THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 152 of 480)

KANE ROBERTS – s/t

June 27, 2023 /

Now, I’ll admit to not taking Mr. Roberts too seriously as the image of a pumped up heavy metal Rambo character didn’t really do it for me. I’m more of a substance over image kinda guy. If you ignore the cheese and concentrate on the tunes, then this is not a bad party rock record.

Rock Doll makes my point perfectly. A simple, hands in the air crowd pleaser. However, Women On The Edge Of Love is a whole different vibe and its melodic rock that Bryan Adams would be proud of. It’s a very catchy tune with a huge chorus! TripleX is up next and we are now in AOR territory. A very slick tune driven by the sing a long hook and chorus, plus you get to hear Kane play a very tasty solo. For your first album you get the opportunity to do a solo piece and you think it would be grade A, but Gorilla is anything but. Outlaw is a straight up 4-4 rocker. If This Is Heaven brings Side 1 to an end and again, the AOR vibes are high and the image is nothing like the product.

Out For Blood is the first track that sounds like you think it would. Double kicks all the way and the hook and chorus are so cheesy that you can’t help but smile. It’s favourite track time with Full Pull. This song stands out on its own as the arrangement and keys add a different vibe to the rest of the album, plus Kane plays the best solo on the album. The intro of Too Much could be a Pat Benatar or Foreigner song. It’s ballad time next with Wings Of Fire. The middle eight and solo are cool but aye, it’s just a ballad. The album closes out with A Strong Arm Needs A Stronger Heart and this is one song that’s crying out for a heavier sound and groove instead of the Bon Jovi-lite arrangement.

It’s an okay album, but you expect a lot more hidden behind that cover.

7/10 from The Grooveman.

CRY WOLF – Crunch

June 26, 2023 /

This is album number two for these Bay Area rockers, and then they sort of disappeared, which is criminal as these guys could write some killer melodic hard rockin’ tunes.

I mean, the intro to opener Road To Ruin is worth the price of the album alone. The Dolby intro is genius and the guitars sound huge. The quality keeps on a coming with Red Shoes. A killer groove and feel that would do Van Halen justice, with a hint of funk thrown in. Next up is Face Down In The Wishing Well, and this is as catchy a tune you will hear. Monster riff and groove and the patented sing a long hook and chorus is just perfect. Ballad time with Long Hard Road is next and the production is super clear, and the vocals sound as though they are in the room. Side 1 blows out with On The Run. Killer riff at the intro and this song reminds me of a much heavier version of Styx, especially those vocals.

Stop Look And Listen opens up Side 2 and is my favourite on the album. A fast uptempo rocker with a killer riff that grooves hard.  A really cool sounding guitar announces the arrival of Pretender, a much gentler tune (well at the intro anyway). The switch is flicked about a third of the way in and the melody and harmonies are superb. Huge shout out to guitarist Steve McKnight who is a revelation on this album.

It’s party time next with Dirty Dog Night. A full on glam slam groover with the feel good factor at the max. The quality keeps on coming with West Wind Blows. These guys certainly know how to do intro’s. The song has a killer riff and groove that’s superb and the hook and chorus are huge. The album closes out with Back To You which has a pounding bass and drum line, with a cool guitar over the top.

These guys should have been really huge, but we all know what happens shortly after.

9.5/10 from The Grooveman.

DEMON – Night Of The Demon

June 26, 2023 /

This is where it all started for Demon. This their first album which came out in ’81, prime NWOBHM time. Although, with the release of The Plague in ’83 the band would explore a more progressive sound.

As with label mates Saxon, the emphasis is on crunch with melody as they both had big hooks and choruses mixed with the heavy. Demon also had an eye on the imagery as well. The cover has an evil almost satanic look, as the devil has all the good tunes. Well, it worked for Sabbath.

Favourite track is Into The Nightmare. It’s everything I mentioned already. An insanely catchy chorus, with the right amount of crunch. Side 2 does fade away slightly as the material is not as strong with a more 70’s feel, and the production is a bit flat.

The is album is very of it’s time, which is cool as I have a huge nostalgia feel for this period.

7/10 from The Grooveman.

HERMAN RAREBELL – Nip In The Bud

June 24, 2023 /

This is Herman’s first solo album that he managed to squeeze in between the Scorpions albums Animal Magnetism and Blackout, and the touring cycles for those records. When members of popular bands do solo albums like these they are usually chock full of guest appearances, but that’s not the case here. On guitar is DH Cooper, on vocals and bass is George Phillips, and I’ve never heard of them before or since. Phillips’ vocal style does sound a bit like Klaus from the Scorps, but that’s the only similarity between Herman’s day job.

Opener Messing Around is a cool tune with a huge drum sound. Two Timer has a cool riff and it’s the guitar’s turn to sound massive. Having A Good Time is heavily influenced by Zeppelin. Rock Your Balls sounds like something Uli Roth would come up with and I’m finding the vocals a very acquired taste. Triangle closes out Side 1, it is an instrumental and the middle section is one big drum solo. Well, it is his album!

Slob kicks off Side 2 and it’s the worst song on the album, the vocal just irritates my brain. Junk Funk is interesting with the change of groove and musically it’s really cool, but the vocal impression of the cockroach alien in Men In Black is too much. The groovy funk feel keeps going into Do It and again, musically it’s on the money. It’s favourite track time next with Pancake. A killer, very funky instrumental with some tasty guitar. I’ll Say Goodbye closes out the album and it’s a return to the Zep 4 vibes.

Musically, it gets an 8/10 from The Grooveman, but vocally…meh!

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