Tag: dream theater (Page 2 of 4)

This is technically not an album, it was an EP slotted in between the albums Awake and Falling Into Infinity, but the main and title track weighs in at over twenty three minutes. The rest of the piece is put together with cover tunes recorded at Ronnie Scott’s in London, a bit of a legendary show amongst DT die hards.

A Change Of Seasons is all that was great about DT at the time, a huge song split into seven different parts encompassing a varying of styles. A very personal piece for Mike Portnoy as it’s about the cycle of life and is a reference to the death of his mother. The date on the calendar on the sleeve that is circled is November 16th, the day she died. An absolute joy to listen to. The covers are from Deep Purple, Led Zeppelin, Genesis, and Kansas to name a few but the best of the bunch is a ripping version of Funeral For A Friend/ Love Lies Bleeding.

This is a great look back to a band approaching the height of their powers.

9/10 from The Grooveman.

Now, to play one of the best live albums ever in its entirety as a second part of a live gig is one thing, but then to release it and put it out into the wild, takes balls of steel. The original Made In Japan is so good and Dream Theater do a pretty good job covering it, even with the little odd musical warm up parts and raps before and in between tunes.

Of course, Labrie is not Gillan, especially an Ian Gillan in his prime. I mean, he tries and he does a great job but…I have seen Dream Theater more than any other band and I loved when they did things like this when playing live. When they played Dark Side Of The Moon at the Hammy O, it was incredible.

It’s best just to sit back and enjoy a great band pay tribute to a great band. It sounds incredible though!

8.5/10 from The Grooveman.

This was Dream Theater’s ninth album, and the first for Roadrunner after their split from East West. They went out with a bang after the release of Octavrium, which is one of their best albums. This album doesn’t get mentioned a lot as peoples’ favourite and often gets overlooked, but the quality of the tunes is very high indeed.

In The Presence Of Enemies Part 1 is a monster tune, and one of their best. The intro is superb, and it goes on for like three minutes before the vocals kick in. There is all the usual DT widdleisms and Metallica-esque riffage. On Constant Motion, you get both in the same track. The Dark Eternal Night however, is my personal favourite track. Right from the low end riffage at the intro, to the killer instrumental section, this track just melts your face and has the jaw dropping in awe. When they are on boy they are ON!

The band have lost that spark somewhat, and they need a reinvigoration. But, this gets…

9/10 from The Grooveman.

Album number seven sees the band continuing with, and increasing, the heaviness and taking the band in that more metal direction, but still having those trademark hooks and harmonies. It’s hard to believe it’s nearly twenty years since the release of this monster. I clearly remember being at Manchester for the first night. I love this album in all of its magnificence. D-tuned riffage and killer grooves and songs make this one of my favourite DT albums.

What a freaking opening with As I Am. It has a massive massive riff and it doesn’t get any better than that kiddies. Well actually, the opening to This Dying Soul is equally as awesome and huge. Portnoy is really pounding at the kit. If this doesn’t get the goosebumps up on your arms nothing will. Endless Sacrifice starts with this big power ballad that builds into this huge monster tune. The Honour Thy Father intro is just insane, what a killer riff with that odd time groove from Portnoy. Vacant is one of those slow mood pieces that La Brie is so good at with that breathy style he has. The album closes with two massive numbers. Stream Of Consciousness and In The Name Of God, which is such a poignant tune with the state of the world today. My favourite on this album changes but today it’s This Dying Soul. At this point they could do no wrong.

10/10  from The Grooveman.