REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 172 of 479)

CONCEPTION – The Last Sunset

This is the Norwegian band’s first album, released back in ’91. They were a more straight ahead metal band at this point, before the huge progressive vibes came to the fore. Nice to see that they have remastered these reissues specifically for vinyl, as they were originally CD only releases, and I have to say they sound great.

Prevision kicks things off, then it’s straight in with Burning A Force – the double kicks blasting in with a suitably metal riff to match. It has an interesting middle section with some killer playing. War Of Hate has a very odd intro with Spanish guitar flurries before the metal arrives, and Khan supplying the drama with that oh so distinctive voice. The Spanish influence returns in the instrumental middle eight. Bowed Down With Sorrow is up next and the pace slows right down with the slow riff repeating over and over.

Side 2 opens up with Fairy’s Dance, a metal take on a folk themed vibe – a very cool tune. Another World starts with a great choppy riff that sounds a tad like Metallica in places, and towards the end it turns into a Sabbath-style doom fest. Elegy follows and it’s an instrumental track with a Pink Floyd Wish You Were Here vibe. The title track is up next and it’s my favourite track. It’s the one song on the album which points to what is to come. Killer vocal!! Live To Survive starts with some old school thrash riffage in fact it’s what drives the whole tune. Among The Gods is the last proper track on the album. Great riffage with the return of the flamenco influence, mixed with that slight Metallica vibe. Side 4 is given over to three demos: Midnight Sun, Bound To Suffer, and By Dawns Early Night – which are all killer.

A great band that thankfully are back together again.

8.5/10 from The Grooveman.

ALTER BRIDGE – Pawns & Kings

This is album number seven from these Floridian melodic metallers. Arguably much better than Creed Alter Bridge, who are now Marc Tremonti’s main focus. Myles Kennedy does his side gig with Slash, but I personally think that Alter Bridge is when it works the best. Kennedy’s voice is superb and compliments Tremonti’s huge riffing guitar crunch perfectly.

This Is War opens up the album with a huge riff and groove, and the hook and chorus is killer. More of the same with Dead Among The Living. That drop tuned guitar sounds awesome. It’s favourite track time with Silver Tongue. An absolutely monumental riff rips your ears, and the vocal melody is superb. The vibe and mood changes completely with the intro to Sin After Sin with a very eerie sounding tone. A huge sounding track with a killer vocal. Stay closes out Side 1, a quite commercial sounding track that would have made a great single.

Side 2 slams straight in the with the huge riff to Holiday. Great vocal harmonies to this one. Fable Of The Silent Sun is the big centrepiece of the album that builds and builds. A very dramatic musical landscape with that epic voice over the top. Season Of Promise has that very modern rock vibe going down and would have made a good single. Last Man Standing is killer with a Prog metal sounding groove and riff. Epic vocal from Myles. The album closes out with the title track. Lots of twists and turns musically, that keep the listener engaged because it feels as though you are listening to many different songs at the same time.

Alter Bridge don’t do bad records, and you won’t be disapointed with this one.

9/10 from The Grooveman.

STUCK MOJO – Rising

Stuck Mojo are the kings of what was groove rap metal. This Atlanta-based band was formed back in ’89. I remember reading a blurb in Kerrang magazine calling their first release, Snapping Necks a groove metal onslaught, and I bought it straight away. This was their third release, and their love of all things WWE was evident for all to see with Rich Ward and Corey Lowery pumping iron to look like their heroes. The guitar sound and production are freaking awesome, courtesy of Andy Sneap who now in his spare time is the touring guitarist for Judas Priest.

The album explodes into life with Crooked Figurehead, a blast at US politics and the reporting of. Great groove and riffage. Next up is Trick, a monster groove and the middle eight is to die for. The relentless groove continues with Assassination Of A Pop Star and drummer Bud Fontsere is laying it down hard. The title track is next and the music video showed the band in the ring with some of their heroes, this is the most commercial tune on the album. The outro’s heavy riffage is awesome as well. Next up is the ultra groovy Southern Pride. Killer riff and just the slight hint of funk to complement the crunch. Enemy Territory closes out Side 1 and man, what a huge heavy beast of a tune it is. Killer stuff!

Side 2 blows in with Back In The Saddle. A huge sounding chord progression opens up what is a slow paced groove, but it sounds oh so heavy. Dry follows and jeez, another killer groove and max riffage blows the cobwebs away. I love the hook and melody to this one. Next up is one of may favourite mojo tunes, Throw The Switch. The riff and groove are relentless and the twisted Throw The Switch line is killer. Hang ‘Em High moseys on in with a seriously dirty riff and groove. Tears slides on in and the riffs continue to pummel the brain. I love the hook and the accompanying riff. Pipebomb follows and the relentless assault continues. Huge sounding riff and groove. The album closes out with Suburban Ranger, the only totally rap groove on the album and it works so well.

This album and the one that followed (Declaration Of A Headhunter) were two of the best albums of the 90’s.

10/10 from The Grooveman.

EARTHLESS – From The Ages

This is Earthless’ third full-length album, released back in 2013. They are a killer band, playing long instrumentals inspired by 70’s bands like Sabbath and Zeppelin. This is a double album and there are only four songs. It feels like you are present at one big jam session where the band just plays within a basic structure, but goes off and wails, grooves, and at the required point come back to the main riff. This is my type of wet dream album as I love listening to musicians just going for it like this.

Violence Of The Red Sea is 14:46 minutes of just that, with the groove speeding up and slowing down as and when. Killer stuff! Uluru Rock is 14:08 minutes of pure joy. The main guitar sound is awesome. Just close your eyes, lay back, and let it soak in. At 5:42 minutes Equus October is a tad more concise and to the point. A killer syncopated beat with one hell of a groove and fuzz pedals a go go. The title track is all about the rhythm section, adding different grooves and rhythms throughout with the guitar just feeding back over the top for over half of the song, then the guitars join in with the insanity, and 30 minutes later it’s all over.

I get this is not everyone’s cup of tea, but to me it’s freakin awesome.

10/10 from The Grooveman.

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