REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 169 of 479)

FATE – Cruisin’ For A Bruisin’

Hailing from Denmark this is Fate’s third album, released in ’88. The grooves contain some of the slickest melodic rock/aor outside of the US.

Beneath Da Coconuts gets things underway in fine style with a great uptempo melodic rocker. Love On The Rox is a superb track, I really love the heavy Toto vibe that is being played with some killer guitar from Mr. Moth. The melodic grooves continue with Knock On Wood, a really cool simple four to the floor groover with a killer hook and chorus. Lovers is a huge aor/pop beast with the keys adding the right amount of pomp. Side 1 closes out with Dead Boy Cold Meat. A kick ass Hot For Teacher-style groove with some killer guitar.

It’s ballad time with Side 2 opener, Babe You Got A Friend. The track does beef up a little after the intro but unless you’re Brian Adams, no one opens up a side with a ballad. Lock You Up starts with a nice loud riff and a 4-4 groove, a very radio friendly tune. Cupid Shot Me is another tune where the tempo his high driven with a great simple picked riff. Greta track! Diamond In The Rough keeps the tempo high and the keys give it the 80’s stamp of approval and date it somewhat, but another kick ass tune. We close out the album with Send A Little Money, possibly the heaviest sounding track on the album and it’s my favourite. A great fat riff and heavy guitar sound coupled with a huge drums make it a winner.

Great band, great album.

9/10 from The Grooveman.

ZODIAC MINDWARP AND THE LOVE REACTION – Tattooed Beat Messiah

I remember when these guys first burst on the scene. I was watching some music show in the UK and my initial thought was “what the hell was that?”, and not in a positive way. I was sure it was just some flash in the pan boom and they’re gone kinda deal. I think a lot better of them now of course.

Prime Mover is a pretty good opening track and it was all over the radio at the time, but the main chord progression if you listen closely is just Living After Midnight by the mighty Priest. In fact, all this album is chock full of simple get down and groove rockers, and let’s face it, sometime simple is best. Skill Spark Joker is just that a four to the floor groove, a simple but effective chord progression and a very catchy hook and chorus. What more do you want really?!

I think this is as close as any British band came to that whole Sunset Strip vibe, and they really should have been bigger than they were. My favourite track is Let’s Break The Law. A slightly different vibe and groove with a huge guitar sound, and that always gets bonus points from me.

Other than two EP’s this was the band’s first full length album and quite frankly it’s a great record.

9/10 from The Grooveman.

KING DIAMOND – Abigail

This is album number two for King Billy after his departure from Mercyful Fate, it was released back in ’87. It is a concept album roughly about the couple Miriam and Jonathan LeFey who inherit an old mansion and are warned not to stay in it. Of course they do, and this tale is about their creepy goings on and it is quite possibly one of metal’s best concept albums.

After the weird spoken intro, the album starts properly with Arrival a kick ass metal romp with King B’s voice covering all the spectrum as he deIves into different characters. Musically, it reminds me a tad of Iron Maiden. A Mansion In The Darkness is my favourite tune as it rips along at a kick ass pace with maximum riffage to go alongside the drama with some epic guitar noodling for added sparkle. The Family Ghost is next up and the feel and riff is a bit NWOBHM with more aggression. Some eerie acoustic noodling opens up Side 1 closer The 7th Day Of July1777, before max riffage and heavy grooves courtesy of Mickey Dee on the pots and pans.

Omens opens up Side 2. I’m a sucker for a killer riff and groove to match, and this hits the spot for me. The Possession has a very simple riff and groove to open things up before the double kicks start blasting away, and the middle eight is super cool. The title track follows and I’m not sure how many personalities are occupying King Billy here, but I guess it’s a few. Some killer guitar playing from Andy La Rocque as well. The album closes out with Black Horseman, and you’d be forgiven for thinking that you had put a Styx album on the deck of doom before insanity ensues and you are brought back to reality. In its own way, it’s just as demonic sounding as early Sabbath.

A very entertaining album.

8.5/10 from The Grooveman.

SABBAT – Mourning Has Broken

In a planet far far away there live a man named Sneap who would go on to be a killer producer and a stand in axeman, for Judas Priest nonetheless.

This is Sabbat’s last outing as after this record they disbanded, mainly due to the fact it got hammered by the critics and not too many people bought it. I think everyone had become accustomed to seeing Martin Walkyier warbling away out front, but for this album he left to form Skyclad and was replaced by Richie Desmond.

The band are trying to do something a bit different for the time but it does sound disjointed at times. I think this is what I like about it, the quirkiness is endearing. Favourite track is the first track on Side 2, The Voice Of Time. There are so many groove and time changes amidst a fairly epic vocal performance that it stands out for me.

True it’s not the best album in the world, but I do have a weird fondness it.

6.5/10 from The Grooveman.

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