Tag: hellanbach

Now, I have already reviewed the only two albums the band had recorded that this anthology contains. It is of worth however, if you are struggling to find the original two albums and if you missed out on the band’s first EP Out In The Wild, which I think appeared on a label called Guardian and is also included here.

The Now Hear This record sounded raw, but the EP sounds like it was recorded in someone’s garage. The drum sound is awful, but you can’t deny the energy and power from the band as Davey Patton’s guitar and Jimmy Brash’s vocals sound great. I think Kev Charlton and Davey are still playing in bands around Newcastle, but it’s these songs here that remind you that with a little bit of luck they should have and could have been huge.

8.5/10 from The Grooveman.

The NWOBHM threw up a lot of bands that were not essentially metal, but because they rocked, they were tagged with the genre anyway. One such band were Newcastle’s Hellanbach, who were touted as Britain’s answer to Van Halen. The comparisons are obvious, especially with guitarist Davey Patton, who style-wise, was a ringer for EVH and had obviously studied early Van Halen closely. And with cocalist, Jimmy Brash, who did his best DLR impressions – complete with an American accent to his vocals. The only thing that lets it down is a somewhat flat production.

Dancin’ kicks things off and it’s the raw energy and enthusiasm that hits you, and of course Dave Patton’s guitar playing. The ending to Times Are Getting Harder is pure VH, and you have to give them 10/10 for getting it almost right. Look At Me is pure Dave Lee Roth and is a great tune. All Systems Go is fast as hell and reminds me of Women An Children First era VH – with a total feedback fest at the end. Maybe Tomorrow is up next and is the weakest track so far. Side closer Motivated By Desire is the best track yet. Awesome raw guitar on the edge of feedback all the time, and it riffs hard.

Over the flip we go and Taken By Surprise starts with a standard blues groove and with overdriven guitar riffs over the top – you have to check that this is not a VH demo it’s that close. Let’s Get This Show On The Road follows and takes the speed up a notch or two. Kick It Out is an ok track, but is let down by the drumming as it’s way too basic for the track – killer guitar though and the rip off VH middle section. All The Way is next up, and is the only track that feels NWOBHM with DLR on vocals. The last track is the only cover on the record, and ironically it’s my favourite. It’s the band’s take on Disney’s Aristocats’ Everybody Wants To Be A Cat – and it’s an absolute belter of a take. A quite traditional opening leads to a superb solo and a very metal ending.

So did the world need another Van Halen? Well, these kids from the North East thought so, and for a small window of time they were in with a shout, but due to them taking forever to get the next record out (and it not being as good) and also crap management, they disappeared as quickly as they came.

8.5/10 from The Grooveman.