REVIEWS FROM MY VINYL COLLECTION

Tag: joe satriani

JOE SATRIANI – What Happens Next

Being a fan of all things guitar, Joe Satriani has consistently released great records ever since I first became aware of him with Surfing With The Alien. This is Joe’s sixteenth release that came out in 2018. It was recorded as a 3-piece with Chad Smith on drums, and Glenn Hughes on bass. I really love this record, it has such a great groove and the production is superb.

Energy is very identifiable as Joe, but Catbot is just awesome. It has a monster bass line and Chad’s drums give Joe that platform to rip it up. Thunder On The Mountain starts with some experimental sounds and vibes, before the huge big beat arrives.

I’m going to skip to my favourite moments. As well as the already mentioned Catbot, the double kick blast of Headrush with a Peter Green inspired riff is up there, as well as the very funky Looper, which is my favourite piece on the album, and the reggae tinged Invisible.

Joe is a master of his craft and long may he release albums as good as this.

9/10 from The Grooveman.

JOE SATRIANI – Not Of This Earth

Other than his previous solo band Squares, who he recorded one album with, this is Joe’s second album released back in ’86. Joe opened  the door for all guitarists to release solo instrumental albums and brought them into the mainstream.

Not as commercial sounding as Alien, as there are moments of what I call fusion, this album is still a huge leap forward in terms of style. Joe has a great sense of melody to his playing which really appeals to me, and on tracks like Rubina (which I think is dedicated to his wife) the emotion he creates is jaw dropping. Then again, on The Enigmatic he is channeling his inner Robert Fripp, as this reminds me of King Crimson. Driving At Night is superb with its very eighties drum machine, keyboards, and killer guitar. Hordes Of Locusts is more of what we’d get on the next album with the same vibe and sound, and some serious fretboard gymnastics. Of course Joe is now at the top of the tree but this was a huge gamble when it first came out.

8/10 from The Grooveman.

JOE SATRIANI – Flying In A Blue Dream

I think all rock fans were surprised when Joe had huge success with Surfing With The Alien, as rock instrumental albums weren’t supposed to be that popular. So there was a bit of pressure on the follow up to see if it was a fluke. Also, the first album was mostly electronic drums so it’s nice to hear a real drummer on this album. If anything, this album is better than Alien.

The opening title track is superb and I love the the melody of the guitar and that driving groove. In fact, the driving factor throughout the record is how well Joe creates guitar melody’s and hooks from what usually would be vocal lines. There are some super creative pieces on here with the use of peddles, sounds, and tones like on the track Headless where it sounds like a harmonica is being used.

Of course the big thing on this album is having tracks with vocals, and the best of those for me is Strange with that off time funky groove. Big Bad Moon has the riff to On The Road Again, only with some serious guitar overload. The best of the instrumental tracks is The Bells of Lal Part Two. The guitar playing is just insane and if you want to know why everyone raves about Joe, then go no further than here. I’m a big fan of Joe and he continues to make great records.

9.5/10 from The Grooveman.

JOE SATRIANI – Surfing with the Alien

This is Satriani’s 2nd full length album released after Not of This Earth and an EP Dreaming#9. Surfing was the album that launched Joe into full blown guitar hero territory. Surprisingly, this was recorded quite cheaply as Joe tracked guitar and bass, and the majority of the drums are programmed (apart from a couple of tracks which long time drummer Jeff Campitelli plays on). What makes this album, and in fact all Joe’s albums, different from all other guitarists solo efforts is that Joe concentrates on the melody of the song. The guitar melodies for the songs are written as if they were for a vocalist.

Things start off in great style with the title track with a killer melody and groove with some killer leads. 2nd track, Ice 9, is one of my personal faves on the album, and then boom…straight into Crushing Day – a very apt title as it does just that. The next track, Always With Me, is a bit of a let down to be honest after the killer start. Spirits lifted with the next track, Satch Boogie, which to this day is still a crowd favourite when played live.

Side 2 starts off with a small atmospheric piece called Hill of the Skull, and then straight into the awesome and best track on the album, Circles. Circles starts with a really cool chord sequence, and then launches into an awesome rock groove with Joe laying down some serious guitar. Lords Of Karma, Midnight, and the brilliant Echo, close out the record.

This version is the two disc RSD Black Friday release from a couple of years ago. The 2nd disc is a yellow vinyl and has all of Joe’s guitar leads removed so you can strum along if you wish. All in all, I can appreciate widdlers like Malmsteen as great technicians, but to me Joe is head and shoulders above for his ability to use the guitar to write a melody and a great tune – also he can rip with the best of them.

8/10 from The Grooveman.