out of smallsville onto to a bigger stage, but sadly that did not happen. That double guitar onslaught of Geoff Thorpe and Mark McGee and the soaring vocals of Carl Albert should have been a home run.

This record was voted album of the year in a lot of metal magazines and they were hailed as the new power metal kings. They have been continuously releasing albums and are still going today, they just sort of slowly slipped down the ladder. Nevertheless, this is still one hell of a record with some epic guitar solos, crushing riffs, and high octane vocals.

Favourite tracks? Well, the title track is a bonafide speed metal classic, and the full on gallop of Worlds And Machines is top notch, but I’m going for the more classic sounding Towns On fire for top track. It has killer solos and a hook and chorus that is infectious.

If you’re a guitar freak then you really need this one. Great band and a great album.

9/10 from The Grooveman.

GREAT WHITE – S/T

Now, just to confuse people, this album has multiple covers. There is a plain black cover with the logo in white, and there is this one, with the band pictured in an alley. This was the only album Great White did for EMI, as they wear dropped after this.

I’m obviously in the minority as I like the heavier sound and vibe on this record compared to the blues groove they have got going later. Now, this has a decent Michael Wagener production with a very crisp sound and great separation, unlike some he has done. Out Of The Night has to be one of the heaviest tunes the band have done and it gets a big thumbs up from me, it’s my favourite tune. Killer tune!

Their version of The Who’s Substitute is pretty rockin; and the intro is soooo metal. The big production number of the album is Streetkiller, which has a Zeppelin-style intro before locking down into a solid riff heavy groove. The track Hold On got quite a bit of attention and airplay, being more commercial, and is the direction the band would choose to follow with subsequent releases.

Thoroughly enjoyable record.

8.5/10 from The Grooveman.

UNCLE SAM – Letters From London

How would you describe what Uncle Sam sound like? I have read a few comments where people reckon they sound like Motorhead. Now, I sort of understand that, especially early Motorhead, but there are also elements of punk. So, if you put the punk attitude in a blender with Motorhead, a pinch of Hawkwind, and a twist of Sabbath you might be somewhere close. Noisenics was another phrase I saw mentioned about Uncle Sam and I would say that about sums them up.

Favourite tune? Well, I’m going for the close out track Lexington Blues which has a bit of a Dr. Feelgood-style R’n’B to it, that is until they get bored and then it’s a race to the finish.

If you’re into to early punk and raw rock n’ roll then this could be the record you’re looking for.

7/10 from The Grooveman.

ZINNY ZAN – Lullabies For The Masses

You may have heard of more of the bands that he has been in than the man himself. Zinny Zan has been in Shotgun Messiah, Easy Action, and Zan Clan. He has been determined to make his music heard, often swimming against the tide. You have to give the guy respect for keep in going.

He is joined here by two of his old Skintrade buddies, Stefan Bergstrom on guitar and Hogge Calmroth on bass. I think this is a great record and to come out with something as good as this so far into your career is quite remarkable. There are tracks that have that familiar Zinny feel like the opening single Heartbreak City with its great heavy chugga riff, and Bombs Away.

There are some different vibes going on like on Its No Good (which is my favourite track) which experiments with an almost electronic groove and a killer feel and swing. The sleaze groove is still there on Welcome To The Show, which possesses a great riff and groove to match, and it continues on the almost funky Let It Rock.

So there you have it, I am looking forward to the next one.

8.5/10 from The Grooveman.

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