REVIEWS FROM MY VINYL COLLECTION

Tag: blog music (Page 23 of 40)

BOZZIO LEVIN STEVENS – Black Light Syndrome

For Terry Bozzio and Tony Levin to come together in a project like this is no big stretch, as they have both been in Frank Zappa and King Crimson respectively, so you would think the chemistry would work with them. But to throw in Steve Stevens (who was known for being Billy Idol’s guitar player) was a bit of an unknown. Well, we needn’t have worried as he is the stand out guy here.

The idea of this project was just to go into a studio for 4 days and improvise the music that we have here – then do overdubs at a later stage. 7 pieces of music were the result and captured in the grooves. This is a 2013 vinyl reissue on Magna Carta. This not an album you play for dinner parties, you play this when you have some alone time so you can immerse yourself in the vastness of it. Great playing by all three guys, but mucho kudos to Steve Stevens as his playing is a revelation.

8.5/10 from The Grooveman.

AC/DC – If You Want Blood

When talking about great Live albums of the past, If You Want Blood doesn’t get mentioned that often, everyone usually says Made In Japan or Strangers In The Night (the usual suspects), but this is one of the best Live albums ever recorded. If any of you were lucky to witness this line up of AC/DC, you will know they were absolutely killer Live. It’s hard to imagine today’s version of the band doing anything like this, as they are almost a completely different sounding band.

This album and Let There Be Rock are the reason that DC were classed as a metal band at the time – they put so much energy into the show. Tracks like Let There Be Rock, Whole Lotta Rosie, and Bad Boy Boogie were metal anthems at the time. If you wanted to fill the dance floor with headbangers at any rock night, then DC were the band to do it. This album is the absolute definition of the term “every home should have one”.

10/10 from The Grooveman.

BLACKEYED SUSAN – Electric Rattlebone

When Dizzy Dean Davidson left Britny Fox, he dropped the Dizzy and formed barroom rock n rollers, Blackeyed Susan. They signed a deal with Mercury and recorded and released this album in ’91. The album bombed, and whilst the band were on tour they were dropped by the label – so this was the band’s only official release. They sound nothing like Britny Fox, and all signs of the glam are gone and replaced with a stripped down bluesy rock n roll vibe.

I really like this album as it’s a lot more honest and more representative of what really floated Mr. Davidson’s boat. If I had to pin down a sound, I would say it’s a beefed up version of the Faces, crossed with the Georgia Satellites sitting in on a Stones session. Sympathy fits that bill perfectly and is, what I call, a Friday night drinking song. The band shows that they can write great radio friendly tunes as Nothing Else Matters would have made a great single. To nail home that Faces reference, the intro to Ride With Me is very close to the intro to Maggie May. My favourites on the album are Old Lady Snow which is a great uptempo stomper, and the very stones sounding She’s So Fine.

8/10 from The Grooveman.

PRIMAL FEAR – Unbreakable

Do Primal Fear make bad albums? The easy answer is NO! You get exactly what you think is coming: a full on power metal experience with huge fat riffs and searing vocals.

This is a rare commodity in modern metal. Every metal band wants a logo that you can’t even read (never mind pronounce), with tunes that are just a wall of noise with no dynamics.

This is the ninth studio album by the band, and the first with guitar whizz Alex Beyrodt. It sounds huge, with an epic production by the band’s own Matt Sinner. After the classical opening intro, Strike kicks in with a fat monster riff and double kicks a pounding. Give Em Hell has a killer chorus – boy, do these guys know how to write a metal tune. Bad Guys Wear Black is an anthem for all metal heads everywhere – Judas Priest have forgotten how to write tracks like this and Beyrodt’s solo is really nice. And There Was Silence really rips along at a killer pace, and even when the song is this fast, the hook and the melody are front and centre. Metal Nation is a hands in the air anthem that you just know will be killer live. Where Angels Die is a big production number with acoustic into and a huge epic classical vibe.

You get the picture right? This is a great album, and if you are lover of anthemic power metal then you may already own this – if not, then what are you waiting for?

10/10 from The Grooveman.

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