Tag: judas priest (Page 1 of 3)

I think it’s safe to say that amongst hardcore Priest fans, this is the most hated album of the bunch. The media especially made a big deal of the fact that Priest had gone new wave, as there was too much use of the dreaded synthesizer on this labum. The intro to Out In The Cold is all synth and indeed, Turbo Lover has a fair amount of the “dreaded” keys, I think they manage to squeeze some into every song. But, does that make it a bad record?

Now, Turbo Lover has become a fan favourite live because the guitars are turned to stun and it has a great groove to the song. Locked In has a superb main hook and chorus, and I would say this is a classic Priest song. Sure, Private Property is super commercial but so was Livin’ After Midnight. Rock You All Around The World is prime time anthemic Priest. The one thing that is missing is a pedal to the metal rocker – it’s all mid tempo.

It’s not the best Priest album that’s for sure, but it’s far from the turkey it’s made out to be.

8/10 from The Grooveman.

I think this record, along with Turbo, are the two Priest albums that seem to get the least love amongst Priest fans. This album had a lot to live up to after the awesome success of British Steel which had three hit singles mixed with some classic Priest metal like Rapid Fire and Grinder and Steeler, it was early Priest at their best.

So, when this came out it was MEH at best! A couple of not bad singles in Head Out To The Highway and Hot Rockin’ but where was the metal? Nowhere to be seen.

At best, it’s a hard rock album and I remember thinking at the time that the next record would have to be something special after this weak affair, and they truly delivered with Screaming For Vengeance. It’s not often I pick a single as my favourite song but Hot Rockin’ is the one this week.

6.5/10 from The Grooveman.

This was the album where Priest decided that making the music heavier and METAL would be a good career move. I have seen a few online debates recently stating that Priest were NWOBHM. Well, they weren’t, but they were one hell of an influence on those bands and the band themselves definitely rode that wave.

I discovered Priest on this album and have been a fan ever since. I guess if you look at Priest now, they are barely recognizable to the Preist on this record. Yet, they still play Victim Of Changes, Ripper, and Tyrant live to this day. So, the band recognize what a major step this album was and how strong the songs are.

My favourite tune is Ripper, the song that gave birth to modern metal. It’s all there: the chugga riff and groove, the big vocal, and dark subject matter. A close call for favourite is Island Of Domination which expands on Ripper with a lot more drama to it. Of course this album is not perfect. Epitaph, where they try to do a Queen moment, is just a tad strange.

I still get a buzz when I play this 48 years later.

8/10 from The Grooveman.

Having lived with this album for a few weeks now, and having seen some of the reviews, you have to wonder if people really listen to records or if are they swept along with the social media sheep that just want to be part of the biggest gang? Now, to call this album the best since Screaming For Vengeance or even Killing Machine seems a bit outrageous on the face of it. Maybe we should split Priest’s career in two. The more commercial sounding era that ended with Ram It Down, and then the heavier beasts from Painkiller and beyond.

Now, I would definitely say this album is the best of the second period as it’s a more complete package, and Richie has definitely put stronger fuel in the Priest tank. It’s hard to see KK ever coming up with tunes like these. Now, I hold Killing Machine and Screaming in very high regard. That was such a great time to be alive and they meant so much, they were flag bearers at the time but I have to say this album stands shoulder to shoulder with both them. This is everything I want from a modern Priest album and it’s hard to believe that guys in their 70’s (not you Richie) can make an album like this.

For those of you that say they don’t write classic Priest chugga’s anymore, then you should listen to Gates Of Hell, that’s as classic as it gets. The thing that I really like is the melody is there even in songs as heavy as As God Is My Witness, and that’s what a lot of modern metal bands don’t do. My favourite tune is The Serpent And The King. Man, what a great great tune. Maximum riffing with a killer groove and a Rob is just a beast.

Well done JP, showing them how it’s done.

9.5/10 from The Grooveman.