REVIEWS FROM MY VINYL COLLECTION

Tag: blog music (Page 14 of 40)

VEGA – Anarchy And Unity

Since the collapse of most of the melodic labels in Europe, it seems as though Frontiers have now cornered the market with only Escape Music who is left of the originals. On this, their latest release, it’s nice to see they wrote all of the songs this time – I think on the last album outside writers had been brought in. My only gripe with this album is that the mix sounds very quiet and I have to really crank it.

If you’re new to Vega, they write super catchy hard rock belters. Beautiful Lie kicks things off nicely with a great groove and a super catchy hook. Sooner Or Later is even better with a killer groove and melody. End Of The Fade starts with a slow brooding vibe, and then normal service is resumed with another great hook and chorus. You get the picture right? This is the whole album!

I will give a special mention to Bring The Riot which brings the melody in spades, but is done in a very modern sounding way. I also love the sleazy barroom vibe of C’mon. Vega are a great band who deserve to be heard, and in this market how does a band like them actually break through? Frontiers – over to you.

9/10 from The Grooveman.

YES – Relayer

I have a love/hate relationship with Yes. I like the cap called classic period, and I love the Trevor Rabin era. I am totally confused as to what constitutes as Yes these days, as there seems to be too many variants doing the rounds. This version is part of the box set of Steven Wilson remixes and sounds incredible. You may think this is an easy album to review as there are only three tracks, but as with all things Yes, it’s a lot more complicated.

Rick Wakeman had jumped ship prior to the recording of this album, and was replaced by Patrick Moraz on the keys. Side 1 is given over to the massive The Gates Of Delirium, and everything you associate with Prog music in the 70’s is is all crammed into this one track. Odd time signatures, strange arrangements, and over indulgent playing are here in abundance, and up you can just smell the patchouli oil escaping from the speakers – this is what l love about Yes!

Side 2 is a bit more normal in the fact that we have a whole two tracks, but it’s more of the same with a most strange (almost jazz) intro to Sound Chaser. To Be Over sees the band being influenced by far Eastern instruments, and that vibe carries on for all of the track.

You either love them or hate them, and this album is no different. The mix and sound is awesome though and is a great listening experience.

8.5/10 from The Grooveman.

VANDENBERG – Heading For A Storm

This is the follow up release to their hugely successful self titled first album. It’s easy to see why old Cover-version stole him to be part of the Whitesnake set up, as Adrian sure knew how to write a hook and melody. This album is not as hard hitting as the first. The aim here was to consolidate and to make inroads into the US, so the songs were aimed in that direction. Unfortunately, the sales did not improve much and the single, Friday Night, only made it to number 29 on the Billboard chart.

Unusually, this album seems to be loaded up with the better songs on Side 2. This Is War is my choice as best track on the album, as it’s the most uptempo track. I’m On Fire is a typical Kiss style stomper of the period, and the title track is a close second for best track. If Side 1 was better, this would have been a killer album. I don’t play this album a lot and I’d forgotten what a great player Adrian is.

8/10 from The Grooveman.

ANTHRAX – Worship Music

There is something about Anthrax and the way they write tunes. They never forget that fans have to connect with the music, and that they should make them move – Anthrax always have that swing and groove to their music.

This album was released 8 years after its predecessor, and saw the return of Joey Belladonna on vocals. I do like the John Bush albums, but Anthrax with Joey is where it’s at for me. This was also the final album to feature Rob Caggiano on guitar before jumping ship to join Volbeat. You could be a cynic a say this was done only for money and for the profile lift of doing the Big 4 events.

I think this is a great comeback album for Joey, and there isn’t a bad tune on the whole album. Standout tracks are The Devil You Know, which has a superb hook and chorus and it riffs hard. Fight Em Till You Can’t which is pure old school Anthrax, where the thrash is still alive and well mixed with a killer riff and groove. In The End has to be one of the best things they have done, it has an epic build up and the middle is just huge! I defy you not to bounce to this one, and I love the way the song titles have been merged into the lyrics of Judas Priest.

This album sits loud and proud with classic Anthrax albums, and if you’re a fan, why don’t you own this already?

9.5/10 from The Grooveman.

« Older posts Newer posts »