REVIEWS FROM MY VINYL COLLECTION

Tag: james labrie

JAMES LABRIE – Elements Of Persuasion

This is James’ first solo outing, although there were the two Mullmuzzler albums which preceded this. Elements Of Persuasion was originally released in 2005, although this reissue came out as part of RSD Black Friday in 2021. It’s got to be hard to release an album with your own identity when your are the vocalist for Prog metal’s shining stars, Dream Theater, especially when you’re plowing the same furrow with your solo project.

The first track Crucify could have been a DT track around the Train Of Thought period as the vibe and guitar tone is very similar. Alone however is different with a djenty nu metal groove, which sounds really cool. Freaks keeps that vibe going. Heavy down tuned guitar with quirky samples and keyboards. DT vibes return for my favourite track, Invisible. Dirty fat riffs are my favourite thing, and this one is deep, down, and dirty. Total vibe change for Lost, that main groove and keys are almost funky. Nice change! The heaviest and lowest of riffs open up Undecided. I love Matt Guillory’s guitar on this one. Again, a nice change of pace and groove for Smashed that gives LaBrie a chance to show that breathy style he is famous for.

More deep and heavy riifage for Pretender. I’m guessing old James likes the heavier side of life more than he lets on. Slightly Out Of Reach is as close as this album gets to smooth jazz/Prog. A nice laid back interlude. Nu metal vibes for Oblivious, that intro is almost Korn. In To Deep jumps between total all out modern metal, and his more Prog comfort zone. Drained closes out the album and I love that riff and guitar sound mixed with the melody of the keys.

So there you have it, a quite enjoyable Prog metal romp and it’s good to see old Jimbo outside the confines of DT, as let’s face it, he doesn’t contribute much lyrically to that band. Great album!

9/10 from The Grooveman.

JAMES LABRIE – Impermanent Resonance

I am always amazed that Labrie has virtually no input for the vocal content in Dream Theater, especially as he is such a prominent member in the band. So I guess that’s why he has so much material to do his solo projects. Ably assisted by his long time friend Matt Guillery who is on guitars and growl vocals, as well as producing the whole thing.

This album is a lot heavier and has a more European sound than DT for sure. His voice is so dominant that comparisons have to be made, but the album does have its own identity. The guitars are a lot heavier, and the keyboards are more of a background soundscape than DT. Some of the tracks like Slight Of Hand have a big djent influence with the palm muting. I would have liked to see more of this on the record as this a killer track. James’ voice does lend itself to quieter songs and passages. His voice sounds incredible on Back On The Ground, I Got You, and Lost In The Fire. There is lots of modern keyboard sounds that a lot of screamo bands use like on Letting Go, which has a killer riff and groove and is my favourite track on the album.

So I think if DT ended tomorrow, Labrie would be ok – as long as his voice holds up.

9/10 from The Grooveman.