REVIEWS FROM MY VINYL COLLECTION

Tag: genesis (Page 2 of 2)

GENESIS – Selling England By The Pound

Over the years I have come to the conclusion that Genesis (after Gabriel and Steve Hackett had left the band) should have changed their name. The difference in sound and structure of the songs were so markedly different, that they were a different band. This version that recorded this album were an integral part of the seventies Prog scene – in fact – they were flag bearers as they painted pictures with their sonic warblings.

Fast forward to the Collins fronted band, and the line between his solo career and Genesis was very blurred indeed. They had become a pop band and all forms of experimental and progressive music had gone. I feel the same about Van Halen as well, as their sound changed some much when Hagar joined and became a different outfit.

Anyway back to the album. This is one of my favourite Genesis records and contains Live favourites such as I Know What I Like, Firth Of Fifth and the epic Battle Of Epping Forest. They were so good at this time and it was only ’73. I don’t think there will ever again be a period when there was so much musical creativity seeping out of every record.

9/10 from The Grooveman.

GENESIS – Live

This was recorded in ’73 and released in ’74. A fantastic document of what the classic line up of Genesis were all about at the time. It’s only 5 songs as I’m sure it was edited down for this single LP release, but all killer and no filler. The songs that are represented here are from the albums Trespass, Nursery Cryme, and Foxtrot. The album was recorded at Leicester De Montfort, and Manchester Free Trade, both stops on the gig circuit at the time.

The absolute epic Watcher Of The Skies opens things up with a nice Melotron intro, which is about as Prog as it gets. Get Em Out By Friday is next, with Gabriel doing his finest cockney impression deep in character. I know they went onto mega stardom, and Collins became the housewives favourite, but Gabriel was all that was great about Genesis and when he left they were a completely different band. The last track on this side is one of the best songs they ever recorded, The Return Of The Giant Hogweed. I think it sounds better here than the original.

Just the two tracks on Side 2 with The Musical Box and The Knife both bonafide classics. The Musical Box is my personal favourite Genesis song. The lyrics and the way they are delivered by Gabriel is fantastic. Musically, this song as everything that made Prog great at the time, intricate quiet passages that lead into the up-tempo ending. It does sound a bit dated if I’m honest, but I still really like it. The Knife closes the album out and was always a crowd favourite.

This was the end of phase one of the Gabriel era. The next two albums; Selling England and The Lamb, would be his last contributions to the band. If you like your Prog “very Prog” then you can’t go wrong with this.

8/10 from The Grooveman.

GENESIS – Foxtrot

It’s amazing to look at the release date of 1972 and think where did all the time go? I can vividly remember listening to this way back when through the mists of time and thinking “wow what an amazing album”, and it still is. When you consider all the great albums that have come since, it still holds up well. I guess good songs will always be good songs.

Kicking things off with what is one of my favourite Genesis songs, Watcher of the Skies and followed by Time Table, Get Em Out By Friday, and closing the side with Cam-Utility and the Coastliners – you think no way can Side 2 be any better?! Then you turn over and the complete side is the classic Suppers Ready.

Any other band would call this the peak of creativity but Genesis went on to record The Lamb. Man they were great around this period – a completely different beast that came along much later. Gabriel’s lyrics and imagery are on a different level to all around him at the time. It’s hard to believe but Phil Collins never sang a note as a vocalist at this point sticking to being the drummer. This is a wonderful record, and is still held in high regard in Prog circles to this day. Many bands have tried to emulate and copy their style (Marillion- Script for a Jesters Tear) but none have surpassed what early Genesis created. In fact, it can be argued that a whole movement sprung up because of this period of Genesis. This and Nursery Crime are still go to records for me.

8/10 from The Grooveman.

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