Tag: dream theater (Page 3 of 4)

A very pivotal album for Dream Theater as a lot changed after this album, culminating in the departure of Mike Portnoy a couple of albums later. This was the last album on their major deal before they relocated to Roadrunner, and the sound beefed as well.

This album and Falling Into Infinity are my two favourite DT albums. I got to witness the band on this tour at Hammersmith Odeon for two nights. On the first, this album was played in its entirety, and on the second night they played Dark Side Of The Moon in full. Not much will ever beat those two shows and I think they plateaued after this.

This is such an incredible album, both in the writing and execution, it doesn’t get better than this in DT world. Take my word for it, this album should live in your home and you should play it often. Every track is epic. From the heavy riff and groove of The Root Of All Evil, to the delicate and beautiful The Answer Lies Within. My favourite track on this album, and possibly my fav DT track of all time, is the 24 minutes of utter Prog metal brilliance on the title track, Octavarium. Words cannot express how I’m affected by this track. From emotional feelings of euphoria and joy, to melancholic sadness at its ending. The band suffered with the departure of MP, as he was a huge part of the creative process, but life goes on as they say.

10/10 from The Grooveman.

Whereas the previous album Images And Words was the one that brought them to worldwide attention (mainly due to the single Pull Me Under), this – their second album – was the one that cemented their status as Prog metal kings. This album is truly a superb record where they pulled out all of the stops as they knew this was their big chance – and boy did they deliver.

Everything about this album is pure class. From the intricate arrangements, wonderful melodies, and unbelievable playing, this is the album that laid down a template for every Prog metal band that came after. 6.00 is such a killer opening and contains everything I love about this era of the band. The opening to Caught In A Web is jaw droppingly amazing and has a great D-tuned riff and groove. The musicianship is just off the charts. If this was some jazz fusion supergroup the critics would be moistening themselves. I remember reading some very average reviews about this record at the time, which just blew my mind. Side 3 opens with The Mirror and Lie is as good as it gets, absolute epic stuff, and boy do I wish Mike Portnoy was still in the band.

I could go on and on about why and how awesome this record is, but you should get the message by now – and yes – every home should have one.

10/10 from The Grooveman.

This is the fourth album from the progressive metal titans, and it just so happens to be my favourite. It has the right balance between crunch, melody, and instrumental interplay with great production from Kevin Shirley. Think of this as their Dark Side Of The Moon, or Goodbye Yellow Brick Road, as it’s when the band became of age and anything was possible for them after this album. I know there were a lot of tensions within the band, and certain members were reliant on certain liquids and substances to get them through the day. There were also rumours that La Brie maybe not be around for long. This was also the only album to feature Derek Sherinian, which was a crime as I think he was a lot more inventive and off the wall compared to Jordan Rudess, who is an amazing classically trained keyboard whizz, but he’s not very spur of the moment which I love.

There are some absolute epic tracks on this record and New Millennium is one of them and it opens up the record. There is a great middle section with a heavy riff and groove that will melt your face. There were three singles that were released from the record: Burning My Soul, You Not Me (which has Desmond Child as a co-writer), and Hollow Years which was the one that had most success, but was not what the band was all about and give a somewhat false impression to those that had not heard them before. Lines In The Sand is one of the most iconic songs the band have ever recorded and is still a live staple today. Petrucci’s solo is incredible with so much feel and passion it sends shivers down my spine every time I hear it. The intro to the song Hells Kitchen is what Sherinian is all about with the creative and inventive side of his playing. Now we get to see him and Portnoy in Sons Of Apollo doing the harder edged stuff which DT seem to have forgotten how to play.

Burning My Soul is another classic DT monster track with a super heavy main riff, killer instrumentation, and keys from DS. Just Let Me Breathe again is a killer track with the right balance between melody and heavy. The album closes with Trail Of Tears, a huge track that is in 3 parts and gives the listener the full on Dream Theater experience. I know the record company wanted hits from the band, and in my opinion they delivered a near perfect album. It’s just that Atlantic did not know how to market them as Pull Me Under would become a heavy weight round their necks. As I said, I love this album and would definitely recommend it to anyone.

10/10 from The Grooveman.

This whole album is a concept piece and a sequel to Metropolis Pt. 1 that appeared on the Images and Words album. To try and explain this quicklyL it’s about a man called Nicholas who goes into regression therapy, and while he is under hypnosis he sees a girl named Victoria Page. He learns that she was murdered and she is now haunting him to reveal the truth about her murder. This also the first appearance on record of Jordan Rudess on keys – after the departure of Derek Sherinian.

This is one of the best albums of the Prog rock genre, and is rightly regarded as a masterpiece. I am lucky enough to have seen this performed in its entirety (with the original recording line up) on various occasions – and you felt like you were seeing something special. I won’t bother to dissect each song as it is one whole piece that is split into sections. The highlights for me (and there are many) are: Overture 1928 and Dance Of Eternity/One Last Time – they are just other worldly and supremely written and composed pieces that I never tire of hearing. If you don’t shed a tear with The Spirit Carries On then you are not human. In my opinion, the band miss the creativity of Mike Portnoy. There is that spark missing from the albums recorded after his departure. If you are a fan of this genre, then you know how good this record is. If you are are somewhat curious, then you should buy this at the earliest your wallet allows.

10/10 from The Grooveman.